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Jazz /

Cyro
When Cyro Baptista moved to New York in 1980 from his home city of São Paulo, he brought with him an arsenal of percussion instruments, including the cuica (friction drum), surdo (the booming bass drum associated with samba), berimbau (single-string bow with resonating gourd), and cabasas galore, in the next few years deploying them most notably in numerous ensembles curated by John Zorn, who helped set up this studio session in 1982.As you might expect from someone whose infectious grooves have…
European Jazz Sounds
A CD of unreleased live recordings and rare radio sessions. During the period 1953-1964 the Michael Naura Quintett was one of Germany's most successful jazzbands. The music of this eclectic quintet was strongly influenced by George Shearing, Dave Brubeck and Horace Silver's hard bop, but also by the chamber-influenced style of the Modern Jazz Quartet. From 1953 on, vibraphonist Wolfgang Schlüter was the main improviser in Naura's quintet. The remastered music on this album will blow you away and…
European Jazz Sounds
A collection of unreleased radio session recordings from the original tapes! The few recordings made by the New Jazz Group from Hannover in Germany are scarcely documented. The band was founded in -or around- 1954 by Bernd Rabe (alto sax and clarinet), pianist Klaus Wunderlich, drummer Helmut Perschke, bass player Eberhard Pommerencke and Karl Blume (baritone sax and vibraphone). This release documents a special chapter in German jazz history. Alto Saxophone, Clarinet – Bernd Rabe Baritone Saxop…
European Jazz Sounds
Remastered radio sessions from the period 1959-'66, recorded in Cologne. A 16-page booklet is included.
Night Music 1974
A never-heard live session from the great Eje Thelin – a mid 70s set that has the trombonist working with a cool quartet that includes some Fender Rhodes from Harald Svensson – who makes a wonderful partner for Thelin's long-blown lines! Eje had already grown tremendously as a musician in the 60s – from bop to modern to avant in the space of a few short years – and here, he moves back into more soulful territory which opens up perfectly next to the Rhodes – with these very fluid, open solos that…
Jazz Jamboree 62 Vol. 2
A CD-issue of excellent '62 live recordings from the highly regarded Swedish jazz trombonist
European Jazz Sounds
The 'European Jazz Sounds' series, that started around 1960 with legendary albums by the Michael Naura Quintet, Tubby Hayes and Max Greger, sees a welcome revival! This first volume presents the early recordings of the renowned Joki Freund Quintet from the late 1950s. German saxophonist and arranger Joki Freund played with Jutta Hipp in the mid-'50s, before forming his own Joki Freund Quintet. During the late '50s they played various European festivals, together with visiting American musicians …
Attention L'Armee
Staubgold present a reissue of Atarpop 73 & Le Collectif Le Temps Des Cerises's Attention L'Armee, originally released in 1975. 10 December 1974. 200 conscripts exited the casern of Draguignan in order to demonstrate in the streets of the city. They made part of those clandestine soldier committees multiplying themselves all over France with a view to unite the young activists of the extreme left with the anti-militarists. This dispute was a backwash of the student manifestations in spring…
Libido
Libido is a noteworthy moment in contemporary Free Improvisation you should not miss. It’s so fragile, yet uncompromising, so sensitive and confrontative at the same time… It’s simply beautifull" Edition of 200 copies on black vinyl. Comes in a cardboard sleeve with inner envelopes and includes a paper inlay. Blemishes are Thomas Lumley (tenor saxophone) Nicola Hein (guitar), Constantin Herzog (bass) and Niklas Wandt (percussions)
Chain
After establishing his name during the Eighties as an electric bassist in alternative rock bands, Hernani Faustino turned to avant-jazz and free improvised music and chose the double bass as his self-taught instrument. Two decades later of multiple interactions with Portuguese and international musicians, he’s now considered one of the most intense and solid bassists in the Portuguese scene. Vasco Trilla is Catalan citizen of the world. He performs and records on eve…
Picnic
2016 release. The first reissue of Picnic, originally released on Data Records in 1985. A little-known gem of Dutch free music, Picnic is the brainchild of cellist Tristan Honsinger, who composed all but one of its 12 compositions. Brilliant and whimsical, the tracks bring to mind Honsinger's work with ICP Orchestra, for whom he has also composed extensively. Here he's working in an incredible ensemble, with trumpeter Toshinori Kondo, saxophonist Sean Bergen, Jean Jacques Avenel on bass, Michael…
Frogs (Ep)
7" picture disc for Barry Guy's 70th birthday. Interspecies personnel: Laubfrosch (Hyla Arborea) - acoustic sounds; Wasserfrosch (Rana Esculenta) - acoustic sounds; Barry Guy - acoustic sounds. Recorded May 30th, 2011 by Maya Homburger in Oberstammheim, Switzerland; Edited and mastered by Mikael Werliin at Studio Oodion Göteborg; Photos by Maya Homburger; Graphic design by Lasse Marhaug; Produced by Mats Gustafsson. Limited edition of 300 (numbered).
On the A and on the B
Per-Ake Holmlander is born in 1957 in Skellefteå in the very north of Sweden. Holmlander received his diploma in classical tuba in 1983 at the Royal Academy of Music in Stockholm with Michael Lind as a teacher. Holmlander has always worked simultaneously with improvisation, jazz and rock music as well as classical and contemporary music.As an improviser Holmlander has worked with - Eje Thelin, Marilyn Crispell, Paul Lovens, Folke Rabe, Phil Minton, Sten Sandell, Sven-Åke Johansson, Mats Persson,…
Born Free
Outstanding!!! A huge document of this incredible year in jazz in Germany – a time when free styles were breaking out all over, alongside some of the groovier styles of the MPS scene as well! This beautiful box documents the 12th German Jazz Festival in three different concerts – amazing music that really shows the transformation that was taking place at the time – and which is still revolutionary all these many years later – making for a listening experience that makes us feel like we're hearin…
Trio and Duo in New Orleans
CD1: Edward "Kidd" Jordan – tenor saxophone, Alvin Fielder - drums, percussion, Peter Kowald – bass. Recorded on 28th April, 2002 at Zeitgeist Multi-Disciplinary Arts Center, New Orleans, Louisiana / Coordinator - Eduardo Young / Engineer - John Crutti Jr. All titles composed by Edward "Kidd" Jordan (Danjor Music, ASCAP), Alvin Fielder (ASCAP) and Peter Kowald (GEMA) Special thanks to Rene Broussard, Rob Cambre and Dr. Jimbo Walsh CD 2: Edward "Kidd" Jordan – tenor saxophone, Alvin Fielder - dru…
Throw Down Your Hammer And Sing / Sheldon Siegel
Split LP by Throw Down Your Hammer And Sing and Sheldon Siegel. Throw Down Your Hammer And Sing is the trio of Nate Wooley, Fred Lonberg-Holm and Jason Roebke, Sheldon Siegel is the trio of Erik Heestermans, Gerard Hermanand Gino Coomans. Two sides of grainy textures and truly happening improv. This album was a co-production of Smeraldina-Rima and croxhapox. The artwork was made by Berlin-based artist Hannelore Van Dijck resulting in two different LP-sleeves, each sporting two different drawings…
Live At Maya Recordings Festival
Superb improvisation from three masters - Evan Parker on sax, Barry Guy on bass and Paul Lytton on drums - performing at the Maya Recordings Festival, September 23 - 25, 2011 at Theater am Gleis, Winterthur, Switzerland." After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of th…
Impossibility In Its Purest Form
Percussionist Eddie Prévost not only co-founded the British improvising collective AMM more than 45 years ago, he is its chief annotator and its sole consistent member. With these dual roles he has both explained the aesthetic, political and ethical dimensions of an enterprise dedicated to constant self-examination and on-stage negotiation, and ensured the music’s immediacy through the agency of his exactingly tuned-in playing. But before he did any of that, he was a fine jazz drummer wit…
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