Jazz /
Lila Eule
* 2022 stock, few copies available * Recorded at Lila Eule, Bremen, Germany, November 1965. Published as a part of Stop Smiling, Issue 34 (2008)
Peter Brötzmann, alto saxophoneHorst Prehn, alto saxophonePeter Kowald, bassGerd Panzer, drums
The Quietly Clouds And A Wild Crane
* Edition of 300 copies * This latest instalment from NoBusiness Records collaboration with the Japanese Chap Chap label under the name of Yuji Takahashi with Sabu Toyozumi constitutes a real find. A wonderfully mystic vernal episode of free improv music recorded in Tokyo, 1998. Piano and percussion album of the highest beauty, interactive on a telepathic level and execution. Yuji Takahashi is a Japanese avant-garde composer and pianist. In Japan he was by then already well established as leadin…
Seishin-Seido
300 copies. Mototeru Takagi (tenor saxophone) Kim Dae Hwan (percussion) Choi Sun Bae (trumpet). NoBusiness Records in cooperation with Japanese Chap-Chap Records has started a series of releases of unreleased concerts that took place in Japan in the 90s. Concerts were organised by big fans of free jazz and improvised music Takeo Suetomi and Sadamu Hisada. The idea of the series of the concerts was to arrange and record cooperative projects of American-European musicians with Asian musicians, as …
We‘re Playing In Here ?
300 copies. Recorded on 11th April, 2007 at Park West Studio by Jim Clouse. The Ullmann/Swell Quartet is the latest format of Gebhard Ullmann and Steve Swell with bassist Hill Greene and legendary drummer Barry Altschul. This emotional and intense quartet was founded in 2004 and toured in the U.S. and Canada in the same year. in October and November of 2006 the Ullmann/Swell 4 performed in Europe for the first time and got raving reviews. More tours in the U.S. and Canada followed 2007 and 2008.…
Love Ghosts
Following up their 2019 album 'Summer Bummer', the trio of Rodrigo Amado on tenor saxophone, Goncalo Almeida on double bass, and Onno Govaert on drums are heard in this concert, recorded by Joaquim Monte at Namouche Studios, Lisbon, January 12th, 2020 in a solid set of confidently exploratory improvisation and engrossing group dialog balancing pensive reflection and fire.
Revelations - The Complete ORTF 1970 Fondation Maeght Recordings
Available officially for the first time, Revelations includes two hours of never-before-heard Albert Ayler recordings presented for the first time chronologically. Featuring some of the last recordings Ayler made before his passing in 1970. This is a major event in the music world, released in collaboration with INA France and the Maeght Foundation.
The 4 CDs are published in collaboration with Albert Ayler Estate & Ina France. This edition includes a huge 100-page booklet with unpublished phot…
For You I Don't Want To Go
Recorded 9-17-2020 by Jim Clouse at Park West Studio in Brooklyn NY. Kirk Knuffke is one of the most distinctive improvising cornetists working today, becoming a force on the New York scene with his boundless creative virtuosity and comprehensive understanding of the jazz tradition. As a bandleader, Knuffke’s projects include a longstanding quartet with trombonist Brian Drye, bassist Mark Helias and drummer Jeff Davis, and co-leading Sifter with guitarist Mary Halvorson and drummer Matt Wilson. …
Allium
Allium is the second recording by this chamber trio, a follow-up to their critically acclaimed 2018 release Ithra. On that record they made a singularly powerful statement delving into non-soloistic group interaction and compositional development in a free-improvised context. Allium ventures even further down that fertile path.
In fact it’s frankly difficult to believe these pieces weren’t pre-composed and rehearsed at length. The beginnings, endings, development, and structure of each one demon…
Refracion Solo
An intimate solo set by Portuguese tenor saxophon player Rodrigo Amado, recorded at the Church of The Holy Ghost (Igreja do Espírito Santo), Caldas da Rainha (Portugal) on 4th July 2021. Amado is a key player of the current European jazz scene and has regular bandprojects with Joe McPhee, Chris Corsano, Hernani Faustino, Alexander Schlippenbach and leads his own groups Lisbon Freedom Unitand Motion Trio.
"The lockdown meant focusing on a different kind of dialogue, a conversation with the tenor …
Plastic Sun
*2022 stock* 'From the early years of Norwegian jazz, few albums have stood the test of time as well as the venturesome and subtly psychedelic Plastic Sun. It was the Svein Finnerud's second disc, and was released on Sonet in 1970. Inexplicably for an album of such beauty, it has been a hard-to-find collector's item for decades, having only been reissued once before, in 1998, as a CD on the Norwegian Jazz Federation's Odin label. In April 2018, Odin have reissued it again, this time on CD and in…
Summer 2021 "World Galaxy"
2022 REPRINT. This is the first issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Inside, you'll find great new stories about music including the cover piece on Alice Coltrane by Ashley Kahn, Sun Ra by Daniel Spicer, Berlin report by Debra Richards, Corbett by Stewart Smith, Andreas Müller on Lockdown Listening, Alan Braufman talking to Nabil Ayers, plus more. This is a magazine but together by a quality cas…
Amaryllis
The fifth issue of We Jazz Magazine, "Amaryllis" for Mary Halvorson. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in Eglish. Stories include Mary Halvorson by Peter Margasak, Pi Recordings by Will Layman, Tyshawn Sorey by Marc Medwin, Women On the Syllabus by Tina Edwards, A Love Supreme Festival by Gareth Allen, Odysseus Festival by Dave Waller, Bob Rutman by Marialuisa Bonometti, Sarathy Korwar & Joanna Duda in co…
Pulsation
On May 27th 1983, drummer Masahiko Togashi and guitarist Masayuki Takayanagi, two pivotal figures in the Japanese free jazz scene that had been working together since the 1960's, performed and record this unique set at Zojoji Hall in Tokyo. At the time, Japanese jazz musicians were trying to find their own voice, welcoming creative elements coming in from the USA and Europe. The two musicians were at the fore-front of this generation, with Takayanagi developing his own guitar style through influ…
Respiration
Respiration adds to the Cecil Taylor oeuvre a nearly perfect 43 minutes of Taylor’s solo power recorded at a beautiful level of quality. It comes from early-ish in his career—it’s always surprising to me, even though I know the history very well, how early Taylor was going this far away from the rails—when he had only just cemented his mature vision ( Conquistador! and Unit Structures were 1966). It feels as joyfully playful for him as it does for him as it does for us.
It’s hard to tell sometim…
October Suite
*In process of stocking.* The greatest Polish piano trio RGG played in the great final of Ad Libitum Festival 2020. In the middle of pandemic restrictions, almost without the audience but with a great companion on three additional and at the same time exceptional guests. Next to the band stood on the festival's stage, one of the most interesting and promising vocalists Marta Grzywacz, great trumpet player Artur Majewski, and block flutes virtuoso Dominic Strycharski.They met for the first time, …
Sine Nomine
*In process of stocking.* Famous and incredible violin virtuoso Mark Feldman and phenomenal cellist Katinka Kleijn joined forces and recorded their first duo recital. Both have great experience and long careers in the classical, contemporary, jazz, and improvised music world. Mark is well known for his music as a leader as well as for long-distance collaboration with such musicians as John Zorn, Erik Friedlander, Evan Parker, Sylvie Courvoisier, and others. Katinka established shes position both…
When The Hills Run Across The Fields (Live In Nickelsdorf)
On July 21st 2018, the third day of the 39th Konfrontationen Festival, Kaja Draksler played a blisteringly intense concert with the Peter Evans Quartet. The biggest surprise of the day, however, came a few hours later, when she joined forces with Dutchmen Ab Baars and Terrie Ex. The surprise was not the combination of these distinct personalities in itself. You could have seen that coming. The remarkable thing about it was the emotional pay-off and the sheer beauty of the performance. Like some …
Jazzpreis
Tip! *In process of stocking. Limited edition of 500 copies.* Dry-sober: The whole thing is not new. Neither the line-up nor the methodology according to which the music on this record is organized. The two have known each other for 40 years, then as now they just met and started playing, without prior arrangements, earlier out of ignorance, today out of the opposite: the results are amazingly similar. Only: the recordings from the last 40 years, made privately with the tape recorder or later by…
Fencing 1978 (John Zorn's Olympiad Volume 2)
*In process of stocking.* Two extremely rare live recordings of the classic Zorn composition “Fencing” from the early days of the Downtown scene. Featuring two realizations: one with Eugene Chadbourne, Duck Baker, and Randy Hutton and the other with Chadbourne, Polly Bradfield, and John Zorn, the music is astonishing—filled with strange sounds, odd juxtapositions, stark silences, sudden explosions, and all held together by a bizarre overarching compositional logic. Featuring a 16-page booklet re…
The Cleansing
*In process of stocking.* Zorn and Laswell have been friends and musical compatriots since they first met in 1978, and have been responsible for some of the most intense and memorable music in the late 20th and early 21st centuries. Recorded in early 2021, near the end of the year’s pandemic lockdown, it marks the first time Zorn had touched the saxophone in over fifteen months. Laswell had spent most of the year locked in his apartment. Something special was happening that day—and after the ses…