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Big Tip! As poets from Shakespeare to Heine have recognised, “the forest” is not just about grandeur and most expansive of gestures; it is also about intimacy and there is a remarkable intimacy to Christopher Kunz’s and Florian Fischer’s music. The forest is both inhuman, wild, and, because it houses us and to a degree depends on us, profoundly humane. You’ll find these qualities here as well. Focus, breathe and listen. (Brian Morton)
Joe Maneri’s last Microtonal recordings from the year 2002. These are not typically arranged songs, but asymmetrical, asynchronous constructs that develop from simultaneous, complimentary but peripheral gestures of the mind and heart. The harmonic contrasts that result from Joe Maneri’s breathy microtones; the fixed pitches, inclining towards atonality, of Tyson Rogers’ piano; and Jacob Braverman’s ambiguously scored percussion color their contrapuntal angles and parallel lines. Layers of energy…
1991 release ** "The singer's vocal style is characterized by an enormous vocal range and a particularly accentuated use of the voice as an instrument (cf. Scat or Bop vocals). The constant change of intonations and phrasing as well as different timbres, the mixture of cantilènes and squeaking or cooing noises with overtone singing creates a confusingly diverse sound world of strong tension, which always comes into its own not only in solo performances, but also in ensemble playing, without domi…
1998 release ** "This is a change of pace for West Coast musician Steuart Leibig, who is joined here by saxophonist Vinny Golia and drummer Billy Mintz for a mix of Leibig compositions and thoroughly improvised numbers. Leibig leaves his violin at home, instead focusing on contrabass guitars, while Golia muscles his way on baritone and soprano saxophones. The composed pieces are loose constructs; a different course from the leader's earlier penchant for densely layered colors. If the disc has a …
1989 release (RARE) ** "Recorded in 1983 in Nessa's Acme studio in Chicago, Procession of the Great Ancestry is among Wadada Leo Smith's most obscure, but ultimately most satisfying, recordings. Featuring Kahil El'Zabar, Louis Myers, Joe Fonda, John Powell, Mchaka Uba, and Bobby Naughton, this was the first album to showcase Smith's expansive vision, which included all forms of black music -- from the myriad languages of jazz to gutbucket blues, reggae, and various African folk musics as well as…
1996 release ** "The recording debut of Affinity finds the quartet (Joe Rosenberg on soprano, tenor saxophonist Rob Sudduth, bassist Michael Silverman and drummer Bobby Lurie) exploring nine Rosenberg originals and Eric Dolphy's "Hat & Beard." The music is essentially free bop, with strong solos from the two saxophonists, alert interplay from Silverman and Lurie, and an attractive group sound. This music rewards repeated listenings and acts as a strong beginning to this important if underrated b…
2025 stock ** "Released not recently for the underground 'Jumbo' Dorgon y su grupo will make us discover and feel no longer a solitary and difficult Dorgon or immersed in impromptu and meticulous 'two-up' experiences. Accompanied and supported for the occasion by Curtis Hasselber (guitar and trombone), Ted Reichman (accordion), his partner Laura Cromwell (drums) and Matt Moran (vibes), this phantasmagoric figure of 'metropolitan minstrel' will confirm his multifaceted soul and desire to push him…
2002 release ** "It is difficult to think of this as anything but pure joy, although in some ways it is less intense than other releases led by the remarkable violist Mat Maneri and it is stamped with a cerebral quality from the start. There is a surprisingly charming density, too, that comes through on most tracks, though as with most of his work, there are few if any melodic references but instead a focus on color and sound. Maneri carefully paces himself and the quintet so that every note cou…
"We recorded this CD in May 2023 on the magical Greek island of Hydra in the Old Carpet Factory Studio. The title Kouartéto emanates from the cover image by the artist William Pownall who in the true spirit of Hydra has for many years been an important focus for visitors seeking original artistic creations. And so, in this spirit. The music on this CD reflects a multifaceted response to a multicultural and open understanding of how artists can work together.
Every project involving these four cr…
2025 stock ** Recorded in Milan (Italy) and originally released in 1975, Sea of Faces stands as one of Archie Shepp's strongest recordings of the Seventies. A highly varied program, covering Shepp's entire spectrum and performed by an all-star line-up featuring Archie Shepp - tenor & soprano sax, piano, vocals, Charles Greenlee - trombone, tambourine, vocals, Dave Burrell - piano, Cameron Brown - bass, Beaver Harris - drums, tambourine, vocals, Rafi Taha - vocals, Bunny Foy - vocals, maracas, pe…
*2025 stock* "It was at Ramón’s suggestion that we record as a duo in the downtime of another studio session, and perhaps it was his constellation of drums and cymbals that prompted the thought of a metaphorical planetary system. So Sidereus Nuncius - The Starry Messenger the title of Galileo Galilei’s short astronomical treatise published in early 1610, did not necessarily stretch the imagination unduly – there it was in front of me!
Galilei’s telescopic observations of the moon and other celes…
*2025 stock* "Barry Guy and I first met and played together in a version of the Spontaneous Music Ensemble in the days of the legendary Little Theatre Club. The late John Stevens, visionary prophet of the coming music was the key figure at the centre of things who brought us together. “So it goes“ – John often used this figure of speech.
I was reminded of this when I was looking through Samuel Beckett’s Collected Letters, hoping to glean some titles, knowing that Barry would be happy with a Beck…
*2025 stock* "Peter Evans and I have occasionally met in larger ensembles for special projects. This particular concert in Uster (Switzerland) within the PAM festival on 18. November 2016, allowed us to delve into the minutiae of duo performance where intense listening and decoding of intentions kept our minds and bodies in high alert. This occasion had us playing somewhat athletically, pushing and pulling ideas around, and to be honest, we both felt exhausted after the concert but also exhilara…
*2025 stock* Free jazz trio made up of leading improvisers pianist Agusti Fernandez, bassist Barry Guy and drummer/percussionist Ramon Lopez, recorded live in Cologne in 2013. Agusti Fernandez gives some insight into the music, “I believe that the essential thing for us is our shared desire to create an extraordinary, unexpected and unusual moment through music. A moment that cannot, perhaps, be described in words, but which can be perceived perfectly, as one of those fantastic occasions when mu…
2025 stock Sunny Murray's talent is bigger than any category you could use to describe it. he's one of the most original musical minds of the past 50 years, a genuine innovator, the liberator of the drum kit, and an artist of uncompromising honesty. murray's playing in the 1960s with albert ayler, cecil taylor, archie shepp, & others opened up entirely new expressive realms for the drums in jazz. murray's act of liberation --to free drummers from their strict time keeping role-- still outrages m…
2025 stock Sunny Murray is widely credited with being the first drummer to fully liberate the kit, developing a form of omni-directional accompaniment that dissolved the distinction between supporting and leading and helped spark the free jazz revolution that took place in the early 60s. Indeed, Murray spent time with most of the new music's major theorists, including both Cecil Taylor and Albert Ayler. But in recent years he hasn't seemed like quite the drummer he was, lacking the focus and (pe…
2025 stock Marvin Nunez, aka “Uncle Marvin,” was one of the few tenor saxophone players who explored the world of sub-tone music. A world of whispers heralded by vibrations so low and subtle they could not be heard by the naked ear. We don’t hear the bass, we feel it through the soul of the ear. Through our feet, fingers and the intuitive now. Marvin Nunez wore a black raincoat with a fur lining all year round. He seemed to appear and disappear at will, coming out of the shadows and returning th…