Jazz & Improvisation / Japanese Jazz

BBE Music continues its highly acclaimed J Jazz Masterclass Series with Kemo Sabe, the debut album from pianist Masao Nakajima. Recorded in 1979 on Yupiteru Records, it’s an elusive beast in the field of J Jazz and balances delicate and refined playing with power and vigour. The Kemo Sabe album features bassist Osamu Kawakami, who has performed and recorded with such J Jazz figureheads as Sadao Watanabe, Isao Suzuki, and Kunihiko Sugano. Sax duty is by Toshiyuki Honda, leader of the popular fusi…

The ninth album in BBE Music's J Jazz Masterclass Series presents ‘At the Room 427’ by Koichi Matsukaze Trio Featuring Ryojiro Furusawa, a rarely heard exemplar of post-modal power bop and free jazz. Delivered by a trio playing with an intensity and energy that draws on classic Eric Dolphy and mid-era Coltrane but definitely with its own particular vibe, At the Room 427 is an exemplar of febrile improvised jazz that could only come from Japan. This deluxe reissue sees a welcome return to the J J…

Since 2018, BBE Music has been leading the field in reissuing rare modern jazz from Japan’s golden period spanning the late 60s to the early 80s. The J Jazz Masterclass Series continues to present the finest in Japanese jazz with 'Planets' by Masaru Imada Trio + 1. Originally released in 1977 as a private press album, 'Planets' showcases the refined playing and sophisticated compositions of one of Japan’s leading pianists, Masaru Imada. In a fifty- plus year career he has released over 40 albums…

As part of its continuing exploration of Detroit’s Strata label with DJ Amir’s 180 Proof Records, BBE Music reissues the 1974 rare jazz classic ‘Inside Ourselves’ by Sphere. Recorded live on June 28th, 1970 at the Detroit Institute of Arts, ‘Inside Ourselves’ features John Dana on bass, Jimmy Peluso on Drums, Keith Vreeland on, Electric Piano, Eddie Nuccilli on Trumpet and Flügelhorn, plus bandleader Larry Nozero on tenor and soprano Saxophone. The album comprises seven captivating original comp…

As part of the widely respected BBE J Jazz Masterclass Series, Koichi Matsukaze‘s incredibly rare and much sought after album Earth Mother sees a deluxe repress on BBE Music. This is the third highly anticipated release in the series. Regarded as one of the most sought-after yet elusive albums from a pivotal era in Japanese jazz, Earth Mother was originally issued in 1978 on ALM, a private label home to some of the most innovative jazz, contemporary classical and free improvisational music relea…

*2023 stock* Japan's legendary drummer steps out here with a killer combo – definitely a "big 4", given that the group features excellent tenor work from Hidehiko "Sleepy" Matsumoto, plus Fender Rhodes and acoustic piano from Hideo Ichikawa! George Kawaguchi's famous sense of swing really gets the whole thing going – that big, round approach to the drums that was somewhere in a space between Art Blakey and Buddy Rich – and which was definitely hitting some of its hipper tones by the time of this…

"This is Kunio Ohta's second TBM album, known as a favorite of listeners who love the TBM label. The original "Umi to Taiyo (The Sea and the Sun)" features all the members in lively action, and Takano's melancholy tenor solo on the over 16-minute title track is a must-hear." - Koki Hanawa

Masayuki Takayanagi, a charismatic artist who relentlessly pursued new jazz. Three albums by Tee & Company, the strongest big combo of the 20th century under Takayanagi. This is their second album. Includes the fast-paced "Dragon Garden". The other three tracks, in which Takayanagi, Mori and others interplay with a unique sense of time, are also must-listen.

The impossibly cool 1973 album What's Going On from Late, Great Japanese Funk & Jazz Don Takehiro Honda which swings through jazz orchestral renditions of American R&B and Funk Classics like Marvin Gaye's "What's Going On, "Otis Redding's "Sitting On The Dock of the Bay," and James Brown's "Ain't It Funky Now" turning them into the most Down Home, Grits 'N' Gravy Grooviest Versions and sounding like they were recorded at the studio of the band that taught the Memphis Rhythm Sections all they eve…

Tip! Spectacular live recording from 1986 of two seminal figures of the Japanese avantgarde - Akira Sakata on saxophone and Takeo Moriyama on drums. Mitochondria captures the reunion of the two free jazz masters, who started playing together in the Yosuke Yamashita Trio in 1972 until 1975. For both, the experience with the trio was an important step in the development of their own career and musicianship. The recordings are a remarkable performance in which each successfully highlights the essen…

*2022 repress* Studio Mule present a re-recording of Motohiko Hamase's Intaglio, originally released in 1986. Currently the rediscovery of long-forgotten Japanese electronic, jazz, and new age music is at a peak like never before. Although many reissues have already hit record stores, the large, diverse musical culture of Japan still got some gems in store that are really missing. For example, the work of Japanese bass player, new age and ambient musician Motohiko Hamase. When the now 66-year ol…

Bristling with tension and remarkable restrained interplay, encountering both players at the top of their game, No Business’ latest CD, Live at FarOut, Atsugi 1987, a never before issued duo between Bailey and the Japanese saxophonist, Mototeru Takagi, is easily among the best documents of free improvisation we’ve heard all year.

Ferocious JP / US free jazz bomb. A rare meeting between the NYC free jazz scene and the Japanese free music scene. Old-style Gatefold LP, with rare photographs & liner notes by Alan Cummings.

Famed free jazz concert registration of an early New Direction for the Art performance. Recorded in 1971. Old-style Gatefold LP, with rare photographs & extensive liner notes by Alan Cummings.

** 2021 Stock. In process of stocking ** Craftman Records presents "Ryuhyo" – Sailing Ice by Motohiko Hino Quartet. Art Direction – 西沢勉, Bass – 井野信義, Drums – 日野 元彦, Engineer [Assistant] – Shigeru Kadowaki, Toshiaki Kanazawa, Engineer [Recording] – Masayoshi Okawa, Executive-Producer – A. Fukutomi, K. Saga, Guitar – 渡辺香津美, Liner Notes – 森田俊一, 藤井健夫, Photography By [Cover] –佐々木政勝, Producer – 藤井 武, Tenor Saxophone – 山口真文, Tenor Saxophone, Alto Saxophone – 清水靖晃.

** 2021 Stock. In process of stocking ** Craftman Records presents 2nd Album by Kosuke Mine Quintet. Recorded November 29 and December 2, 1970. Alto Saxophone, Soprano Saxophone – Kosuke Mine, Art Direction – Ben Nishizawa, Bass – Yoshio Suzuki, Drums – Hiroshi Murakami, Engineer [Assistant] – Kenji Kurota, Engineer [Recording] – Yoshihiko Kannari, Guitar – Yoshiaki Masuo, Liner Notes – Shoichi Yui, Producer – Takeshi "Tee" Fujii, Producer [Associate] – Kazumitsu Saga, Trombone – Takashi Imai.

** 2021 Stock. In process of stocking ** Craftman Records presents Blues For Tee by Tsuyoshi Yamamoto Trio. Recorded live in concert on December 25, 1974. Art Direction – Ben Nishizawa, Bass – Akira Daiyoshi, Drums – Toshio Osumi, Mixed By – Yoshihiko Kannari, Photography By – Akira Aimi, Piano – Tsuyoshi Yamamoto, Producer – Takeshi Fujii.

Craftman presents a live concert by New Direction. The album includes 2 tracks performed by Masayuki Takayanagi - Guitar, and Kaoru Abe - Alto Saxophone. The first album track: Thursday / Gradually Projection, was recorded on June 18, 1970 at Tokyo. The second one: Jha / Mass Projection was recorded on May or June, 1970 at Tokyo. Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest no…

Now! by Masaru Imada was the second album released by the fledgling Three Blind Mice label and the pianist's first leader album for the label. All four tunes are Imada's original compositions. The two slow numbers – "Nostalgia" and "The Shadow of the Castle" show his lyrical, "quiet but emotional," qualities. "Alter" is an adventurous tune whose focus is on free improvisation while "Gehi Dorian" is a modal composition as the title suggests.

** In process of stocking ** Craftman records presents One For Duke by Masaru Imada Trio. Recorded May 27, 1975. Art Direction – Ben Nishizawa, Bass – Isoo Fukui, Drums – Tetsujiro Obara, Engineer – Yoshihiko Kannari, Piano – Masaru Imada, Producer – Takeshi Fujii.

Japanese free jazz pioneer and trumpeter Itaru Oki, who passed away in August 2020, was active mainly in Europe. He was one the key players in the development of a distinctively Japanese take on free jazz in the Tokyo scene of the late 1960s and early 70s, leading his own power trio and collaborating with other formative names like percussionist Masahiko Togashi and bassist Keiki Midorikawa. His last recording (recorded live on October 7, 2018) was a 75-minute improvisation with legendary Masahi…

Tip! "It is my great pleasure to introduce you to the second volume of the "Japanese Jazz Spectacle" series. Following the first compilation which focused on recordings from the Nippon Columbia catalog, this time we are digging into the King Records archives. It is almost impossible to capture the whole picture of Wa-Jazz in a couple of compilation albums since it is such a broad and deep genre, however, by extracting tracks from the Nippon Columbia and King Records collections - both labels hav…

Tip!   Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene.  After many years working as a record buyer for several stores, DJ Chintam open…

BBE Music presents the fourth release in their acclaimed J Jazz Masterclass Series: Topology by Makoto Terashita and Harold Land. Originally released in 1984 on the cult Aketa’s Disk label, Topology captures a surprising yet fascinating and engaging collaboration between a young Japanese jazz pianist and an elder American statesman of jazz.Reissued by BBE Music for the first time since original release 36 years ago, Topology showcases the extraordinary compositional and playing skill of Makoto T…

NoBusiness presents Live at Jazz inn Lovely 1990, a new set of recordings by Masayuki JoJo Takayanagi, Nobuyoshi Ino and Masabumi PUU Kikuchi Recorded live by Sony TC-DM at jazz inn Lovely, Nagoya, Japan, October 9th, 1990. Track 1,4 & 5 improvised and composed by Masayuki JoJo Takayanagi, Nobuyoshi Ino and Masabumi PUU Kikuchi. Track 2 & 3 improvised and composed by Masayuki JoJo Takayanagi and Nobuyoshi Ino. Gigs produced by Katsuhiko Kawai 河合勝彦. Tapes provided by Koujiro Tanaka 田中康次郎. Mastere…

** LP version. 180 gram vinyl. Heavy sleeve and obi ** We Release Jazz announce the official reissue of Ryo Fukui's only solo piano album, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his beloved Hokkaido region, the fan-favorite "Nord" and "Voyage", a tribute to his mentor Barry Harris ("Nobody'…

** LP version. 180 gram vinyl; Half speed mastered; Heavy sleeve and obi ** We Release Jazz is ecstatic to announce the official reissue of Hiroshi Suzuki’s glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono. Cat was recorded in October 1975 at at Nippon Columbia Studi…

Hozan Yamamoto, a legend of Japanese jazz, he is rightly regarded as a true master and was recognised as a "living national treasure" by the Japanese government in 2002. Over five decades he pushed the genre into new directions, absorbing fusion, funk, spiritual jazz and many other sounds, resulting in a discography studded with gems of rare beauty. Exploring his back catalogue has taken us on an engrossing journey that now sees us reissuing another work from this ground-breaking musician.Though…

** 80 coloured copies on white/blue marbled vinyl. Includes insert and obi. ** Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed ​​and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our percep…

** 80 coloured copies on golden vinyl. Includes insert and obi. ** The quintessential album by Takayanagi Masayuki. Considered the 'Lochness monster' of Japanese free jazz records due to its incredible rarity, this album was the debut recording of Takayanagi Masayuki as leader with The New Directions, a trio consisting out of bassist Yoshizawa and drummer Toyozumi "Sabu" Yoshisaburo. Recorded at the Teichiku Kaikan studios on 18 September 1969 (released in 1970), "Independence – Tread on Sure Gr…

Rare CD by this trio comprised of Masayuki Takayanagi (guitar and effects), Peter Kowald (double bass) and Keiki Midorokawa (cello), recorded on April 29, 1983 in Tokyo.

**This version also includes the bonus disc JDR-0011 Endless Final featuring the last recording of Takayanagi** Jinya Disc presents a live concert by New Direction. The album includes the last performance of Action Direct and the last performance of Takayanagi's life. In other words, it is Masayuki Takayanagi's "remaining work".  An astounding force set free upon the world, heaving with life and fire, bound to stop even the most seasoned listener dead in their tracks It’s hard to offer a better …

** 2021 Stock. In process of stocking ** Craftman Records presents All Right! by Isao Suzuki Quartet. Recorded November 18 and 19, 1974. Bass – Osamu Kawakami, Drums – Shinji Mori, Electric Bass – Akira Okazawa, Electric Guitar, Acoustic Guitar – Kazumi Watanabe, Electric Piano, Cello, Bass, Organ [Hammond], Drums, Vocals, Vibraphone [Vibraharp] – Isao Suzuki.

Craftman Records presents Q by Hideto Kanai. Recorded at Aoi Studio, Tokyo on May 9 & 17, 1971. Artwork – Ben Nishizawa, Bass – Hideto Kanai, Engineer – Yoshihiko Kannari, Engineer [Assistant] – Kenji Kurota, Mastered By – Tohru Kotetsu, Producer – Takeshi "Tee" Fujii, Producer [Associate] – Kazumitsu Saga, Yoshiaki Uozu.

** 2021 Stock. In process of stocking ** ** 2021 Stock. In process of stocking ** Unicorn was bassist Teruo Nakamura's first date as a leader. Recorded and issued in Japan on the legendary Three Blind Mice imprint in 1973, Nakamura had been working in New York since 1964. Bass – Teruo Nakamura (tracks: A2, A3, B2, B3), Bass [Electric] – Teruo Nakamura (tracks: A1, B1), Congas – Alvern Bunn (tracks: A1, B2, B3), Drums – Alphonse Mouzon (tracks: A2, A3, B1), Lenny White (tracks: A1, B2, B3), Elect…

** In process of stocking ** Seminal Japanese jazz album from 1971. Journeys through jazz fusion, soul and big band moods. Impossible to obtain in its original format, these days. Hozan Yamamoto was recognised as a "living national treasure" by the Japanese government in 2002. This highly sought-after album from the Japanese wood flute player is more upbeat and swinging than some of his other records. The big band he recorded this album with (Sharps & Flats) played a big part in the genesis of t…

Jinya Disc presents a live concert by New Direction recorded at Jazzbed, Tokyo on September 27, 1970. The album includes 2 tracks performed by Masayuki Takayanagi - Guitar, Kaoru Abe - Alto Saxophone, Bass Clarinet, Performer, and Hiroshi Yamazaki - Drums, Percussion. Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest noise guitar improvisers, and the first (with Keith Rowe) to use …

** 2021 Stock. In process of stocking ** Craftman Records presents Blue City by Isao Suzuki Quartet. Art Direction, Cover – Ben Nishizawa, Bass, Cello – Isao Suzuki, Drums – Tetsujiro Obara, Engineer [Recording], Mixed By – Yoshihiko Kannari, Executive-Producer – A. Fukutomi, K. Saga, Y. Uozu, Guitar – Kazumi Wanatabe, Liner Notes – Osamu Uchida, Teruo Isono, Photography By [Cover] – Isao Suzuki, Piano – Kunihiko Sugano, Producer – Takeshi Fujii.

Essential jazz album among the influences of the future-jazz quartet Sleep Walker by trombonist Hiroshi Suzuki. "Variation" is a joint project including the legendary jazz drummer Masahiko Togashi featurig pianist Yuji Ohno, saxophonist Jun Suzuki and trumpeter Tetsuo Fushimi. Masahiko Togashi was a major figure alongside Masahiko Sato, Masayuki Takayanagi and Yosuke Yamashita in the blooming of free jazz in Japan in the late sixties whose "Variation" is one of the iconic masterpiece.

** Reissued for the first time with its original gatefold sleeve and cover ** Four Units is a kind of Japanese jazz "all star". Recorded in Tokyo on April 1969, it was released the same year on Union records. On the first two long songs that open this album, “Four Units” and “Dull Slumber”, we can feel the influence of the “avant-garde” scene of US jazz (and in particular ESP Disk), without however the music sounding too "free". A whole new vibe on the astonishing cover of "Scarborough Fair", in…