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* 2025 stock. 40th anniversary reissue. Gatefold LP + booklet with Obi-strip. * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civili…
* 2025 stock * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civilian general scene. As is usually the case in other countries, jazz…
2025 stock ** "The innovative, boundary-smashing work of Nicole Mitchell, whom Chicago Reader music critic Peter Margasak has hailed as the “greatest living flutist in jazz”, has contributed new life to Afrofuturism in the 21st Century. A voracious reader of science fiction since her youth (Afrofuturist author Octavia E. Butler in particular has exerted a heavy influence on her music), the musician, composer and educator has released a string of albums that fold themes centered around technology…
1990 release ** "Swedish drummer Bengt Berger made one masterpiece, "Bitter Funeral Beer", an astonishing world jazz album beyond category, that is as hypnotizing as it is guaranteed to move you to tears as well. On Beches Brew, he combines it all, great compositions, with great influences from Indian traditional music, alternated with more or less interesting Scandinavian folk, silly beer brawl songs and boppish pieces. The band consists of Thomas Gustafsson on soprano and tenor saxophones, Jon…
1993 release (RARE) ** "Three stunning tunes featuring some of the best improvisers in the world today, all of them written -- yes, written -- by trombonist Albert Mangelsdorf. Interestingly, with a band this diverse and dimensionally articulate, the composer has come up with a program addressing each of the band's particular strengths. The title track, clocking in at over 21 minutes, is a study in the spatial relationship of tonalities. Even so, with its slow unwinding passages -- and interesti…
1993 release ** "The trio setting of tuba and non-traditional percussion and Eskelin's compositions leave an uncluttered canvas free of many of the standard traps of head-solo-head without disolving into the total formlessness of much "avant garde" jazz. The musicians (Ellery Eskelin - tenor, Joe Daley - tuba, and Arto Tuncboyaciyan - percussion) respond to the setting with some beautifully executed improvisations. At the center of the trio, Eskelin's thick tenor sound - a seemingly impossible …
Temporary Offer. Verve by Request Manufactured at Third Man Pressing in Detroit MI 180g Audiophile Quality Vinyl. As one of the last albums Don Cherry recorded before he passed away in 1995, “Art Deco” could be considered something of a return home – or at least a glance back over the shoulder. By 1988, the non-conformist trumpeter had been travelling the planet for about three decades, absorbing folk music of all styles, which led to collaborations with a wide variety of musicians. From South A…
1999 release ** "As John Corbett argues in his liner notes, this session, recorded in 1969 (but not released until 1999) at the national Swedish TV studio, is a fascinating document of European free jazz. Phil Minton hasn't yet developed the timbral serialism and lightning speed of his later vocal work, but he hollers and trumpets with gusto. Minton's grandiose arrangements owe a debt to John Coltrane's Africa/Brass, but they have a special dignity too."
180g Vinyl LP! Pressed at Third Man in Detroit! Marion Brown ended his '70s stint at Impulse! Records with this serene and colorful album. It features musicians such as drummer Ed Blackwell and bassist Reggie Workman, plus Stanley Cowell on acoustic piano and Fender Rhodes. While Brown wrote the blissful coaster Vista, the five other compositions are well-chosen, starting with an inviting version of Cowell's "Maimoun" and an impressionistic and deeply meditative take on Stevie Wonder's "Visions"…
Opening with the 18+ minute track of the same name, Archie Shepp’s ‘The Magic of Ju-Ju’ takes on a fevered pace as the centrepiece of this date from 1968. Shepp lets loose from the beginning as he’s joined by Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles and Dennis Charles, all on percussion. The initial pace never dissipates throughout the title-track’s run. The additional tracks on Magic of Ju-Ju are a departure from the first, sitting more in a traditional realm. The album is a va…
Bomb! The debut recording by The Ancients, the intergenerational coalition of Isaiah Collier, William Hooker and William Parker formed by Parker to play concerts in conjunction with the Milford Graves' “A Mind-Body Deal” exhibition at the Institute of Contemporary Art, Los Angeles, and now a working group. Across 2LPs of side-length long-form improvised sets recorded at 2220 Arts & Archives in LA and The Chapel in San Francisco, The Ancients bring the free jazz trio languages first explored by t…
National and international jazz musicians were invited to the NDR for the Jazz Workshop series. A number of ten to twenty musicians could rehearse for some days and finally present their results to the North German listeners in a live studio concert. The organizer focused on offering some space for experimenting to different musicians who otherwise would never have played together, and to free them from their daily commercial pressures within that period of time. Even though all predominant jazz…
*CD Version* Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Sla…
*2025 stock* 7-CD set of Braxton's interpretation of the music of Lennie Tristano and associated colleagues including Billy Bauer, Connie Crothers, Warne Marsh, Sal Mosca among others.
Anthony Braxton: pianoEivind Opsvik: bassMike Szekely: drumsJackson Moore: alto and baritone saxophones (left channel)André Vida: tenor, sopranino, bass, contrabass, and c-melody saxophones (right channel)
Under the driving force of drummer extraordinaire Beaver Harris, the 360-Degree Music Experience was one of the great ensembles of the late 70's / early 80's. A stellar collective playing music deep in the African-American Jazz tradition. A bunch of heavyweights like Grachan Moncur III on trombone, Ken McIntyre on alto sax and bassoon, Rahn Burton on piano, and Cameron Brown on bass. First released in 1979 and reissued here for the first time on vinyl, "Beautiful Africa" stands as a fierce stat…
How Many Clouds Can You See? is the second album by English saxophonist John Surman featuring Alto Saxophone – Mike Osborne; Baritone Saxophone, Flute – John Warren; Baritone Saxophone, Soprano Saxophone, Bass Clarinet – John Surman; Bass – Barre Phillips, Harry Miller; Drums – Alan Jackson, Tony Oxley; Piano – John Taylor; Tenor Saxophone, Flute – Alan Skidmore; Trombone – Chris Pyne, Malcolm Griffiths; Trumpet – Dave Holdsworth; Trumpet, Flugelhorn – Harold Beckett; Tuba – George Smith. John …
"Keep Your Soul Together" (1973) is Freddie Hubbard’s fifth studio album released on Creed Taylor's CTI label. The album features Hubbard alongside an ensemble that includes Junior Cook on tenor sax, George Cables on keyboards, Aurell Ray on guitar, Kent Brinkley or Ron Carter on bass, Ralph Penland on drums, and Juno Lewis on percussion. The album’s sound, though occasionally funky, is rooted in creative jazz, showcasing Hubbard in peak form across four of his original compositions.
Though som…
2024 stock Outstanding performance by the Austrian saxophonist Hans Koller; this is a very uncommon and memorable session from the 1960s. Koller plays tenor in a quartet that also features Fritz Pauer on piano; the track was initially recorded for a sound library session, but it is exemplary 60s contemporary jazz. In a style that appears to really challenge Koller during his solos, maximizing his remarkable tone and phrasing without descending into any kind of overdone experimentalism, most of t…