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Library/Soundtracks /

交響組曲 もののけ姫 = Princess Mononoke Symphonic Suite
Princess Mononoke (1997) is set in a mythic late-medieval Japan of iron foundries and forest gods. The young prince Ashitaka, cursed while killing a boar god maddened by hatred, travels west and finds himself caught between the people stripping the forest and the wolf-raised girl San who defends it, a story Hayao Miyazaki refuses to resolve into simple sides. Joe Hisaishi's music met that scale with his grandest and grimmest writing for Miyazaki to that point. The film score, recorded with the T…
Kiki's Delivery Service
2026 Stock. Kiki's Delivery Service (1989), drawn from Eiko Kadono's children's novel, follows a thirteen-year-old witch who leaves home on the night of a full moon, settles in a European-looking seaside town with her cat Jiji, and turns the one thing she can do, fly, into a delivery business. It was the first Studio Ghibli film given an official release in the United States, carrying Hayao Miyazaki's unforced storytelling to an audience that had seen little like it. The score is by Joe Hisaishi…
Lady Oscar TV BGM Collection
A vinyl collection of Koji Makaino's background music for the 1979-80 television anime Lady Oscar, the series that, more than almost any other, fixed Japanese animation in the Italian imagination.
Kotetsu Jeeg TV BGM Collection = 鋼鉄ジーグ -TVオリジナルBGMコレクション-
Music Collection from 80's Japanese Hero Sci-Fi TV anime serie Kotetsu Jeeg . All music composed by Chumei Watanabe. Chumei Watanabe, whose name is also read Michiaki, was the defining composer of Japanese robot and superhero television, scoring Mazinger Z, Getter Robo and a long line of Toei productions. Steel Jeeg, created by Go Nagai and Tatsuya Yasuda and produced by Toei, ran on NET across 1975 and 1976; like much of Nagai's work it reached Italy at the end of the decade and stayed there, a…
Ufo Robot Grendizer TV BGM Collection
*333 copies limited edition* BGM Music Collection from classic Japanese Super Robot TV series.
Lupin The Third Original Soundtrack 3
Yuji Ohno’s Original Soundtrack from Lupin III is a masterclass in stylish, cinematic jazz that helped define the sound of a beloved franchise. From instantly memorable themes to supple, groove-driven arrangements, this album blends cool sophistication with playful energy, delivering music that stands on its own as a landmark jazz-pop soundtrack. Ohno crafts a vivid sonic world that moves effortlessly between noirish lounge, funky brass-driven grooves, romantic balladry, and upbeat, swinging sma…
Lupin The Third Original Soundtrack 2
Yuji Ohno’s Original Soundtrack from Lupin III is a masterclass in stylish, cinematic jazz that helped define the sound of a beloved franchise. From instantly memorable themes to supple, groove-driven arrangements, this album blends cool sophistication with playful energy, delivering music that stands on its own as a landmark jazz-pop soundtrack. Ohno crafts a vivid sonic world that moves effortlessly between noirish lounge, funky brass-driven grooves, romantic balladry, and upbeat, swinging sma…
Lupin The Third Original Soundtrack
Yuji Ohno’s Original Soundtrack from Lupin III is a masterclass in stylish, cinematic jazz that helped define the sound of a beloved franchise. From instantly memorable themes to supple, groove-driven arrangements, this album blends cool sophistication with playful energy, delivering music that stands on its own as a landmark jazz-pop soundtrack. Ohno crafts a vivid sonic world that moves effortlessly between noirish lounge, funky brass-driven grooves, romantic balladry, and upbeat, swinging sma…
Is It Really Goodbye? More Ryūkōka Recordings, 1929-1938
Exquisitely melancholy, pre-war Japanese Ryūkōka Recordings, 1929-1938, delving deeper into the style’s fusion of traditional and classical Japanese and western blues x jazz on Death Is Not The End.
Otoko Onna Kokoro No Aika
Wewantsounds is delighted to continue its extensive reissue program of Meiko Kaji's early discography, originally released by Teichiku Records in Japan between 1972 and 1974. The Quentin Tarantino muse—famous for her starring roles in Lady Snowblood and Stray Cat Rock—was also a gifted singer. Otoko Onna Kokoro No Aika is another collection of superb cinematic songs featuring Kaji's signature mix of Japanese Pop and Groove, backed by lush, atmospheric orchestrations. This includes her rendition …
Far East New Rock Invention 1969-1975
"What strikes me again, even now, is that rock from the late '60s through the early '70s remains the most compelling — whether Western or Japanese. In the mid-1960s, British groups like The Beatles and The Rolling Stones swept across the globe, while in the United States Bob Dylan famously swapped his folk guitar for an electric one, igniting the folk-rock movement. From the surge of new energy among young people in Britain and America — entwined with hippie culture, drugs, and the radical momen…
Spacing Out
On Spacing Out, Shigeharu Mukai fuses spiritual jazz drive with vivid 70s fusion colours: bossa sway, tropical grooves, rock backbeats and fat funk lines orbiting his trombone in a confident, wide‑angle crossover set.
Tokyo Pulse - Japanese Funk, Modern and City Pop from the Tokyo Scene - 1974-88
Hot on the heels of the Tokyo bliss and Funk Tide sets, Tokyo-based DJ Notoya delivers Tokyo Pulse a new juicy selection of Funk and Modern soul recorded in Tokyo in the 70s and 80s. Most tracks here are making their debut outside of Japan and the album, like its predecessors, has been designed by Manuel Sepulveda (Optigram) and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by Nippon Columbia Records and remastered for vinyl by Colorsound in Paris.
Ponyo on the Cliff by the Sea
For Ponyo on the Cliff by the Sea, Joe Hisaishi pours big‑hearted symphonic colour, children’s choirs and unmistakable earworms into Miyazaki’s flood‑myth fairytale, crafting a score that’s equal parts tempest, lullaby and sugar‑rush theme song.
Nausicaa of the Valley of Wind
For Nausicaä of the Valley of the Wind, Joe Hisaishi builds a full mythos in sound: from early synth‑heavy image pieces to orchestral suites, his themes move between apocalyptic dread, ecological mystery and childlike hope with uncanny inevitability.
Castle in the Sky
On Castle in the Sky, Joe Hisaishi wraps Miyazaki’s floating‑island adventure in luminous themes, bounding chase cues and choral climaxes, fusing folk‑coloured melody and orchestral sweep into one of the most iconic soundworlds in the Ghibli universe.
Porco Rosso
The Porco Rosso scores show Joe Hisaishi at his most lyrical and playful, weaving 1920s Italian nostalgia, aerial derring‑do and bittersweet romance into lush orchestral themes and chanson‑tinged songs that make Miyazaki’s Adriatic daydream feel utterly lived‑in.
Akira O.S.T.
*2025 stock* The strength of the Akira soundtrack lies in its unique blend of traditional Japanese instruments and futuristic electronic sounds. Yamashiro weaves together an eclectic mix of influences, creating a sonic landscape that mirrors the dystopian and cyberpunk themes of the movie. The use of traditional chants, taiko drums, and shakuhachi flutes alongside electronic synthesizers and orchestral elements generates a hauntingly mesmerizing atmosphere that perfectly complements the visuals …
Tin Pan Alley
Tin Pan Alley is the iconic name given to a collection of New York City music publishers and songwriters who dominated popular music in the United States during the late 19th and early 20th centuries. Originally, it referred to a specific location: West 28th Street between Fifth and Sixth Avenues in Manhattan’s Flower District. Drawing inspiration from this historic music landmark, renowned Japanese musicians Haruomi Hosono (Apryl Fool, Happy End, Yellow Magic Orchestra), Masataka Matsutoya (mus…
Tokyo Funk Diva 1981 - 1988
Hitomi ‘Penny’ Tohyama’s Tokyo Funk Diva 1981-1988 introduces international audiences to one of Japan’s most charismatic exponents of funk and boogie. This capsule compilation, curated and newly remastered, captures her innovative blend of soulful vocals and sleek '80s production from a catalogue that shaped Tokyo’s underground dance music scene.
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