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Library/Soundtracks /

Voices Of The Satellites
*2024 stock* On October 4, 1957, the space race was triggered by the Soviet Union’s launch of Sputnik I, the first human-made satellite to orbit the earth. This recording, produced and narrated by Professor T.A. Benham of Haverford College, chronicles the sounds of the first thirteen American and Soviet satellites launched during the ensuing year. One track features the audible heartbeat of Laika, the first dog in space.
Of Wolves and People
In 2019 Melissa & Nils started working on this project, collaborating and exchanging ideas online. While Melissa followed the howl of the Iberian Wolf in Portugal, Nils focused on one particular Grey Wolf in Germany.
series invisible
With the use of an audio recorder, the sounds of selected places or specific sonic phenomena are recorded. At a later date, these initial recordings are deleted again. This process is captured in the form of „writing“. Thus a series of notations is being created. Example:Wind (gentle)Record: 8.8.2021, 3:24 PM, Mönbachtal Eifel, (D).Delete: 8.8.2021, 3:31 PMDuration: 3’17“ In January 2023, all the notations created since 2004 were recorded in the studio of the Südwestrundfunk (SWR) by a female an…
Sounds of Absence
*In process of stocking. Limited edition of 500 copies.* Sounds of Absence collects artistic positions on the notion of absence, shaped by two years of pandemic lockdowns. The compilation is a cooperation project with the research group ARS – art research sound – at the Hochschule für Musik Mainz, led by Peter Kiefer, and curated by Wingel Mendoza and Joshua Weitzel. In 2020, ARS initiated a website to collect sounds of public spaces during lockdown conditions, in order to capture the sound of t…
La Jetee
**Deluxe Edition, 200 copies on clear vinyl, Stoughton Tip-on gatefold cover** "'This is the story of a man, marked by an image from his childhood.' Thus begins, with deceptive simplicity, Chris Marker's La Jetée (1962). The film, by far Marker's bestknown work, synthesizes many of the elusive filmmaker's central preoccupations -- time and memory, power and resistance, the ephemerality and resilience of love -- yet it also undermines the very idea of film. Composed almost entirely of still photo…
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