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Obscure psychedelic gospel act Methuselah had its roots in Scunthorpe ‘Beat’ group the Dimples, which became Gospel Garden, whose only 45 infused Northern Soul with psycheleanings. Regrouping as Methuselah, the group signed to Elektra for this sole religious rock concept LP, their sound deceptively American, with vocal harmonies evidencing bluegrass influences; guitarist Les Nicol is never short of excellent. Certain members would later form Amazing Blondel, but Matthew, Mark, Luke And John has …
CD digipack ‘Reet’ is a lost treasure of late 1960s folk/psych-folk. The only album she ever put to tape, with clear pure voice and guitar. luckily recorded by Andres Raudsepp in 1969. Reet will be loved in the same breath as Sibylle Baier, Vashti Bunyan, Molly Drake & Bridget st John. Reet Hendrikson deserves wider listening and we hope this reissue will help .
Reet Hendrikson was born in Estonia only months before the “great escape” into exile in 1944. Brought up and educated in Sweden, she w…
2024 stock. A lost slab of rock/psych improvisation from 1970. A well-known singer in Israel recorded many of Israel's classic popular songs, beginning with the Ofarim Trio and later High Windows (in 1967), Israel's best-know folk-rock band, who released Israel's first pop record. Krause also spent several years in an asylum. His “Cape of the Big Hope” was released in 1969, with musicians who appear on Danny Ben Israel's Bullshit 3 1/4; in 1970, some problems with the law landed Kraus in jail. H…
** Super limited edition, textured hard-cover edition with an extra 50 pages booklet ** “La mia falsa identità” (My False Identity) is Paolo Saporiti's ninth album, which the songwriter describes as "definitive." It was welcomed by the Italian press as among one of the best and most significant records of the year. The album is built around the intense guitar stylings and voice of Paolo Saporiti, and enhanced by the close relationship of the orchestrations of the cellist Stefano Cabrera, the ci…
*2024 reissue* An obscure Country-Psych Rock relic from Kansas. In 1968 four of the five original members of The Wizards From Kansas formed a band called ‘New West’, and began playing in the Lawrence, Kansas area, at clubs and parties. Californian guitarist Robert Manson Crain joined the group soon thereafter, expanding to a quintet. Reaching on the same esoteric drift as Clear Light or Emitt Rhodes, the band unleashed an even excellent cover of Buffy Sainte-Marie ‘Cod’ine’, more in the vein of…
Hold on to your mind! Led by Belfast-born phenom David Lewis, Andwella made three LPs circa 1970 for London’s Reflection label, redolent with Cream-y rock workouts, soaring post-Sgt. Pepper psych experimentation, and earthbound laments The Band might’ve dreamt up at Big Pink. Barely heard back then, they now conjure a popular rock fantasia to challenge the most expertly composed and orchestrated songs of the era. This deluxe set includes meticulous reproductions of the band’s 3-LP discography, p…
After a hiatus of almost 4 years Berlin-based label Avec Plaisir Records is finally back with their second outing: A stunning collection of six almost forgotten Progressive Rock oddities by the Austrian Band Crazy Temple. Being mostly active in the late 70ies, the bunch of youngsters around the songwriting duo Günter Schiller and Herbert Bachinger only released one cassette „Heavy Birth“ as well as the sought-after 7-inch record „Homecomer“ in 1980 shortly before the band was scattered to the fo…
A long-lost Japanese acid folk gem, Niningashi’s 1974 private press debut Heavy Way shimmers with originality, deft song writing and a dream-like groove.
Doji Morita, who debuted in 1975 with the single 'Sayonara Boku no Tomodachi / Mabushii Natsu,' she was a unique and enigmatic presence in Japanese folk scene with her characteristic sunglasses and curly hair. Starting with 'good bye' in the same year, she went on to release a series of masterpiece albums, including 'Mother Sky: Can You Fly Alone in the Sad Blue Sky?' (1976) and 'a Boy' (1977). This album is a live recording from the spring of 1978, during the peak of Mori's career, when she app…
The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down. Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet f…
When we first issued this terrific album—twelve perfect examples of dreamy sunshine pop/folk psych released by independent Canadian label Allied Records in 1968—on CD some time ago, our booklet featured the few scraps of information on the band we could find. We challenged “anyone out there” to find some information on this elusive and intriguing band, with the offer of a reward that would be “something very Folklordish.” Well, we’re pleased to say that someone took us up on that offer, and that…
Lothar Jahn’s "February '75” single was released by the German label Sound Records in 1977 — a very unusual record, somewhere between psychedelic, folk, and Krautrock. That single was reviewed thus on Discogs: “A mysterious journey through Cosmic Psych Folk Kraut, whatever you may call it. Fantastic, from beginning to end. Another Kraut on 45 milestone.” This newly recorded album, “Dreams of ’75,” is an extended riff on the original single, taking that smaller vision as a starting point and th…
An underrated acid folk masterpiece brought to you by the classic couple Terry (guitar, mandolin, banjo) and Gay Woods (vocals), who formed the band after departing from the very influential british combo Steeleye Span. They recorded their debut album in 1971 on the small indie label Greenwich Gramophone Company. Think about the holy magic of the irish folk scene alongside some essential progressive rock scores.
Huge Tip! * 50th Anniversary Re-Release * Randy Rice mixed accoustic singer-songwriter songs with electrifying acid guitar in his marvellous privately pressed double album from 1974. Offered here in a much needed reissue so you do not have to spend over a grand for an original copy. Housed in it's original minimalist hand made artwork with the little upgrade twist of silk-screen printing.I was between the ages of 18 and 20 when I wrote the 22 songs found on To Anyone Who Ever Laughed at Someone …
Experience the captivating and hypnotic sounds of Joyama no Narazumono – a rare gem of Japan’s 70’s folk scene! A genre-bending album by duo Shigeki Kobayashi and Yasuo Yamada, who drew inspiration from songs by local boatmen and British folk like Fairport Convention and The Albion Band to craft a minimalist, intimate approach to both traditional and original compositions.
Locally released in 1979 in an edition of just 100 copies, this highly sought-after album is now available worldwide for the…
*300 copies limited release* Roy Rutanen’s self-titled album has remained a best-kept secret among psychedelia and acid-folk collectors ever since its original release in 1971. What could have been the solid foundation for a promising career in the music industry was abandoned due to the lack of label support, subsequently surviving as a one-off museum piece, accessible to a select few who can afford the price commanded for original copies. This is the time for Roy’s music to shine through with …
Beyond rare private press album from 1974, a fantastic mix of progressive rock with acid-folk, spaced-out psychedelia and cool conceptual / soundtrack vibe. Pete Fine is a virtuoso acoustic and electric guitarist and also a self-taught composer and orchestrator. After playing with psychedelic hard-rock trio Flow in the early 70s in New York, Pete, influenced by classical composers like Anton Bruckner, started to focus on his 12-string guitar, composing music in a symphonic style.
“On A Day Of Cr…
Tip! After 2 years of hiatus from releasing "Yoshiko Sai Complete Works", P-Vine delighted to announce the release of another special LP box (Cardboard box + OBI-strip) that can hold her live albums of Yoshiko Sai! The item includes a double-sided B3 poster and a limited LP featuring her live performances on FM Tokyo in 1979, and previously unreleased demo takes recorded at her home! This item will be out with completely limited pressing, don't miss out on this opportunity!
Yoshiko Sai has performed one live concert each in 2014 and 2015 since her hiatus in 1979, and this is the only recording of Yoshiko Sai's one-man live concert in 2015. The concert was in two parts and featured the best selections from her five albums from her first to her return, as well as new unreleased songs, making it a truly culminating live performance. Backed by current alternative musicians such as Jojo Hiroshige, Hajimetarl, Okano Futoshi and Kono Ryoko. The album also includes valuabl…
After a hiatus in 1979, Yoshiko Sai returned to the music world in 2008 with the album Taklamakan, but did not resume live performances. She has since performed one live show each in Tokyo in 2014 and 2015, and this 2014 live sound recording was made during her appearance at the event 'The 2nd Midnight Heavy Rock Party' held at Shibuya Mount Rainier Hall. Backed on the day by active alternative musicians such as Jojo Hiroshige, Hjimetarl and Okano Futoshi, it was truly a miraculous revival and a…