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One Man's Journey
One Man’s Journey is a compilation based on Alan Munson's real life happenings, a blend of singer-songwriter music and his experiences, accompanied by beautiful guitar and voice. It would be unfair to place Munson's music in a single genre — it’s a fusion of mellow psychedelic folk rock with the amazing atmosphere of the times.Originally released as private pressings, his recorded songs have a very intimate feel. Wonderful harmonies and meaningful lyrics will get deep under your skin, and the st…
The Saga Of Padani
The Oakland Elementary School Arkestra presents the odyssey of 4th, 5th & 6th grade students from novice musicians into an avant garde ensemble. An ensemble that engenders an array of sonic textures which never remain static or stagnant, but flow in a way that it's always surprising, often startling and astonishing.These schoolkids have traveled the spaceways of Modernism, Minimalism, Impressionism, Exotica, film soundtracks and more. They have ingested the lessons of Iconic artists like Sun Ra …
Lassa sta' la Me Creatura
** Audiophile pressing (Pure Analogue Cutting, One-Stage Pressing Process, 180 g.) edition of 490 copies ** More than 40 years after its publication, the album Lassa sta 'la me creatura continues to be systematically cited in the stories of Italian music related to the' 70s as a completely unique and innovative event in the music scene of those years. A remarkable Italian folk/ethnic album with experimental tendencies, released in 1974 on the legendary Intingo label, Canzoniere Del Lazio was one…
Burnt Weeny Sandwich
2018 release. Burnt Weeny Sandwich is the first of two albums by the Mothers of Invention that Frank Zappa released in 1970, after he had disbanded the original lineup. While Weasels Ripped My Flesh focuses on complex material and improvised stage madness, this collection of studio and live recordings summarizes the leader's various interests and influences at the time. It opens and closes on '50s pop covers, "WPLJ" and "Valarie." "Aybe Sea" is a Zappafied sea shanty, while "Igor's Boogie" is na…
Calcium
Monster Mélodies present the never before released album by Calcium. A legendary French psychedelic rock album, recorded in 1969, of which only two tracks were released at the time. Percussionist Stéphane Vilar played with pianist Jef Gilson and recorded on his 1964 album Oeil Vision (OI 012LP). Musician Graeme Allwright introduced Vilar to Marc'O, then director of the theater school of the American Center Boulevard Raspail. The director, looking for musicians to play rock n' roll in his project…
Erosion Distillée
** 1969 previously unreleased album, this set must have been one of the weirdest albums recorded in France at the time** And that's saying a lot, given some of the avant jazz, experimental, and psych sets that were coming out of that scene! Jacques Dudon may be best known for his Ghislain pseudonym on other records – where he was much more of a straight blues guitarist – but here, he's very tripped out – and leads a collective of musicians through music that feels much more like a "happening" th…
Un peu de l'âme des bandits
**Reissue of killer album from 1980 - the album's first reissue on vinyl** Originally released in January 1980, the second album from (Crammed founder) Marc Hollander’s band was more intense and experimental than Aksak Maboul’s debut album, yet often as playful. Containing complex written sections, free improv, and a wild variety of elements, Bandits was recorded with a band comprising revered UK musicians Fred Frith & Chris Cutler, and is described by All Music Guide as “a pinnacle of the…
Starless and Bible Black
"Starless and Bible Black is the eighth in a series of audiophile King Crimson vinyl reissues and completes the availability of the band's studio output from 1969/74 on 200g vinyl editions. Newly cut from masters approved by Robert Fripp, this super-heavyweight vinyl re-issue is housed in a reprint of the original gatefold sleeve. Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring…
Larks' Tongues In Aspic
Larks' Tongues In Aspic is the fifth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. With its raw tone, inspired improvisations and hard hitting odd-metered rhythms, the album marked a radical departure for this most forward thinking of groups and was the first to include Bill Bruford and John Wetton as band members. King Crimson reborn yet again -- t…
Islands
Islands is the sixth in a series of audiophile King Crimson vinyl reissues. The album's return to the 12" vinyl format is newly cut from masters approved by Robert Fripp. Manufactured on 200g super-heavyweight vinyl, housed in a reprint of the original sleeve with lyrics insert. The album is a hodge podge of ideas and there is no flow or continuity. Each track could exist separately. This is one of the Crims least beloved lineups even tho they were capable of more free-jazz improv than any previ…
Lizard
Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…
In The Wake Of Poseidon
**classic prog-rock masterpiece gets the reissue on 200 gram vinyl** King Crimson opened 1970 scarcely in existence as a band, having lost two key members (Ian McDonald and Michael Giles), with a third (Greg Lake) about to leave. Their second album -- largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory ("Pictures of a City" and "The Devil's Triangle") -- is actually better produced and better sounding than their first. Surprisingly, Fripp's guitar is n…
Fourth (remastered) LP
180 gram audiophile vinyl pressing. Fourth (from 1971) or 4 is the Soft Machine's first all-instrumental album and features a mix of Free Jazz, straight-ahead Jazz, and gong-like psychedelia. It was also the last of their albums to include drummer and founding member Robert Wyatt."Soft Machine's collective skill is hyper-complex and refined, as they are extremely literate in all fields of musical study. Fourth is the band's free purging of all of that knowledge, woven into noisy, smoky structure…
First Utterance
Official 180g reissue, from the original master tapes no less, of one of the most insane (and influential) experimental folk records of all time. This was Comus. Super dark themes and nightmarish visions abound in this total one-off of a record. First Utterance was, and still is, “difficult”. Fortunately today an appreciative audience exists for “difficult” stuff like this.Kent-based art students Roger Wootton and Glenn Goring had played acoustic covers of Velvet Underground numbers in London fo…
Le Jour Où Les Vaches...
Reissue of the first album by this French iconoclast poet, recorded in 1974 with William Sheller's string arrangements. This highly symphonic and dystopian rock album should overjoy fans of Gerard Manset or Genesis.
Stuck in Paradise
Sweet Marie was formed in late 1969 amidst the turmoil of the Vietnam War and the wild music scene of Hollywood. Twentyeight year old Prince Teddy, a producer at Capitol Records and a songwnter.'musician. had a vision tor a rock-n-roll trio with rich harmonies and psychedelic undertones He approached Sonny Lathrop, a 25 year ok) guitarist and recording musician who was known around the hip Hollywood night dubs, about his idea and together they recruited Willy Bims on drums Bims. 32, had been the…
Eclosion
Never released side-project by Ame Son leader Marc Blanc. An intriguing, marvellous mixture of acid folk, electronic experiments, provocative lyrics & slam poetries and almost post rock stridence. As usual, Monster Melodies was not cheap on the bonuses: a beautiful fanzine is included, as well as a postcard insert (see the additional pictures). Strictly limited to 1000 numbered copies with transparent blue wax.Edited for the first time, the record (1000 copies only) is a blue vinyl presented in …
Per una scultura di Ceschia
This rare 1978 album is a rather original example of experimental electro-acoustic progressive style, mainly based on synth effects and acoustic guitars and often reminding some of Battiato's early works. Despite the presence of five singers in the line-up, the vocal parts are short, spoken rather than sung. All in all an interesting album for the adventurous listeners in search of something different. Ref: Battiato, Cacciapaglia, Stelle di Mario Schifano. Audiophile quality repress
The Armada
Rainbow Theatre's groundbreaking debut album, The Armada, was originally released in 1975. Influences as diverse as classical composers Stravinsky and Wagner to King Crimson and the Mahavishnu Orchestra came into play. With composer, arranger, guitarist and mellotron player Julian Browning at the helm, the band was never going to be easily pigeon-holed. Browning set about creating the unique music he had formulated in his mind. His classical influences began to emerge and in the meantime, he'd a…
Floret Silva
2006 reissue. 1977 progressive avant-folk masterpiece from minimalist composer Kay Hoffman. Includes collaborative performances from Jacqueline Darby and Gaio Chiocchio, members of the legendary Italian progressive group Pierrot Lunaire.
Originally slated for release on RCA/IT (Italy) in '78, the album was
later rejected due to recording deadlines, release schedules, and
requests by RCA for other artistic/musical considerations. However, many
years later, Floret Silva did end up surfacing on…