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Few debut albums arrive with the kind of self-contained logic and radical spirit found on Faust's self-titled 1971 statement. Released at the height of rock music's imperial phase, it marked the beginning of a project that would sidestep genre and expectation entirely, offering instead a fractured, exploratory take on what popular music could become. This Bureau B reissue offers a fresh opportunity to engage with one of the most curious and uncompromising records of its time. Faust emerged from …
Limited numbered edition of 500. Previously unreleased album by German trio Sand, composed and recorded in 1973, '75, and '76. The once-croaking raven now flies silently over the ocean, higher and higher. Where are you rolling, sun-ball, and why don't you fall? The sandy Golem crumbled into dust. His brave struggle against the mighty forces of darkness soon dissolved in voiceless space. There is something magical and inexplicable in creation, and Sand absolutely manifest these mysterious phenome…
*2025 stock* The Bobby Tenderloin Universe unveils Satan is a Woman, a bold new chapter in the Edmonton scene that proves mishaps can become miracles and dreams can find their sound.
From the first notes to the last chorus, Satan is a Woman blends hypnotic basslines, cinematic textures, and sly, storytelling lyricism to create a sonic world that’s both atmospheric and undeniably catchy. The project—led by the imaginative force behind The Bobby Tenderloin Universe—turns misadventure into a musica…
** 2 LP Set + Dedicated Tote Bag Special Bundle Price ** In the summer of 1976, a peculiar album appeared in Italian record shops bearing no artist name - only the cryptic moniker Elektriktus. The music posed a question that wouldn't be answered for decades: who had created this hybrid of jazz sensibility and kosmische synthesis? The answer was hiding in plain sight. Andrea Centazzo - recognized figure in European free improvisation who had shared stages with Steve Lacy, Evan Parker, and Derek B…
The archive is not neutral. In 2019, Andrea Centazzo discovered unlabeled tape reels in his mother's attic in Udine - boxes assumed lost seven years earlier. What emerged from these deteriorating reels, transferred by engineer Sergio Tomasini during COVID lockdowns, was unexpected: unreleased recordings from the original Elektriktus sessions of 1973-76, alongside other archival materials including previously unknown collaborations with Steve Lacy and Evan Parker from the same period.
Centazzo's …
In the summer of 1976, a peculiar album appeared in Italian record shops bearing no artist name - only the cryptic moniker Elektriktus. The music posed a question that wouldn't be answered for decades: who had created this hybrid of jazz sensibility and kosmische synthesis? The answer was hiding in plain sight. Andrea Centazzo - recognized figure in European free improvisation who had shared stages with Steve Lacy, Evan Parker, and Derek Bailey - had been leading a double life between touring wi…
* Limited edition of 250 numbered copies. Deluxe 3LP box, bound in linen and embossed, Featuring a large 12-page booklet with previously unseen photographs from the 1978 recording sessions, and a large 4-page booklet with the original liner notes. The box graphics reproduce the original cover drawing by Dana Matus, while the three individual LP sleeves feature 19th-century Japanese naturalist paintings chosen by Vaccina himself. * For the first time, all the 1978 recording sessions of Lino Capra…
Few debut albums arrive with the kind of self-contained logic and radical spirit found on Faust's self-titled 1971 statement. Released at the height of rock music's imperial phase, it marked the beginning of a project that would sidestep genre and expectation entirely, offering instead a fractured, exploratory take on what popular music could become. This Bureau B reissue offers a fresh opportunity to engage with one of the most curious and uncompromising records of its time. Faust emerged from …
Reissue of Organisation's Tone Float, originally released in 1970. German rock band, Organisation, is often referred to as the prototype or predecessor of Kraftwerk -- the godfathers of electronic music. In fact, it was the first iteration of Kraftwerk and if the band had managed to overrule its record label, RCA, Tone Float would have been credited as such. But given that the album was to be released only in the United Kingdom, the label opted for the more Anglicized name, "Organisation". Tone …
Cluster can be counted among the most important international protagonists of the electronic avant-garde. Some credit them with having invented ambient music, others as pioneers of synthesizer pop, whilst to some they are firmly embedded in the krautrock universe. There is some truth in all of these notions. Cluster (or Kluster as they were in the beginning) were founded in 1970 in Berlin by Conrad Schnitzler, Hans-Joachim Roedelius and Dieter Moebius. A change in direction and musical differenc…
The only album by hard rock band Twenty Sixty Six and Zen, released in Germany in 1972 as a mixed Anglo-German band. The original is an extremely rare and classic record, which has been sold at a high price amongst enthusiasts. The wild vocals and keyboards form a heavy and thick dynamism, and there are many progressive elements such as the introduction of the mellotron. This long-awaited encore pressing of this long-unavailable masterpiece is now available in paper jacket and SHM-CD / remastere…
More than a decade after its initial release, Om's Advaitic Songs continues to stand as a towering achievement in heavy music's ongoing evolution - a record that demolished preconceptions about what drone-doom could become while establishing new possibilities for consciousness-expanding composition. Now, Drag City presents a 2025 repress of this essential double LP, offering contemporary listeners the opportunity to experience one of the most focused and progressive documents in Om's remarkable …
For many bands, having all their gear stolen would be catastrophic. For Third Ear Band, this unfortunate 1968 incident opened a portal to beneficial change that would ultimately define one of British experimental music's most singular statements. Now, Antarctica Starts Here presents the first-time vinyl reissue of the group's self-titled 1970 sophomore album - often called Elements due to its elemental track titles - complete with new liner notes by Dave Segal that illuminate this remarkable cha…
*100 copies limited edition* Long time no see dear Louis! Part of our 2019 inaugural BST001 V/A tape, Eiger Drums Propaganda returns today to Bamboo Shows with his “Live Excerpts” LP. Formerly a so-called collective, now happily unmasked as a schizophrenic one-man band, the French multi-instrumentist gathers here a collection of twelve acts recorded live. Not a proper album, nor a simple compilation, yet a real insight on Louis De La Gorce’s playful explorations over the past three years. Beyond…
The 1st release by Third Ear Band from the UK. Shorter tracks than found on later albums, the band here makes excursions into improvised chamber music. Guitar meets recorder and violin in a disharmonic free jazz summit that fades away before building into a trancy mini-crescendo. Reissued with a pasted gatefold hardboard sleeve.
F. G. Experimental Laboratory means Frédy Guye, an artist from the French speaking part of Switzerland who fiddles with sound. Every instrument is played by himself: the organ, the synthesizer with its additional gadgets, and the electric guitar. Yet, he doesn't sound like Mike Oldfield at all, but sometimes rather like Klaus Schulze. F. G. Experimental Laboratory plays a musical mix of electronic and classic which is as unusual as exceptional. In 1975 he released an LP on his own edition Frédy …
Comes in mini LP replica with OBI & Japanese insert. With his first solo album, which was originally released in 1974, Manuel Gottsching (Ash Ra Tempel) laid the foundation for many other upcoming works. In fact, the guitar was invented here, for his play on the three epic tracks are years ahead of its time: Circular, flat, layered loops and improvisations create a compelling, hypnotic atmosphere and make this album in retrospect a landmark of new guitar culture. The album was completely remaste…
Krautrock, what is it anyway? A genre, a derogative term, a song by Faust, … or: a welcome (and recurring) opportunity to talk about all of this. The music associated with the term in question has eagerly been canonized. From the enthusiastic and idiosyncratic ramblings of Julian Cope’s “Krautrocksampler” to encyclopaedic approaches like Alan and Stephen Freeman’s “Crack in the Cosmic Egg”, there are plenty of books to read and lists to discuss: Who’s in, who isn’t? The quarrels and disputes sur…
Mother Mallard's Portable Masterpiece Company was the first all-synthesizer band to ever deliver live concerts. They were founded in the late sixties by David Borden, and they were the first to do so. They even predated giants such as Tangerine Dream with their live performances. Make Way For Mother Mallard: 50 Years Of Music is a double disk collection of wholly new music that was published to commemorate the band's fiftieth anniversary. The first disc of the compilation included previously unh…