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In Italian language only. “Acrobati liquidi”, a totally D-I-Y book from Giorgio Salomon, is an interesting mix between a personal and cosmic trip and an educational pamphlet, in which find place a lot of alternative and experimental tales. Using his record collection as an anchor, Salomon recalls hidden magical places and unknown bands, perfectly in balance between journalism and passion. The book is a 200-pages voyage in which you will discover musical scenes from all over the world – from Hung…
White vinyl, 200 copies. Pekka Airaksinen is a legend of the European musical underground, and The Sperm was his first outfit. Active from 1967 to 1971, they challenged every possible norm society and the current musical climate had. Ungodly racket to some, psychedelic experience to others, The Sperm’s Shh! album and their EP 3rd Erection have become legendary collector’s items, far ahead of their time in terms of musical experimentation. Svart Records have joined forces with Pekka Airaksinen, w…
Restocked, reduced price. Silence present a five-LP box set featuring International Harvester titled Remains. The box contains their debut album from 1968 Sov Gott Rose-Marie and Hemåt from 1969, along with three full bonus albums with live material dating from 1967-1969. It also includes a poster, lots of pictures, and a long interview with member Thomas Tidholm made by Mats Eriksson Dunér. 180 gram black vinyl; Edition of 1000.International Harvester emanated from Pärson Sound and later became…
2013 reissue; originally released in 1969. Also known as Orgasm, this 1969 album has long been hailed as an underground classic. Included in Spin's 2013 list "The Top 100 Alternative Albums of the 1960s." Finally available again on vinyl in an ESP-Disk' 50th Anniversary Remaster version. "Two frustrated pop songwriters and the mysterious seven-person 'Connecticut Tribe' hole up in an Upper West Side studio and yell and moan and convulse until they discover a place more primordial than hardcore. …
**Remastered from the original master tapes, 180 gram reissue of the original vinyl release with gatefold cover** 1972s Psychonaut, by the Swiss-based Brainticket, is early seventies space rock at its finest. While the bands debut album, 1971s Cottonwoodhill, was a heavily acid-laden affair dominated by droning organ, disturbing vocals and a collection of cacophonic sound effects (causing it to carry a warning label and be banned in several countries) for their second effort, band-founder Joël V…
**Remastered from the original master tapes, 180 gram reissue of the original vinyl release with gatefold cover** A limited edition re-issue of the legendary 1971 debut album by Brainticket that is widely considered a landmark psychedelic masterpiece!Being as LSD was first developed in a laboratory in Basel, it is perhaps no coincidence that one of the most "far out" albums of all time was made by this Swiss band (no small feat, given the competition!). Brainticket's 1971 debut, Cottonwoodhill, …
"Electronic musician Adelbert von Deyen’s debut and sophomore album were released just a year apart from each other. “Sternzeit” was followed by “Nordborg”, which featured only one track on each side. Again, von Deyen took his time crafting a meditative maelstrom of ambient sounds. The B-side, “Iceland”, is actually an acoustic interpretation of a snowstorm in Nordborg, Denmark, as remembered by von Deyen.
Von Deyens debut album “Sternzeit” had caused quite a stir in 1978 in his home tow…
Mirage is one of Klaus Schulze's best albums. It is certainly among the eeriest e-music sets ever. He created it as "an electronic winter landscape dedicated to Hans Dieter Schulze." It has somewhat of a symphonic structure. There are two main pieces: "Velvet Voyage" and "Crystal Lake." Each piece has six separate movements with experimental sounds serving as the recurring themes. The album has cold and icy textures that take listeners to the brink of the winter solstice. The experimental timbre…
Moondawn is a seminal album. You can hear the transition from his earlier, more drone based work to sequencers right on this record. Each side of the album was a single composition. “Mindphaser” followed on his work on Blackdance and Picture Music with long, sustained chords on the Farfisa and Crumar keyboards, with fleeting solo lines drifting in like wraiths until about halfway through when Harald Grosskopf kicked in with the drums, playing free-form grooves while Schulze created elecKlaus Sc…
X is the tenth album by Klaus Schulze. It was originally released in 1978, and on X Schulze attempted to execute a concept album of six "musical biographies" evoking contemporary or historical intellectuals with an influence on Schulze: Friedrich Nietzsche, Georg Trakl, Frank Herbert, Friedemann Bach, Ludwig II. von Bayern, and Heinrich von Kleist. The work is from the classic era of Berlin School.
"Picture Music" is Klaus Schulze's third solo album recorded in 1973 and released during the early part of 1975 (after the release of "Blackdance"). The album has gone on to be one of the most innovative electronic music releases from the German music scene and paved the way for Schulze's breakthrough opus "Timewind". The original album included two long tracks. The opening track "Totem" is a nearly 24-minute tour-de-force consisting of a hypnotic bubbling sequencer rhythm and cosmic synt…
Blackdance is one of Klaus Schulze's best albums. There are lots of predictors that point to where his career would go. The tempo changes are smooth and sure and the sequences are varied -- some are deep and strong, others are long on atmosphere. Schulze mixes these elements seamlessly with experimental timbres and spatial textures. He adds an organ drone to give the disc a Baroque attitude and sinister overtones. This is more atmospheric than most of his albums. That gives it a nice appeal and …
From the early days of electronic experimentation in the pop field, Klaus Schulze's second solo album still today it stands as one of the most powerful examples of ambient pulse music ever conceived. The dense layers of rhythm and synthetic tone colors melt into a seamless, flowing soundscape of melody, motion and spatial effects. It's a monumental double album of "cosmic music.
Irrlicht is the solo debut album from Klaus Schulze (originally released in 1972) and is an absolute masterpiece in cosmic, space music. Schulze omitted the use of synthetics for this recording, relying on organ with various electronic effects to produce an absolutely mesmerizing and minimalist body of sounds that transform the listener into a total abstracted world full of mysteries within its almost never-ending spiral. With no electronic pulse and rhythms, just a gloomy and distorted a…
*300 copies white vinyl, sold-out at sorce* Klaus Schulze is a German electronic music pioneer, composer and musician that needs very little introduction. In the late sixties & early seventies he was a member of several iconic bands such as ‘Tangerine Dream’, ‘The Cosmic Jokers’ & ‘Ash Ra Tempel’ before launching a solo career consisting of more than 60 albums released across five decades. Collaborations were numerous and highlights include working with Steve Winwood, Brian Eno & Alphaville… jus…
‘Agape-Love’ was one of Florian Fricke's favorites, at a point in his life where he was inspired by 13th century Persian poet Rumi. Still utilizing a choir for Gregorian chant-like ethereal intensity -- though they sing in Byzantine scales – the band delves deeply into the drone world of Fricke’s sacred music muse. This is an album of many moods/feelings & is a worthy, devastatingly beautiful outing (both introspective & intense at the same time).Out of print since 1983 and never released outsid…
700 copies black vinyl. Born as Florian Fricke’s brainchild, Popol Vuh needs little introduction, the band stayed active between the late 1960s & late 1990s (until Florian’s passing in 2001). Regarded as pioneers in avant-garde German electronic music, their early works practically laid down the foundations for ‘Kosmische Muzik’ (Space Music) with the then new sounds of the Moog synthesizer joined with ethnic percussions.Later the group evolved to include all kinds of instruments (both electric …
This was Missus Beastly's third studio album released in 1976. If you'll notice on the cover art they have the album's title as such as to look like it's the band's name, and the title of the album looks like it would be "For Missus Beastly". A trick by the band really so that they wouldn't have to release this album with Dieter Dierks and Venus Music to which their contract stipulated that they had to.They had had a falling out with Producer Dierks over the cover art of their last album and fel…
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
Missus Beastly regroups and blasts into some very dynamic fusion territory with this exceptional album. The usual apparitions of the house-hold names of the mid-seventies jazz apologists can be traced here, but the eventual output will always sound only as original as Missus Beastly. One of the biggest strengths these guys possesed was their vibrant rhytm section, from the opening track i can make a parallel to Passport's or Embryo's more dynamic tracks, wherein Curt Cress/ Christian Burc…