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2012 release ** The achievement of Ailleurs is that by mutating its intonation and freeing the bass from its limitations as a purely rhythmic instrument a new interface appears. The reverberating result is of an expansive formula that evocatively builds on expected bull fiddle timbres the way a realistic photograph could be the basis for a surrealistic art. It's the 19th publication - out of 24, one for each hour of a day - produced by &records (Michel F. Côté & Fabrizio Gilardino).
2012 release ** It seems to me they are using the ’no wave/no new york’ format of a slightly more pop-like character, sans any vocals of course. Nervous hectic playing on all three instruments, but occasionally leaping into a bit of a rock mode, all in a very free reign of play. Jazzy also times, but not as much as one could all too easily think. Quite a vibrant and energetic release. Exactly the right Ultra spirit, but then from Montréal. It's the 18th publication - out of 24, one for each hour…
2008 release ** Originally recorded in 2002 and performed once at l’Oeil de Poisson in Québec City the same year. Fan-CD (mini CD within a transparent full-sized CD), front jewel case is scratched by a microphone 100 times in a circle pattern. Everything revolves around these words: the circle, by the dog. I believe that this word, used by those for whom the earth revolves, is singular: a rigorously extended straight line, plural: an eternally centerless circle which, to advance, turns on itself…
VIORUPEEEEIHEAN is the translation on audio medias of multiple sound performances generated by various tactics of pragmatic approach of the ineffable that testify on the emergence of monstrous voices and hermetic entities through the creative process. VIORUPEEEEIHEAN is a heterogenous creature possessed by sound spectres.
2010 release ** “A very short album, only eight minutes, with a contained, almost contracted minimalism, this TNZR001 will pass like a comet in your CD player. Visible and audible from a distance only with the help of a telescope, suffused, slightly dissonant, rarefied between pauses, silences and microscopic buzzes, this work could satisfy fans of Bernhard Günter but also lovers of certain contemporary music for its leaps between synthetic dissonant chords and more relaxed concrete textures. It…
2008 release ** Limited edition of 120 hand numbered copies. "12 December 2007 is a live recording of Dorothy Geller (From Quagmire) alias Dora Bleu and Alexandre St-Onge (Shalabi Effect, et Sans) taken in Montreal at Zoobizarre on that date. Several of the songs are inspired by the film The Night Porter (1976). The live event itself was called "Music on Dark Screens." St-Onge's dark, minimal and lush double bass is a perfect compliment to Geller's unconventional and minimal song structures. The…
2001 release ** "A sound study of Ingmar Bergman’s Tystnaden (The Silence) and the silence of the Other… the object itself is a compression of an impossible space through the trituration of a gesture-the infinite as a question… A singular blast of air interchanged with a hollow, crackly static drone are almost constant through this, disc, and they serve to create an eerie, lonely, wide-open silence…"