Annette Peacock
Peacock unfairly remains an oft-unsung figure, flirting with the jazz, rock, and experimental music countercultures of the late 1960s and 70s. A self-taught composer, vocalist, and pianist, Peacock unfairly remains an oft-unsung figure, flirting with the jazz, rock, and experimental music countercultures of the late 1960s and 70s, but never truly embracing any of them wholeheartedly
Peacock unfairly remains an oft-unsung figure, flirting with the jazz, rock, and experimental music countercultures of the late 1960s and 70s. A self-taught composer, vocalist, and pianist, Peacock unfairly remains an oft-unsung figure, flirting with the jazz, rock, and experimental music countercultures of the late 1960s and 70s, but never truly embracing any of them wholeheartedly
Play Annette Peacock, Revisited
By 1965, Paul Bley had settled on the trio format, and touring Europe revealed a warmer reception for music that employed chordless improvisations, three-way rhythmic counterpoint, unfamiliar melodic constructs, and malleable song form. But there was an equally momentous conceptual change in the group’s material, as the adventurous pieces by Carla Bley were gradually being replaced by those of Paul’s new partner, Annette Peacock. - Art Lange
The Perfect Release
Released in 1979, this prophetic stew of spoken word, jazz and funk by Annette Peacock was wildly ahead of its time and is still salient today. Her no-nonsense examinations of capitalism, sex, religion, etc. are underscored by long, gorgeous grooves. Where most musicians make a riff, she creates a sonic space. Perhaps too esoteric to garner commercial praise at the time, with this reissue we are proud to encourage the discovery and praise that The Perfect Release deserves. Annette Peacock is one…
X-Dreams
Arriving in 1978, Annette Peacock's X-Dreams is an infatuating and resolutely feminine free-form exploration of the politics and dynamics of sex. In the pursuit to reconcile the duality of attraction & repulsion and love & cru- elty, the album oscillates between an assertive opening side and a sweeter side B. Assembling a crew of 22 musicians (including Mick Ronson on guitar and Bill Bruford on drums), Peacock delivers impassioned vocal performances along- side an improvisational jazz-rock fusio…
I Belong To A World That's Destroying Itself
* 2021 Stock * Ironic Records presents I Belong To A World That's Destroying Itself (Aka Revenge) by Annette Peacock. Recorded simultaneously live at various studios in New York, 1968. Annette Peacock gets it right again. In the lyric booklet here she writes "This is my first record. It was the right album, in the wrong century." Startling but true. An earlier version of I Belong to a World That's Destroying Itself was released as Revenge by Polydor in 1971 - the same year as her classic I'm the…
I Have No Feelings
* 2021 Stock. Original 1986 copies * Ironic Records presents I Have No Feelings, a studio album released in 1986 by Annette Peacock. Line-up / Musicians: Annette Peacock / vocals, keyboards, bass, arrangements, programming, producing, Roger Turner / percussion. Artwork by Alfreda Benge. Recorded at Eel Pie Studios. Mastered at The Town House.
Born in 1941, Brooklyn, New York. American composer, arranger, producer, musician, lyricist, singer. Composer of Paul Bley's repertoire from 1964 - 73. Pro…
Dual Unity
CD edition. Bamboo present a reissue of the debut album by Annette Peacock & Paul Bley, Dual Unity, originally released in 1972. Annette Peacock's legacy may only just be courting recognition proper with the recent retrospective release of her solo debut I'm The One (1972). Hailed as a pioneer and artistic genius by many, her debut album and predecessor to I'm The One captures Peacock in her element alongside husband; Canadian jazz genius Paul Bley. Dual Unity is a landscape of aural vision c…
I'm The One
Masterpiece!!! I'm The One, you don't have to look any further. I'm The One. I'm here, right here for you,' oozes jazz, rock, and electronic music pioneer Annette Peacock on the leadoff title track of her solo debut LP. The album's wide range of vocal emotions and diverse sonic palette (featuring Robert Moog's early modular synthesizers, which the singer actually transmitted her voice through to wild effect) places it firmly at the forefront of the pop avant-garde. Originally released by R…