Catherine Lamb

*Limited edition of 300 copies.* A striking new addition to the evolving catalog of Berlin-based composer Catherine Lamb, 'interius/exterius' is a long-form chamber nonet developed through a sustained dialogue with the musicians of New York’s Ghost E…

Catherine Lamb works at the boundary between perception and illusion. In Curva Triangulus (2018/21), the American composer takes Bridget Riley's geometric forms as starting point for "warping" Renaissance materials through geometric musical figures. …

Fonstret is a project of Stockholm’s Edition Festival for Other Music focused on publishing new works and surfacing material from the festival’s archives. Printed volume of conversations and essays published on the occasion of the Sixth Edition Festi…

Three vocal works recorded between 2014 and 2020 reveal the Berlin-based American composer's singular approach to voice as spectral instrument. Lotte Betts-Dean, Explore Ensemble, and Exaudi navigate Lamb's radiant harmonic language where phonemes re…

New York-based duo andPlay – violinist Maya Bennardo and violist Hannah Levinson – present two extended works exploring the sonic possibilities of just intonation tuning systems. Both pieces were commissioned for andPlay's concert series Translucent …

"The radically mind-expanding challenges of Catherine Lamb’s string quartets have given me great joy and satisfaction. Imagining and creating the sonic relations yields an integration of number and sound, offering a pathway toward ultimate oneness. O…

A collection of long-form works in just intonation by Kali Malone, Duane Pitre, Catherine Lamb, Tashi Wada, Byron Westbrook, and Caterina Barbieri. Mastered by Stephan Mathieu

Tip! The OCCAM Ocean Issue, focuses on the radical musical eco-system of French composer Éliane Radigue’s OCCAM Ocean project. In a first for the publication, this issue is built solely around interviews with the performers that have collaborated wit…

2026 Repress. In Muto Infinitas, Catherine Lamb extends her distinctive approach to microtonality and just intonation, crafting a forty-minute dialogue for quartertone bass flute and double bass performed by Rebecca Lane and Jon Heilbron. The recordi…

* Edition of 500 * In Catherine Lamb's Prisma Interius series the unpredictability of the outside articulates the field of perception through precise bandpass filters, while acoustic instruments and musicians guide the unfolding of its harmonic space…

Point/Wave represents a rare confluence of precision and open inquiry, as Catherine Lamb’s composition for Cristián Alvear translates the enigmatic condition of sound into tactile experience. Commissioned by Alvear and realized on Another Timbre, Lam…

**425 copies, 3-color letterpressed jacket with large 20-page booklet containing the full score and a lengthy interview with the composer** Catherine Lamb’s work is characterized by an insistence on what she calls the “interaction of tone”. Precisely…

This recording is an excellent introduction to the distinctive sound world of Catherine Lamb (b. 1982), who studied with James Tenney and Michael Pisaro, in that it documents a recent large-scale piece that epitomizes her compositional aesthetic, Pri…

Viola Torros is more than a historical reference - it is an ongoing collaboration between Catherine Lamb and Johnny Chang, centered around the research, arrangement, and interpretation of fragments attributed to the mysterious composer Viola Torros. …

Untitled 12 (after agnes) takes it's title from a painting the American artist Agnes Martin made during her "gray" period in the 1980's. The work was completed in 1984. In this painting nothing in particular stands out, nothing garners any particular…