Claire Rousay
A Heavenly Touch
Claire Rousay's new album "A heavenly touch" fuses piano, percussion and recordings on the field in a silent and transgressive mix. Originally released on cassette in April 2020 by Already Dead Tapes, this marks its first appearance on vinyl, mastered by Andrew Weathers. Fundamental to understanding the evolution of Claire Rousay as an artist.
If I Don't Let Myself Be Happy Now Then When?
*300 copies limited edition* Forged alone in a cave on the island of Java, and recorded in a fortress in Poland, Antonina Nowacka’s “Lamunan” is an intimate exploration of a mysterious darkness and the earliest of musical forms. Nowacka has co-created raw electronics and audiovisuals as half of WIDT and the enigmatic Mentos Gulgendo, but her solo practice focuses solely on the voice’s inherent connection to mental states, its ability to speak wordlessly, and the apparatus of speech itself – lead…
Autumn Fair
Limited edition of 350 copies. Sold out at source To celebrate the 10th anniversary of Recital, we present Autumn Fair. A group LP comprised of 44 guest players (full list below), curated and edited together by Sean McCann. Autumn Fair aptly embodies the feeling of Recital as a record label; the infusion of abstract sound art and sentimental beauty – performed by both younger and older generations of artists. Oren Ambarchi - guitar, Ed Atkins - paper shredder, Jason Bannon - family, Derek Baron …
Everything Perfect Is Already Here
When words trail off at the beginning of Claire Rousay’s “Everything perfect is already here,” ornate instrumentation is waiting to fill a void left by the breakdown of language. Yet it becomes clear as we trace rousay’s collaged sonic pathway that breakdown, of meaning and also of melody, is also a place to rest. everything perfect… is made up of two extended compositions that cycle between familiarity and unknowing. There are seemingly infinite ways to feel in response to these pieces of music…
Never Stop Texting Me
Never Stop Texting Me by More Eaze and Claire Rousay is a pop record. Melodies and chorus in every track about crushes, collaborating with friends, and the mundane of everyday life. Maybe the first mention of Bandcamp Friday in a pop song? Mari and Claire share an equal amount of duties on the record, rendering it a pure representation of their collaborative work. The appeal of this record is the assertive pop blending w Robert Ashley like moments which simultaneously satiates the desire to hea…
Sound American no. 27 - The Life Issue (Book)
Sound American Publications' 27th issue, The Life Issue, proposes a reflection upon the smallness—and largeness—of living amidst a tumultuous, globally-shared moment. The Life Issue contributors include Claire Rousay, who writes about the many cuts accumulated while learning something new; pedal steel superhero Susan Alcorn recounts a battle with injury; composer Jack Langdon offers Sound American's second fiction offering, a story of how the pandemic affects a fictional musician, presenter, and…
Both
Second Editions presents Both by claire rousay. Claire Rousay has been exploring the sensitivities of sound always in relation to "the self" and "the other", equally. Her work is always seen as a contribution, as engagement. Recording, collaging and composing become acts of considering, remembering, giving. Therefore music becomes a context, or more precisely, a habitat. But what does it say about this music when the artistic choice goes deeper, when it is not only an urge to express but to find…
Specifically the Water
Astral Spirits presents the debut duo recording from Alex Cunningham (violin) and Claire Rousay (percussion) entitled Specifically the Water.Alex Cunningham is a violinist, improviser, and visual artist based in St. Louis, MO. His work explores free improvisation, drone, noise, and minimalist composition. Cunningham has recently performed with Mark Shippy, Sandy Ewen, Damon Smith, Stefan Gonzalez, and Lisa Cameron and has ongoing collaborations with Chris Trull (under the Apathist! moniker), Kev…
Aerophobia
Exploring human relationships and self perception through the use of physical objects and their potential sounds, San Antonio drummer Claire Rousay, who has worked with Jacob Wick, Ken Vandermark, Brandon Lopez, etc. recorded these six solo drum performances in the studio, developing each in a way that shows her strong technical skills and narrative voice on the drums.