D'incise
Incendies
"Incendies" is a piece that sings the jolts of a world on battery. Just as we watch a fire with fascination, its beauty and its destructive force at the same time, one can listen to analog signals enriched with saturations and give birth to the space created inside a stereophony. Or meditate on the carbon footprint of the same action. And for your information: the number of megafires will increase by 30% by 2050 (according to a report by the United Nations Environment Program (UNEP) which also d…
Variaciones Sobre Las Instrucciones
*250 copies limited edition* Alvear, Bondi & d'incise consists of Cristián Alvear from Chile, and Cyril Bondi and d'incise from Switzerland. The three musicians collaborate frequently in duo and trio formats. This album documents a duo performance by Alvear (guitar) and d’incise (vibraphone, electronics) of “Sleepless Night” (2022), a work by Spanish composer/sound artist Clara de Asís; and a trio performance by Alvear (guitar), Bondi (vibraphone) and d’incise (electronics) of “uno, dos o tres e…
Le secret
Cyril Bondi wondered and researched about the process of choice in the making of a bells set for cows herd in the swiss mountains.It revealed to be pretty subjective, mixing parameters of sonic efficiency, financial and social reasons, and sometimes a slight touch of musicality, all of these clotted by the notion of "secret". Later he and d'incise spend a cold winter day into a thousand pieces collection of bells, picking a few sets regarding their own principles and finality.
καῦμα (kaûma)
"The word καῦμα (kaûma) gave us the "calm" losing its primary sens of "heat". Here an archaic experimental music, a more or less advanced electronic technology with questionable sustainability, false loops, oscillations and glidings, between immutable harmonic series and dubious Chinese components. If "kaûma" also gives "chômer" ("not to work") (from occitan "caumar", "to rest during the heat"), another warming would call to disturb the calm, the pattern, to come out of our torpor (κῶμα, kôma ("…
ABC 1-6
Score for indeterminate ensemble by Swiss composer Stefan Thut (2012), here realised by Cristián Alvear, Cyril Bondi and D'Incise. The piece is governed by three categories of sonic material - 0 for faintly coloured noise, 1 for amalgam of noise and pitch, 2 for pure pitch - circulated across six pages and as many rounds in an ever-shifting structure of repetition and turn. A rigorous taxonomy of sound material in the lineage of Wandelweiser and post-Cage indeterminacy.
Bow Down Thine Ear, I Bring You Glad Tidings
* Limited Edition * Among the musicians whose work closely reflects the reduced forms in experimental music, perhaps the most interesting is Cristián Alvear, a Chilean guitarist performing formally radical post-Cagean music, as well as Laurent Peter aka D'incise, a composer, multi-instrumentalist and producer, one of the key figures of the eclectic scene in Geneva. The numerous projects in which they participate prove their strictly defined artistic vision and active involvement in networking th…
Assemblée, Relâche, Réjouissance, Parade
Two compositions on the social and ritual function of music, drawn obliquely back into the experimental frame. The first piece, L'Anglard de St-Donat, takes a Central-French mazurka recorded from Alfred Mouret as its hidden source, building solid drones and recurrent structures from bowed and struck metal objects with quasi-melodic counterpoint. In Le désir the strategy inverts: detuned organs provide the rigid harmonic context within which bowed metal sticks are tuned.
The Probability of an Encounter
***100 copies*** In the electroacoustic composition The Probability of an Encounter d'incise attempts to give physicality to electronic sounds, to capture their materiality as piece of cardboard moving - moving back and forth on itself, and moving relatively to microphones in a room. The loudspeaker as concrete manifestation is pushed to its functionning limits to reveal it as it breaths, vibrates, saturates, rattles in contact of other objects. The raw material made of electronic sounds created…
Impermeability
Improviser and composer Laurent Peter - one half of Diatribes, co-ordinator of the Insub Meta Orchestra and co-curator of the Insubordinations label - has been a important figure in the Swiss Experimental scene for some years now. This new solo composition, although assembled from studio recordings, conjures gurgling volcanic pools, teeming with myriad amphibians and insects.
Léthargie & autres animaux rugueux
'd'incise is a member of the Audioactivity, music & visual collective founded in 2000 in Geneva (CH). In 2002 he starded to produce different kinds of electronic music, from dub to electronica, dangerously sliding to the more experimental ways of electroacoustic. His world is made with sound fractures, nevralgic crepitations, melancolic atmospheres and a non-dissimulated fascination for rust and faded rhythms. 'Lethargie...' , his newest CD, is not far from described above. A mixture of f…
Rivages sur l'antipode
* 250 copies, hand numbered * Composed on a special request from ini.itu, “Rivages sur l'antipode” (shores on the opposite side of the earth) is his first vinyl LP and is based on similar archival material as the one used by Francisco López in his stunning “untitled #228”. Nonetheless, D'incise (aka Laurent Peter) has achieved radically different results, combining digitally-processed textures, microsamples and humming harmonics rippling out over broken rhythms. He has collaged the least obvious…