dj sniff
Asian Meeting Recordings #1
*2023 stock* Asian Meeting Featival" rose to the highest recent years. This is the studio recordings CD, finally put out via doubtmusic. Amazing musicians / artists from each country in Asia gathered in Tokyo, they played powerful improvisations under directions by dj sniff and Yuen Cheewai. We recorded, selected and edited them for completed the CD. We would like you to fell splender Asian improvisation and experimental music. This CD will be expected all over the world !!!
The Asian Meeting Fe…
Next Mix
ErikM & dj sniff - Next Mix23.5.2023 / Next Festival Records. For this release, Next Festival Records dives deep into its archive to unveil a collaboration from Next Festival 2009 – one of the highlights of that year's festival – a tape by French musician, composer, visual artist and improviser ErikM & Japanese musician, curator, instrument designer and producer dj sniff. 13 years on, the sounds on 'Next Mix' still resonate, channelling the frenetic energy of free jazz, the looseness of plunderp…
吉祥寺
*2023 stock. 100 copies limited edition* Collaboration between Ken Ueno: Extended voice & megaphone and dj sniff: Turntable & electronics. Recorded December 20, 2017 at GOK Sound, Tokyo. Recording & mixing by Yoshiaki Kondo.Cover Art: 北山Q男
Parallel Traces of the Jewel Voice
Tip! Parallel Traces of the Jewel Voice by dj sniff is a project that takes inspiration from historical narratives and personal memories constructed around The Jewel Voice Broadcast (Gyokuon Hoso) that took place on August 15 of 1945. Contrary to common belief, Emperor Hirohito did not speak live on air to announce the surrender of Japan on this day. Instead, two lathe-cut discs with his recorded voice were skillfully mixed and played by NHK engineer Shizuto Haruna. Haruna’s proto-DJ/turntablist…
Incredulous Cuts - Reinterpretations of Doubtmusic catalogue
DJ Sniff was invited to rework with sound material from Doubt catalog. Turntable and computer for a nice piece of remix!ÂÂ
Ep
This recording is my attempt to play Evan Parker. Seven tracks were recorded in STEIM's Studio 3, trying to reflect the liveness of Parker's solo recordings. All of these are single takes with minor edits at the beginnings or ends. Two interlude tracks are short experiments looking at timbral characteristics when the rotation of the turntable is extremely slowed down. The last three tracks are compositions made from both Parker's and other improvisors' records.