E.g Oblique Graph

Three Panasonic remixes made in 1996 by Zoviet France and by Muslimgauze, found on DAT decades later and issued by Sähkö in 2020: one side of Zoviet France, two Muslimgauze pieces. Repress.

*300 copies limited edition* At this point the vast swathes of unreleased Muslimgauze material Bryn Jones left behind when he passed away over 25 years ago is as legendary as any of his work. And sure enough, there's still some being unearthed today. The fourth entry is in a 7" single series taken from one of Jones' customary completely unlabelled DATs he sent to labels seemingly as fast as he finished them. A new series of singles collecting one of Bryn Jones’ innumerable DAT tapes that would s…

Tip! *120 copies limited edition* Our first personal contact with Bryn Jones was in 1995 when the Muslimgauze album "Silknoose" came out on my Daft Records label and the contact was always excellent. He knew that Eric, who did the mastering, and I loved his music since the beginning. Later on we planned a mini CD with 4 Muslimgauze / Sonar and 4 Sonar / Muslimgauze remixes so we exchanged some audio pieces to work with and to our great surprise Bryn sent us two DAT tapes with 16 remixes in total…

2000 unofficial US compilation collecting a bunch of tracks from obscure singles released in the 1980's by punk/experimental/electronic/d.i.y. bands, including the Prats, The Janet And The Johns, Brent Wilcox, Noh Mercy, Storm Bugs, The Door And The Window, A K Process, Men/Eject, Sellouts, Danny And The Dressmakers, E.g Oblique Graph, File Under Pop, Band T Plus Instruments, Orchid Spangiafora, Doof. With insert.

This 7" unveils rare Muslimgauze tracks from unlabelled DATs, featuring vibrant, rhythmic experiments—Side A with upbeat synths, Side B embracing dub textures—showcasing Bryn Jones’ relentless innovation.

Widely regarded as one of the essential entries in the vast Muslimgauze catalogue, Mullah Said returns once more via Staalplaat in a third edition vinyl pressing and a reworked digipack CD edition of 400 copies - both featuring updated artwork with additional gold printing. Originally issued in 1998 as the eighteenth installment in Staalplaat's Muslimgauze subscription series, Mullah Said represents Bryn Jones at the height of his powers. Engineered by John Delf at his Abraham Mosque studio in M…

A powerful new archival release from the legendary experimental project Muslimgauze, titled Muslimlahore, is now available worldwide via Bandcamp. This album continues the ongoing posthumous excavation of Bryn Jones’ vast and politically charged body of work, offering listeners a fresh immersion into his unique blend of ethnic electronica, dub, and tape-based soundscapes. Muslimlahore presents a suite of tracks that reflect Muslimgauze’s enduring fascination with South Asian and Islamic themes, …

2007 release ** "After my recent trip to Asia, my interest in oriental music has definitely greatly increased and then this release fell into my lap... Serendipity or coincidence, I eagerly went through this double bill, listening to all the nuances and influences I could trace back to my trip or recognize the origin of... There is definitely a lot going on but sadly the recording quality didn't seem to have always been determining factor in the choice of material. The release is dubbed as a CD …

*2025 Stock* "In 1998 Staalplaat and Muslimgauze were on a conquering spirit. Bryn Jones (1961-1999), the man behind Muslimgauze delivered new works, almost on a weekly basis and was more than happy to see them released straight away. Unlike others, Staalplaat was never shy to release larger works, lumping various works together, such as the 9CD “Box Of Silk & Dogs”. Allowing free reign in editing, the 4LP box set ‘Tandoori Dog”, contained the LP of the same name, which saw only eight out of the…

*2025 Stock* "Unsurprisingly for an artist as prolific and strident as Bryn Jones was, the flood of material he sent to labels and compatriots was not always carefully categorized. Also, sometimes he would be so eager to release material that if things didn’t happen fast enough he’d just send in another tape. And that circumstance is how you wind up with a fascinating oddity like Mohammad Ali Jinnah.Staalplaat has previously released, in 2002, the Muslimgauze album Sarin Israel Nes Ziona. While …

*2025 Stock* Jerusalaam plus the two extra tracks make up unused material from the Return of Black September sessions. The contrast, even for someone with as wide a range as Muslimgauze had, is stunning. The original Jerusalaam fits in with much of Bryn Jones’ classic work, with a heavy emphasis on hand percussion, bass-heavy distortion, sharply clipped loops, and the seething his of static. The two otherwise unnamed Return of Black September tracks, however, follow that album in taking a much m…

*2025 Stock* 'Speaking With Hamas' was compiled by Bryn Jones himself early 1997 and he thought it would be nice to include a new, previously unreleased track. In his words:"It's for people who don't deserve it". "A tourist asked Ali muhamad, a second-hand camel salesman, why camels look so dam supercilious. He replied the Arabs know 99 names for god. But only the camel knows the 100th."

If ‘Satyajit Eye’ (which is released at the same time on Staalplaat) only blinks at Indian culture, the album ‘Al Jar Zia Audio’ does this with both eyes open. It is known that Bryn Jones, the man behind Muslimgauze, looked further than the Palestinian conflict and used extensively the rhythms of India, Pakistan and other Eastern cultures. Like crossing borders in the bigger Islam regio, Jones takes whatever comes at hand and moulds into his own trademark sound – often imitated, never surpassed.…

Jebel Tariq has strong hand drum beats throughout but still maintains a very moody feel. It was undoubtedly these very elements that lead Jeremy Keens to state it was"balanced between the ambient and beat sides" of Bryn's work. It goes beyond just these elements though. There are whispered voices changing to strong ululations, frequent flute"samples" and then the bass. There are parts where the deep throb of the electric bass element gives a very dub feel and then there is the use of acoustic ba…

*2025 Stock* “Sulaymaniyah is part of Staalplaat’s ongoing Muslimgauze archive series, masters originally submitted in 1997, then “replaced” by what became Vampire of Tehran released early in 1998. It was not uncommon for the prolific Bryn Jones to replace masters with what he believed to be a more fit release. Short of two tracks, “Fez Tishan” and “Hamas Pulse of Revenge”, this is Vampire of Tehran with nine additional, unreleased tracks. Because Sulaymaniyah was “replaced”, it was stored in St…

*2025 Stock* Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties. Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn't tend to give much more information than handwritten track titles on the sleeve of a DAT. Why he would submit multiple copies of the same or similar tracks to those he worked with…

*2025 Stock* Recorded and mixed at Abraham Mosque, Manchester 1996, this is a re-release of Muslimlim 009, only C2 taken from stdc 001.  Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples. It's a…

Demo is much in line with Jones's 1980s recordings, a set of primitive percussion tracks assembled from hand drums, chimes and simple effects, and possessed of a coldly malevolent focus. The Wire Original Cassette material from Bryns Jones home, Audio Restoration by Radboud Mens.

"Bedouin In Mercedes" by Muslimgauze is an album characterized by its powerful and prolific innovation in experimental music. It features a blend of ambient electronics, polyrhythmic drumming, and a variety of voices and sound effects that create an immersive and visceral listening experience. The music combines elements of Middle Eastern cultural influence with electronic and industrial sounds, reflecting the artist's deep political and cultural engagement, particularly concerned with the Middl…

"Home Demo Tracks" by Muslimgauze is a collection of eight tracks with a total duration of about 47 minutes, featuring a distinctive blend of ambient electronics and polyrhythmic drumming. The album captures the raw and experimental essence of Muslimgauze's sound, characterized by visceral percussion, diverse voices, and sound effects. It reflects the artist's unique position in underground, experimental, and industrial music circles, continuing the innovative and atmospheric style that defines …

The excellent Black September, a continuous, five-part, 68-minute epic, is as formidably competent as ever, although more for the brooding, surreal nature of its soundworld than for its grooves, which here sound almost subsidiary. The soul samples and restlessly evolving minor-chord kaleidoscopes that unfold throughout the work is prima facie evidence of a musician on a roll. Boldly named after one of the most notorious Palestinian terrorist organizations, the group which carried out the Israeli…

The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…

Separated from both its reputation and its sleeve art, the music of Muslimgauze explores the relationship of visual sensations -- space, color, depth, illusion -- to the listening experience. The music on Maroon is dub-like inspired techno music, laidback with voices appearing randomly in the mix. The thick drums and rich found sounds that densely populate the soundscapes on Maroon give materiality to the warm presence of the synth washes. The music is so layered and textured that it ceases to b…

The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…

Originally released in 1993. The reissue contains remixed material from »Shekel Of Israeli Occupation«, which did never appear. Also on there are two remixes from tracks on »Vote Hezbollah«. From the original press release: »For over ten years this solitary voice from Manchester has created a unique sound drawn from a melange of Arabic and European instrumental music. From the very beginning the music has been based on drums and other percussion instruments. Recent advances have been attained th…

Lazhareem Ul Leper by Muslimgauze certainly qualifies for its range of percussion instruments, atypical electronics, skillful de-construction of ethno-traditional music. In turn, said music is re-assembled with urban stylings with a technical deftness akin to the way a Shao-Lin monk wields weapons. Muslimgauze enthusiasts may recognize sounds from Izlamaphobia on the odd track as they were made roughly the same time, only Lazhareem is arranged differently and with more unique elements to form a …

Part of Staalplaat’s ongoing Muslimgauze archive series, Sycophant of Purdah was submitted in 1994 then “replaced” by another master Bryn Jones felt more fit for release. Sycophant then languished in the vaults until present, nearly a decade after Jones’ passing. It is no secret that Jones was a prolific artist and that numerous labels combined could not keep up with his output and will take several more years more for them to do so. Sycophant opens with a radio broadcast on the on-going Palesti…

"Kashmiri Queens" presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. All the standard Muslimgauze elements present here, but this release sees a more steady approach to his sound. Far less of the abrupt cutting in and out he had favoured for a good while, and more of a concentrated approach to the music. He lets the …

Another Muslimgauze discovery in Staalplaat's reissue series, with eight rare tracks from the mind of Bryn Jones. Hefty slabs of beefy beats are seasoned with spicy South Asian melodies while mouth numbingly hot bass lines are smothered in distortion chutney; Souk Bou Saada was broiled in Machester's finest tandoor and is now served by Staalplaat. If you love East Indian flavors with a neo-bhangra beat, this disc will not disappoint, equally at home on the dancefloors of Bradistan, UK or Mumbai,…

This is a mostly beat-driven album with little background noise, ambient space, or reverb. There is also no big emphasis on Middle Eastern sounds, which (and you should be figuring this out by now) is a frequently occurring theme in Bryn Jones' politically-driven music. Occasionally, there is some melodic material, or a touch of the Middle East sprinkled in, but it's played down in favor of beats that could best be described as very raw and closer to early Autechre minimalism than something from…

*300 copies limited edition* At this point the vast swathes of unreleased Muslimgauze material Bryn Jones left behind when he passed away over 25 years ago is as legendary as any of his work. And sure enough, there's still some being unearthed today. The second entry (and only 12”-sized one) is in a series of four (three 7"s and one 12") taken from one of Jones' customary completely unlabelled DATs he sent to labels seemingly as fast as he finished them. A new series of singles collecting one of…

** Limited to 400 copies, numbered box set containing 7 vinyl LPs, one vinyl 7", 2 booklets, one mini poster, a certification card, a slipmate and a t-shirt ** Vinyl-on-demand presents the definitive excavation of Bryn Jones' formative years with Complete Oblique 1980-1983, a comprehensive 7LP/7CD box set that collects every recording from the pre-Muslimgauze era. This extraordinary archaeological document captures one of experimental music's most prolific figures in the crucial period before hi…

In the vast and uncompromising catalog of Muslimgauze, certain works stand as crystalline statements of Bryn Jones's singular vision—albums that distill decades of political engagement and sonic exploration into their most essential form. Hamas Cinema Gaza Strip, composed less than a year before Jones's untimely passing in 1999, emerges as perhaps his most cohesive and sonically refined release, now returning via the MG Archive series in a limited edition of 200 manually screen-printed copies. T…

In the uncompromising world of Muslimgauze, few releases capture the raw urgency and political fire of Bryn Jones's vision as powerfully as No Human Rights for Arabs in Israel. Now returning via MG Archive Vol. 033 as a double CD in a limited edition of 200 manually screen-printed copies, this confrontational masterpiece stands as one of the most rhythmically relentless and politically potent works in the entire Muslimgauze catalog. The album's genesis reflects the chaotic creative process that …

This 7" unveils rare Muslimgauze tracks from unlabelled DATs, featuring vibrant, rhythmic experiments—Side A with upbeat synths, Side B embracing dub textures—showcasing Bryn Jones’ relentless innovation.

1991 release ** Featuring: Shinjuku Thief, Peter Appleton, Paul Schütze, C-Schulz, Ian Eccles-Smith, Richard Vojlay, Tenebrae, Andrew Chalk, Muslimgauze, Christoph Heemann, Jim O'Rourke, Merzbow.

People believe that the magic of Muslimgauze works best with looong tracks. Think the same? Then "Al-Zulfiquar Shaheed" is exactly for you! 75 minutes of mellow eastern-style hypnotism. Consisting of only five parts, the album shows Bryn's ability to create lengthy and detailed compositions filled with Arabic percussion, droning keyboards, vocal samples and ethereal atmospheres. A strong rhythmic, yet melodic album, that should be in the collection of every Muslimgauze fan. Definitely one of Bry…

The original tracks were perfectly remastered for this first time ever vinyl release and the new masters received high praise from the Extreme Music owner Roger Richards. A new sleeve design was created by Oleg Galay, who is famous for his artworks for many Muslimgauze reissues. The album jacket is made from extra heavy cardboard with deluxe spot UV finish and inside print.

English musician Bryn Jones is one of the most original and productive artists on the post-industrial scene. He has released an incredible amount of music in just 16 years. According to current estimates, he has released at least 200 albums for a total of over 1,900 songs in circulation. The Extreme Years 1990-1994 is a compilation of all Muslimgauze's music, released on the Australian label Extreme Music between 1990 and 1994. According to many critics and fans, this was a unique and very speci…

*300 copies limited edition* »Betrayal« was originally released on CD by Staalplaat in 1993. »Betrayal« isn't that far removed from Veiled Sisters; while not as minimalist, if not repetitive, as that particular release, »Betrayal« relies on the same basic tools of gentle, steady electronic percussion and low-level bass and keyboard shadings. The most immediate changes lie with the various vocal samples on some of the tracks; while not immediately intelligible per se, you get scraps and hints fro…