FEN
Yu Yan Lao Gong
**Limited edition of 75**
Zhu Wenbo: language laboratory cassette player, tape Yan Jun: scissors, sticker, tape Recorded by Yan Jun in Studio h, Beijing, July 16th, 2020 Mastered by Francesco Covarino. Released November 8, 2021
Live In Europe 2016
Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and was also a member of Masayuki Takayanagi’s pioneering New Directions group. This album is dedicated to Masayuki Takayanagi.Otomo Yoshihide moves between free jazz, noise, improvisation, composition and the unclassifiable with a generosity that opens …
Twice
** Six-panel digipak, photos by Yan Jun/Zhu Wenbo, design by Yuko Zama ** Erstwhile Records presents Twice by Yan Jun and Zhu Wenbo. Yan Jun: recorded in Beijing, Feb 2021. Zhu Wenbo: recorded in Qingdao and Beijing, Sept 2020 - Feb 2021. Photos/image scans by Yan Jun/Zhu Wenbo. Design by Yuko Zama. Produced by Jon Abbey.
Duo / Timing
** 2021 Stock ** Meeting at GOK Sound studio in Kichijoji, Japan in front of a small audience, Swedish baritone saxophonist Mats Gustafsson (The Thing, Fire!) also performing on flutephone and live electronics, and Otomo Yoshihide (Ground-Zero, Regenorchester) performing on guitar, turntable and banjo, recorded these eight amazing improvisations of unusual and unique attitudes and timing. After 2 years it materialized on CD work at all. Mats Gustafsson's strongest baritone saxophone, self-made i…
Brother of Divinity
** 2021 Stock. Glass-mastered CD in hand-stamped, recycled chipboard cover ** 845 label leader and sonic explorer Tim Olive uses magnetic pickups and electronics in this meeting with radical living room concert sound artist, poet and improviser Yan Jun in Kobe, Japan, Jun using a variety of electronics, radio and field recordings as the two improvise in a wonderfully mischievous set of errant dialog and restrained deconstruction.
First up is a twenty-eight-minute work, which was recorded in Octo…
Foreign Correspondents
In 2013, Noid and Matija Schellander travelled from Vienna to East Asia to meet up with Ryu Hankil and other musicians from Japan, Hong Kong, China, South Korea and Europe. Carrying compositions, sound art pieces and workshop preparations in their luggage to be tested by changing social and artistic settings, by everyday tour life and to be used as starting points for debates in various forms.
The first CD - “Tokyo Office” - is a trio of Noid, Schellander and their main collaborator on this tour…
Soto
Tip! *2022 stock* Sploosh Records presents Soto by Otomo Yoshihide and Martín Escalante. Recorded by Kota Uematsu at Soto, Kyoto on 05/30/19. Mixed and mastered by Lasse Marhaug. Thanks to Kukangendai, Miho, Jonas. Artwork by Ron Regé Jr.Otomo Yoshihide - GuitarMartín Escalante - Sax
Live in Florence
* Edition of 175 * Recorded on May 30th, 2018 at Tempo Reale Festival in Florence, Italy. Mixed & Mastered by Ryan Power. Performed by Otomo Yoshihide - guitar and turntables and Chris Pitsiokos - alto saxophone and electronics. Layout & Cover Art by Jaime Zurverza.
Imagined Commonities: Live At La Cave 12, Genève
FEN is an improvised music quartet. Comprising Otomo Yoshihide (Japan), Yuen Chee Wai (Singapore), Yan Jun (China) and Ryu Hankil (Korea), it was formed in 2008 in Marseille.
The initial intent of forming FEN was not based on a particular pursuit of any specific form of musical aesthetic, but rather to develop and deepen the improvised music networks of Asia. This desire was furthered by these 4 individuals, each with their individual endeavours to organise music-related activities and bridge co…
Eastern Saga: Live at Tusk
Turkish free jazzers Konstrukt continue their series of exciting collaborations with Otomo Yoshihide, highly repudiated multi-instrumentalist and composer in the experimental world. #4 in the continuing series of Konstrukt collaborations on Karlrecords is a live document of the concert by the Turkish freeform group with the Japanese experimental musician Otomo Yoshihide from the TUSK Festival 2018. Konstrukt, the Istanbul based free jazz/freeform group founded and led by Umut Çağlar and Korhan F…
A Rose with No Name 'Sorry'
**Edition of 200** Tokyo-based sound artist and improviser Makoto Oshiro carries out live performances and installations in which he creates sound using self-made devices and remodeled pre-existing objects. Beijing-based musician/poet Yan Jun, one of the leading Chinese artists on the experimental/improvised music scene, creates music and produces installations freely utilizing electronics, field recordings and voice.
This album was studio-recorded on February 22, 2017, when Oshiro was visiting …
No One's Island
FEN (Far East Network) is a group project made up of musicians from Singapore, Japan, China, and South Korea who play improvised music. It was first started on the suggestion of globally renowned musician Otomo Yoshihide in 2008 for a French festival MIMI. Each member is an artist who works individually on the experimental music scene in his respective country. They have been supporting each other's activities by organizing concerts in their own countries, and this relationship became the motiva…
Trace Cuts
eRikm: 1 turntable + FXMartin Tetreault: modified turntable + surfacesOtomo Yoshihide: 1 turntable + guitarRecorded on 22th may during Musica Genera Festival 2004 by Artur Nowak.Edited & mix : erikm.Cover artwork : Trace Cut / eRikm
Unreleased Recordings 1975 - 2012
Unreleased Recordings comprises 5 previously unreleased tracks by Otomo Yoshihide, both electric and acoustic, recorded in different locations in Japan between 2002 and 2012. Side A (Electric Side) features Otomo’s earliest ever recordings. Recorded at home in Fukushima in 1975 when he was only 16, Organ features the Japanese musician on organ and electronics. A must-have for any fan of hardcore Japanese improv/noise.
In Praise of Shadows
Sublime immersive session for computer generated sound, guitar and electronics from Yuen Chee Wai and Lasse Marhaug. In collaboration, they find a deeply immersive equilibrium where their tempered, haptic gestures give rise to a play of shimmering tones in negative space recalling the soundtrack to some black light theatre piece or Far Eastern classical.Yuen Chee Wai is a musician, artist, designer and curator based in Singapore. Often inspired by ideas drawn from philosophical and literary text…
Psychogeography, An Improvisational Derive
Recorded live at RedBull Studios as part of Improfest 4/2017 - Festival Internacional de Improvisação e Arte Sonora, São Paulo, Brazil. The legendary Otomo Yoshihide playing guitar and bass as well as turntables in company of: Antonio Panda Gianfratti (Contemporary Percussion, Drums) Marco Scarassatti (Viola de Cocho, Self-made instruments: Kraiser, PássaroCocho, Tromp Kirk Roland) Paulo Hartmann (Prepared 3rd Bridge Guitar, Freteless preparerd Chiquita, Gambelão and Effects). Great!
Good Cop Bad Cop
Recorded in Liverpool back in 2003, this improvised performance unites two of the UK's foremost improv exponents (Tony Bevan and Paul Hession) with two pioneers of modern free music, the multi-talented guitarist, turntablist and noise artist Otomo Yoshihide and the late, great Derek Bailey.The performance shuffles into first gear during the speculative, tentative first throes of "No Hiding Place/Softly Softly", establishing a ruthlessly abstract sound world from the outset, only to tighten up sl…
Crows that have no eyes
Created from the non-standard use of electronics, hydrophone microphone and feedback, Crows that have no eyes is a patient and masterful 40-minute eai (electroacoustic improvisation) piece by two of Asia’s most exciting improvisers today. There is nothing close to a straightforward musical narrative here, only oblique strategies and a display of wits, curiosity and risk-taking; where the artists have opted for subtle but extreme frequencies that push against the limits of listening. This isn’t s…
Guitar solo 2015 Right
Otomo Yoshihide's Guitar Solo "LEFT" was released last summer but "RIGHT" is completely different from "LEFT". the 123 short fragments of Otomo's guitar sounds are run by computer programming at random so no one know how the sound played. This CD is one infinity."-Doubtmusic
"What is most remarkable about the single, 62-minute track on Otomo Yoshihide's Guitar Solos 2015 RIGHT is how consistent, top to bottom, it sounds. Or, viewed through a different lens, how much coherence (real or imagined)…
live at Hall Egg Farm
English living legend percussionist, Roger Turner plays in Tokyo lin 2015 and this is one of the live performance in Fukaya city, Saitama prefecture. Roger percussion solo, Otomo electric guitar added and Japanese free jazz patriarch, Sato added, then becomes intense and has musical speed.