Igor Wakhévitch (born 1948) is a French composer, son of the film art director Georges Wakhévitch. In the 1970s he made a series of albums that joined orchestral and choral writing, rock instruments and early synthesizers, beginning with Logos in 1970, and he wrote the music for Salvador Dalí's opera Être Dieu. Wakhévitch followed Logos with Docteur Faust (1971), Hathor, Les Fous d'Or, Nagual (1977) and Let's Start (1979). Être Dieu, from 1974, set a libretto by Manuel Vázquez Montalbán. In 1998 Fractal Records collected the 1970s albums in the six-CD box Donc.
Small repress available. LP version. Transversales Disques presents Kshatrya (The Eye Of The Bird), a never released before recording by French avant-garde electronic composer Igor Wakhevitch. Wakhevitch composed a bunch of major experimental albums …
CD version. Transversales Disques presents Kshatrya (The Eye Of The Bird), a never released before recording by French avant-garde electronic composer Igor Wakhevitch. Wakhevitch composed a bunch of major experimental albums in the '70s, such as Logo…
His masterpiece "A treat for those into the pioneering works of Terry Riley and Steve Reich in that this combines use of delay lines on keyboards a-la Riley with phasing techniques on voices first explored by Reich" (Mutant Sounds). Originally rele…
Originally released in 1977, this was (once again) a product of the fruitful association between Igor Wakhevitch and american dancer/choreographer Carolyn Carlson. Compiling some of the pieces specially written for Carlson's "This, that and the other…
Released by Pathe Marconi in 1975 and housed in a fantastic surrealist cover designed by his father, russian painter/art director Georges Wakhevitch, this album marks the debut of Wakhevitch's long-standing collaboration with american dancer/chore…
This is probably Wakhevitch's most esoteric and occult-influenced work. Some sort of dark ritual for synthesizer and orchestra inspired by Kabbalistic writings where Igor's trademark bottom heavy electronics pulse, wizz and sweep to a backdrop of he…
Housed in a fantastic and menacing sci-fi cover courtesy of Druillet and bearing the famous dedication: "A mes grands amis Robert Wyatt et Mick Rattledge", Igor Wakhevitch's second album was a step beyond it's predecessor into a music alchemy that de…
Originally recorded as music from a N.Schmucki ballet premiered at Festival d'Avignon 1970, this is the perfect introduction to Wakhevitch dark, powerful and often menacing sound world. An unlikely mixture of 20th century classical avant-garde, both …