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2004 release ** "Here an hybrid instrumentation entangling blues and electro-acoustic music re-plays for us the complete history of recorded music. There is no deferred time between the instrument being played and the reworking of the recording parameters. All movements are connected in real time, as close as possible to the body. Hands on the tapes, fingers on the strings, fresh blood is springing, free from conventions, as if to abolish the principle of separation our society is built on. It’s…
2009 release ** "Hacking away on a homemade system and twisted electronic tools, eRikm and Noetinger gleefully activate levers, tactile screens and joysticks with the utmost concentration. Doneda makes the air shake with acoustic vibrations. Together, they give free rein to their audio tricks, buzzing, interference, constructive feedback, electro-shocks, concrete slipping, hazed quotes, white noise, saturations and incisive scratches."
*2023 stock* The album ‘DnT’ shows a collaboration that shares pure rock energy and electroacoustic manipulation, amplified drums and distorted tape, feedback and re-injection, live processing and diversion. A large tape loop was also set up on two supplementary reel-to-reel tape recorders to create a random memory, delayed and unstable, acting like a distorting mirror. This recording is the result of two days’ work at Centre Culturel André Malraux de Vandœuvre-lès-Nancy, France, in July 2018.
*300 copies limited edition* Far from the extended still lifes and mises en abîmes of their acclaimed Penultimate Press debut A Sunset for Walter (PP43, 2019), Noetinger & Pateras’ 15 Coruscations weaves frequencies & stirs data into an agitated series of deft psychoacoustic miniatures. Employing electronics as a deformed mirror reflecting joyous lacerations & interweavings, 15 Coruscations borrows from both brut & skilled musical practises, emerging from the current despair to blister light ac…
*In process of stocking* Tip! 'When our friend and inspiration Peter Rehberg passed suddenly in July 2021, I felt like I had to do something, and what I’m good at is something Peter deeply loved, producing records. so I put together this project with some of his longtime collaborators and friends, Lasse and Jérôme, Marcus Schmickler mastering and Tina Frank designing.
it’s titled Top for multiple reasons but one is that Top was often Peter’s entire reply to a message you’d sent, both concise an…
Testimony to the first encounter of the trio during a concert given at the cave12 on the 28.10.2020, on the same evening of the new Covid announcements which brought on a re-confinement in France, and eve to a six-month long shutdown of cultural places in Switzerland. A concert from which we emerged staggering and with burning ears due to the ongoing crisis surrounding us. A masterful sonic performance. Before silence.
Drawing from the dense and intense sound material of the evening, Francisco M…
Tip! “Two Duos” is pressed from cellist Okkyung Lee’s most recent OTO Residency; the first side a duo with Jérôme Noetinger on Revox B77 and the second with Nadia Ratsimandresy on Ondes Martenot. Cut together, the two meetings seem to raise three cellos in the search for expressive voice: the cello, it’s magnetic reproduction, and the dual controls of the machine invented to expand on its musical qualities. On the A side Noetinger’s opening tape hiss establishes a current; an electrical partner …
* Limited LP edition * Highly electrified guitar, anamorphosed, perforated, and tainted by all sorts of effects, implodes its rage and its urgency in the magnetic nets of a tape recorder as cannibal as it is destructive. From various recordings Lionel Fernandez & Jérôme Noetinger have created and produced these ten pieces: big, biting, dangerous and acerbic – like the intoxicated meeting of a chainsaw and a microphone. Real garage music: grease, gutted car bodies and outdated alternators, like a…
Angélica Castelló is a Mexican and Austrian composer, sound artist, performer, curator and teacher. Her sound work and compositions concentrate on fragility, dreamworld and the subconscious. Performs continuously solo or in cooperations everywhere between Mexico City and Vienna. Numerous compositions for ensembles, radio works as well as installations that operate at the interface of music, performance and visual arts. Several releases on labels like Mikroton Recordings, Interstellar records, Mo…
Aude Romary, cello. Jérôme Noetinger, electroacoustic devices. This duo started in 2014 with the idea to transform the acoustic instrument into a real electroacoustic one. Transducers, springs and microphones are attached to the cello which is then processed through electronic and tape. This CD comes from several hours of improvisations recorded in studio and reorganised to build six pieces of abstract electroacoustic music.
For the first time, the music of French electro-acoustic lynchpin, Jérôme Noetinger is played by an instrumental group, Ensemble Phoenix Basel with uniquely dynamic, rugged results for Poland’s Bocian Records. In June 2012, Ensemble Phoenix Basel commissioned me to create a work for them to play. It was the first time in my life I had received such a request. After several months of reflection, I accepted and began working on a way of communicating a music with other musicians.Not knowing classi…
In 1998, the Cultural Centre Andre Malraux of Vandoeuvre-Les-Nancy commissioned Michel Chion, Lionel Marchetti and Jerome Noetinger to collaborate on a work of musique concrete. Les 120 jours was the result - a fresco for which the composers exchanged a mass of sounds from multiple origins, that each had worked, transformed and recomposed in their own style.For this new commission (2014-2015), the work was realised in two stages. Firstly, during several recording sessions at the CFMI of Lyon (Un…
Erstwhile's debut of percussionist, microphone and electronic artist Will Guthrie in a duo with tape machine Revox and electronic artist Jerome Noetinger ("Hands of Caravaggio") in an interactive "face off" between the two. "november 2011 release ; ... whenever i get bummed out about music in general (usually :: fearing the seemingly consistent march towards rural / “beguiling” simplifications of electronic music, various “returns” to “form”, etc ...) there almost always seems to be an erstwhile…