Jérôme Noetinger, Fabrice Eglin

2004 release ** "Here an hybrid instrumentation entangling blues and electro-acoustic music re-plays for us the complete history of recorded music. There is no deferred time between the instrument being played and the reworking of the recording parameters. All movements are connected in real time, as close as possible to the body. Hands on the tapes, fingers on the strings, fresh blood is springing, free from conventions, as if to abolish the principle of separation our society is built on. It’s a beautiful confusion of sound, casual towards linear time, dazzling movements, the past is mixed with the present of doing. Feedback. The insurrection is blowing all codes. Two workers of noise, or call it music, are presented here, gifted with the appropriate good manners to add some dirt to it all. We stand between harshness and sensuality, quotes and abstractions. The guitar is plugged on the Revox and each actor accepts willingly to be dispossessed from his sounds as sonic twins would do."