Joe Fonda
Remedy II
"Voted “Best of 2021” by the critics of “The New York City Jazz Record,” the reaction to Remedy’s debut on the FSR label was not only a welcome boost to our morale but also confirmed the musical strategies we have been developing as a band: three equal partners, sharing an artistic vision where structure, collective interplay and individual free expression are evenly matched. While the ingredients will and have to change with each new piece, an instantly identifiable ensemble sound holds it all …
Thread Of Light
'I became acquainted to Joe Fonda’s musical creativity in 1998, precisely on November 6th at a concert of the Fonda/Stevens Group at Bunker Ulmenwall in Bielefeld, Germany. Along with some friends, I was curating the club‘s jazz program since 1996 at that time. After the enthralling show in 1998 Joe was a frequent artist at our club as his music was immensely inspiring - full of enthusiasm and playfulness. On November 8th 2003 there was Satoko Fujii Quartet playing a show in Bielefeld. On this e…
In Memory of Mark Whitecage / The Nu Band Live at the Bopshop
A tribute to NY reedist & wind player Mark Whitecage, who passed away in March 2021, in a concert at Rochester's BopShop in 2018 by the band he is probably best known for: Nu Band, with trumpeter Thomas Heberer taking Roy Campbell's original seat, plus Lou Grassi on drums and Joe Fonda on bass, a great concert blending modern creative jazz with passionate playing and a bit of hard bop.
Long Tall Sunshine
A really great trio set from drummer Barry Altschul – a record that easily swings between freer moments and straighter swing – thanks to the help of bassist Joe Fonda, and saxophonist Jon Irabagon – who blows tenor, soprillo sax, and alto clarinet! Fonda's bass may well be the rock of the set – a he's always a bit understated, but finds a way to bridge the space between Altschul's loose work on the kit, and the more soulfully cohesive lines of Irabagon's reeds. The tunes all have a loose structu…
Remedy
Fundacja Słuchaj! presents Remedy by Thomas Heberer, Joe Fonda and Joe Hertenstein. Recorded August 26, 2020, by Tom Tedesco, Tedesco Studios, Paramus, NJ. Mixed & mastered January 2021 by Jon Rosenberg, Brooklyn, NY. Photo: Kind Bystander. Graphic Design: Semafor. Executive Producer: Maciej Karłowski. Special thanks to Maciej Karłowski, Jon Rosenberg, Tom Tedesco. Extra special thanks to Daisy Payero, Ilse Pfeifer, Robin Rusch.
Thomas Heberer - trumpetJoe Fonda - bass, flute (track 7)Joe Herten…
Voila la Tendresse
** 2021 Stock ** Pianist Carlo Morena leads this lyrical and energetic piano trio with bassist Joe Fonda and drummer Félix Lecaros Herrera, performing 6 Morena compositions and one piece by Emil Boyd, recording at the Firehouse 12 studio in Connecticut for the 3rd album under the Step In name, and the first with drummer Herrera; upbeat but never cloying, a very compelling album.
Relight
Polish label Not Two presents a new release by a classic trio comprised of Uwe Oberg, Joe Fonda and Lucía Martínez, recorded live at the Just Music Festival, Wiesboden, Germany on February 23, 2019.Featured tracks include:1. Their Cheeks Glowed 10:312. Lighter Than Before 09:403. Almost Two 05:214. The Sharp Side of It 15:345. Relight Years 05:266. Triple Relish 03:57Lineup:Uwe Oberg – pianoJoe Fonda – bassLucía Martínez – drums
Duet
Great improvisers reveal a lifetime of experience and artistry in every note. For both pianist Satoko Fujii and bassist Joe Fonda, that brings to bear an estimable history of collaboration with some of the music’s greatest practitioners and travel that spans the globe. It also means that despite the fact that their winding paths had never previously crossed, they immediately tapped a rich vein of musical understanding during their first-ever performances together. On Duet, a live recording of th…
10 Compositions (Duet) 1995
This is Anthony Braxton doing what he does best — playing and improvising on his own idiosyncratic small-group compositions, this time in duet with bassist Joe Fonda. The two also have a go at a pair of standards, which come off as well as one might expect — you either love or hate the way Braxton interprets traditional material — but they are heard to best advantage on the several originals written by each. Fonda's tunes are very much in a similar vein as Braxton's — unstable or nonexistent ton…