Kathrin Leneke

The festival, which is now 50 years old, was designed from the start to be an alternative concept, one that would refuse to be part of the mainstream. Instead, it wanted to be understood as a major (social) experiment in which the dialogue between musicians and audience formed part of the programme. Perhaps that’s exactly how the book should be written: as a dialogue between musicians and audience, without an omniscient author. [re]visiting Moers Festival is not a meta-account. [re]visiting Moer…