Lost Aaraaf
Avant-garde rock/free jazz group formed by Keiji Haino. They played their first gig on July 26, 1970 at the Rock In Highland festival, and played frequently at other free rock festivals throughout the early 1970s. The group lasted until around 1975/76.
Avant-garde rock/free jazz group formed by Keiji Haino. They played their first gig on July 26, 1970 at the Rock In Highland festival, and played frequently at other free rock festivals throughout the early 1970s. The group lasted until around 1975/76.
Members: Keiji Haino
In A Flash Everything Comes Together As One
March 2011 release: phenomenal new power trio moves from a group that easily rivals Fushitsusha or Seijaku in intensity of attack. Here Haino is mostly featured on guitar and vocals with occasional forays into lapsteel (!) and air synth while O’Rourke plays bass and Ambarchi plays drums. This is some of the most squealing iconoclastic psychedelic rock of Haino’s career and his guitar playing is back at a Double Live/Hendrixoid peak, with endlessly overloaded single note guitar solos wres…
Un Autre Chemin Vers L'Ultime
Keiji Haino is an individual that never ceases to provoke new ideas in the minds of those that meet him. And so, although he is usually surrounded by amplifiers, a myriad of effects pedals, and cables plugged into his guitar, he nonetheless amazed his audience with the power of the simplicity of his purely vocal performance and the Centre Pompidou in Paris, in 2008, as part of the InFamous Carousel Festival. The following year I had the opportunity to get to know him a bit better, acting as inte…
Abandon All Words At A Stroke, So That Prayer Can Come Spill
We are very pleased to announce two new recordings by Keiji Haino, focusing on hurdy-gurdy and wave drum. Continuing in the vein of our previous release with Haino (the 66 minute drone So, Black is Myself ) this double CD remains very dark and very ambient for the most part. Each disc features one long piece using one of the two different instruments and each is individually titled. The main title as well as the individual track titles perhaps give the best insight into the mind of this enigmati…
Tima formosa
'Black Truffle presents a stunning document of the debut meeting of international trio Oren AMBARCHI, Jim O'Rourke and Keiji HAINO. Recorded live at the Playhouse, Kitakyushu, Japan in January 2009, Tima Formosa retains a mysteriously alien atmosphere throughout its three lengthy explorations with AMBARCHI's mesmerizing textures and signature, deep guitar tones beautifully merging with O'Rourke's Tudor-esque piano-feedback interjections. HAINO provides the icing on the cake via his melancholic,…
Cosmic Debris, Vol.III
CD re-issue of the third installment in the "Cosmic Debris" split ART-LP series set up by Maurizio and Roberto Opalio, aka My Cat Is An Alien, on their own Opax Records. The Vol.III sees the two space brothers from Torino, Italy, alongside Japanese cult musician and dark shaman Keiji Haino. Imagine a cosmic bomb exploding in your brain, and you'll have an approximate idea of this collaborative release. So, …
Shall I Download A Blackhole And Offer It To You\" Live In Berli
The complete live recording from the 15th November 2007 concert at Berlin's Volksbuhne. Music. Mystery. Magic Finlandian straight-men dual a last waltz with stand-up shamen, Mr Haino. All bow. Deluxe Packaging Designed by Stephen O'Malley.
Kikuri/Pulverized Purple
Two living legends of extreme Japanese music sharing the stage for the first time outside their country. Recorded live at the Victoriaville Festival, May, 2007. Nice tracklisting: 1. That which will rise from death here tonight will go hand in hand with a glittering echo burdened with the sin of joy (10:15) 2. By mischance that soul I devoured was a transparent, vertical blues (10:03) 3. Give me back that color you stole from my guts (12:44) 4. That place into which you fell was lined with a cus…
Koitsukara usetaitameno hakarigoto
New solo hurdy-gurdy disk - the first solo Haino release in over two years. Third album of devastating solo electric hurdy-gurdy for Haino, following on from The 21st Century Hard-Y-Guide-Y Man (1996) on PSF, and Even Now, Still I Think (1998). The hand-cranked medieval instrument provides the perfect tool for Haino to display his genre-collapsing originality, allowing multiple dimensions of rhythm, noise, drone, harmony and melody to co-exist, majicked from the invisible interstices of the anci…
Hauenfiomiume
The controversial work which stepped into the forbidden territory of editing the performance of Haino Keiji. Yoshida breaks up their studio session boldly and restructures it from the unacceptable tune reproduced by extreme editing to the pop song thing that it is surprised. From the irregular hard core to heavy tune. From the modern music short piece, to the lyricism acoustic number. This album shows new possibility with union/condensing the music of Haino & Yoshida. This time they made 2 diffe…
Tayutayuto
Sato’s first studio meeting with Keiji Haino sees a rare melding of open minds and taut strings. Common languages are invented, experimented with and discarded at will. Haino revisits the evocative nylon-strung guitar style he first explored on Hikair yami uchitokeaish kono hibiki (PSFD-8017), laying down fields and forests of string texture, while Sato burns blazing trails of narrow-beam intensity straight through the middle of your skull.
Mamono
Collaborative studio album from Keji Haino of the legendary FUSHITSUSHA & KK Null the man behind ZENI GEVA. Limited to 1000 copies beautifuly printed with vegetable based inks using both traditional letterpress & offset printing methods on custom black folders.
You should draw out the billion and first prayer
The dark elf of the current Japanese noise psych scene, Mr. Keiji hAINO (from Fushitsusha, and many other projects) teams up with Eddie and Bill (they're girls, really!) from the heavy Japanese bass drums combo COA. Previously hAINO has collaborated in a similar fashion with Tokyo heavies Boris, so he's obviously into rockin' with some younger musicians outside of the typical PSF psych folk axis. That's not to say this isn't folky and psychedelic, as parts of it surely are. Together, Bill and Ed…
Two strings will do it
This is the first contact of B.Phillips, maestro of improvised bass, and K.Haino! New dimentions of the shape of improvisation to come!
Global ancient atmosphere
Rhythm, duration and silence lie at the foundation of all of Haino's music. After a clutch of documents of his hair-raising solo performances for both acoustic and electric percussion, this latest album presents Haino's first recorded outing behind a regular drumkit. Haino has long desired to release a solo drum album, and he has been playing a regular kit occasionally live for several decades now. Global Ancient Atmosphere contains nine tracks that showcase an austere yet thrilling investigatio…
Uchu ni karami tsuiteiru waga itami
Digital theremin, air synth, air FX, etc. Another step into previously unexplored territory for Haino--his first ever all-electronic album. Uchu ni karami tsuiteiru waga itami (the title means roughly 'Tangled up in the universe, my pain') sees Haino using a bewildering range of electronic instruments.
Hikari yami uchitokeaishi kono hibiki
First album of solo guitar by Keiji Haino in quite some time, but very much a departure from the mountain-levelling, continent-sundering, weather-system huge electric guitar releases of years past. The title roughly translates as 'Light darkness melting into one this vibration'. Haino advises the listener to play as loud as possible - surely a first on an album of acoustic guitar.
To start with, let’s remove the colour !
Gorgeous new bag of home-recorded mystery from Haino. Apparently recorded alone, late at night and at minimal volume, these latest recordings tremble with the same deep-welled emotional sensitivity and sense of veiled threat that animated classics like Watashi Dake?, Affection and Era of Sad Wings.
The 21st century hard-y-guide-y man
Haino uses a hurdy gurdy, runs it through his battery of effects and winds up with a large whoosh of noise not unlike Tony Conrd's violin.
Nijiumu
Keiji Haino is Fushitsusha's mainman. Dark Avant-garde experimental music with various ancient instruments and metal. Complete black package.