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On Before There Was Sound, Roscoe Mitchell’s 1965 quartet with Fred Berry, Malachi Favors and Alvin Fielder captures the AACM language in embryo: sharp themes, free rhythm and a restless sense of form already pushing past hard‑bop borders.
On Old/Quartet Sessions, Roscoe Mitchell’s 1967 Art Ensemble - with Lester Bowie, Malachi Favors and Phillip Wilson - appears in raw formation, sketching the grammar that would soon detonate as one of free music’s most inventive bands.
On LRG/The Maze/S II Examples, Roscoe Mitchell frames three radically different constructions - a lucid brass-and-reeds trio, a labyrinthine percussion octet and a stark soprano solo - as parallel studies in space, timbre and compositional intelligen…
On Nonaah, Roscoe Mitchell turns the alto saxophone into a fault line, setting stark solos, prickly duets and dense small‑group pieces against one another to test how far a single composition and a single sound can be stretched.
On Congliptious, Roscoe Mitchell strips the Art Ensemble idea to its bones, pairing stark solo showcases with a fierce quartet blowout that makes freedom feel both methodical and combustible.
On Numbers 1 & 2, Lester Bowie joins Malachi Favors, Joseph Jarman and Roscoe Mitchell in a pre‑Art Ensemble crucible where AACM discipline, raw timbral play and open‑form swing coalesce into a blueprint for the Chicago future.
2024 stock. Recorded live at Jazzfestival Saafelden August 28th 1987. This trio live performance, with the great Lester Bowie on trumpet, and the great Malachi Favors on bass is a must for all fans. Kahil El'Zabar is the real great of tribal rhythms,…
The reputation of members of the AACM (Association for the Advancement of Creative Musicians), of which Abrams is a founding member, has long been one of adventurous, dangerous, and difficult music. But in fact, much of the music created out of this …