Nocturnal Emissions
Imaginary Time
2024 stock. Wow! Soleilmoon second vinyl release is a lovely 33 rpm full length record from Nocturnal Emissions. All tracks are exclusive to this release. It’s a numbered limited clear virgin vinyl edition of 404 copies. Disarranged and decomposed by Nigel Ayers. Acoustic instruments played by Charlotte Bill.
Stoneface
*300 copies limited edition* Accumulation and assembly in the Derbyshire Dales in the Caroline K studios. Digital mastery achieved in Silver Octopus studios Buxton, Derbyshire, England, 29th July 1989. Mastering : Paul Lavigne March 2023. Layout : Pole Ka. Dedicated to the new active listener.
Erosion Of The Monolith
*333 copies limited edition. 2023 stock* "Back in 2004, Nigel Ayers (Nocturnal Emissions) and Phillip B. Klingler (PBK), got together to collaborate- during this session, they created two hours’ worth of material. Some of it appeared on various releases over the next few years, but a portion was left aside. Mid 2021 rolled on, and Klingler decidedly to unearth this remaining portion and thus, Erosion of The Monolith was born- which is a contemporary example of exquisitely peculiar ambience. Both…
From Solstice To Equinox
Nocturnal Emissions was founded in 1980 by Nigel Ayers together with collaborators Daniel Ayers and Caroline K. They have released numerous records and CDs in music styles ranging from electro-acoustic, musique concrete, hybridised beats, sound collage, post-industrial music, ambient and noise music. The sound art has been part of an ongoing multimedia campaign of guerrilla sign ontology utilising video art, film, hypertext and other documents. Early albums on the band's own Sterile Records were…
Tissue of Lies
Mannequin Records celebrates 40 years of Nocturnal Emissions a reissue their first album, Tissue Of Lies, released on the band's own Sterile Records label in 1980. Tissue Of Lies shows you Nocturnal Emissions' industrial roots, from noisy collages to classic power noise, reminding the early Throbbing Gristle and Cabaret Voltaire, Faust (Tapes period) or Conrad Schitzler's Schwarz. The Nocturnal Emissions project, masterminded by Nigel Ayers, has been on the cutting edge of new music since the 19…
Drowning in a Sea of Bliss
Mannequin Records celebrate 40 years of Nocturnal Emissions with a reissue of Drowning in a Sea of Bliss, originally released on Sterile Records in 1983. Drowning in a Sea of Bliss is dominated by a sheer violent noise which dissolves back and forth between found sounds, cut-ups and rhythmic, hypnotic beats, in the vein of Nurse With Wound, Cabaret Voltaire, and early Throbbing Gristle. Drowning in a Sea of Bliss was placed #58 in the FACT's Magazine 100 Best Albums of the 1980s. The Nocturnal E…
Viral Shedding
Originally released on Illuminated Records in 1983, "Viral Shedding" is surely one of the most important references for the industrial/funk dance music. Between pure noise and electronic beats, 'Viral Shedding' creates a twisted and percussive rhythmic urge, a funky disco sound permeated by digital industrial beats. Nigel Ayers and Caroline K take their inaccessible best and thrown it into the melting pot with a set of pumping rhythms. The result is the frustrated son of mutant disco, swimming i…
Songs of Love and Revolution
"Songs of Love and Revolution" was a big step forward for Nocturnal Emissions, having a full colour cover and turning their sound further towards electronic pop music. Classics such as "No Sacrifice" and "Never Give Up" have made this an essential album for every fan of electronic music. As Nigel Ayers reminds, they were buying lots of equipment at the time and seemed to have naturally acquired some skill over the years so they thought, ‘Let’s make some pop music.' He continues: "The Miners’ Str…
Spiritflesh
Mannequin Records starts a series of re-presses dedicated to the legendary Nocturnal Emissions, one of the best kept secrets of the industrial genre since the 1970s. Led by Nigel Ayers and Caroline K, the band was one of the first to use tape cutting, avant-garde art, and underground video works to create a stage experience that was being cultivated by like-minded artists like Throbbing Gristle, SPK, and Cabaret Voltaire. Originally self-released in 1988 on Earthly Delights, Spiritflesh is a mas…
Nocturnal Emissions
Double LP version. Led by Nigel Ayers, Nocturnal Emissions was one of the first bands to use tape cutting, avant-garde art, and underground video works to create a stage experience that was cultivated by like-minded artists like Throbbing Gristle and Cabaret Voltaire. The band moved on to using samplers and electronic noise in their early '80s work, creating a twisted funk sound that would go on to influence everyone from Foetus to Negativland. They still utilized their former tricks, uppi…
Lest We Forget - Work In Progress 1979-1988
This is the limited friends edition of 50 copies in red box with silver printing incl. LP-size Booklet and a 7inch. Both LP's and 7" are clear vinyl. 1 copy available only. "Lest We Forget" is a collection compiled from the earliest recordings by Nocturnal Emissions, a group founded by Nigel Ayers, his brother Daniel Ayers and Caroline K in 1980. It comprises of material previously only available on cassettes as well as tracks recorded under their earlier name, The Pump. The Nocturnal Emissi…
Lest We Forget
"Lest We Forget" is a collection compiled from the earliest recordings by Nocturnal Emissions, a group founded by Nigel Ayers, his brother Daniel Ayers and Caroline K in 1980. It comprises of material previously only available on cassettes as well as tracks recorded under their earlier name, The Pump. The Nocturnal Emissions were active in what has been known as “cassette culture” and explored the medium of underground cassette exchange in parallel with their better known vinyl releases and live…
Stoneface
Nigel Ayers’ most accessible emission? The glut of his ‘band’s prolific history has generally been a full-scale assault upon the senses, via either dingy slabs of noise or near-pretty industrial musique concrete. Stoneface operates on many levels, a set of gruelling, scraping, yet strangely attractive organic sounds that reveal numerously coloured layers with successive listens. Recorded in 1988, these nineteen sonic morsels play with near-baroque tendencies, devolved factory rhythms, spiritual …
Glossalalia
Slowly pulsating drones, chirping electronics, distant radio static. Ambient or minimal? To answer the question, it might help to go back a couple of millennia to the Epicurians. Today their name mostly evokes indulgence in fleshly pleasures but that only one form of their thinking; the other sought to deny the body excess experiences. Though the difference isn’t always audible, ambient tries to envelop a listener in pleasant fluffiness while minimalism wants to remove any nonessentials to focus…