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/* Riflesso + Onda blu - banner sconti Soundohm */ .sale-banner { position: relative; overflow: hidden; } /* Onda: un'ombra morbida che scorre e fa "respirare" il blu */ .sale-banner::before { content: ""; position: absolute; inset: 0; background: linear-gradient(100deg, transparent 25%, rgba(0, 0, 0, 0.10) 50%, transparent 75%); background-size: 200% 100%; animation: banner-wave 7s linear infinite; pointer-events: none; } /* Riflesso: striscia di luce che attraversa ogni tanto */ .sale-banner::after { content: ""; position: absolute; top: 0; left: -60%; width: 45%; height: 100%; background: linear-gradient(100deg, transparent, rgba(255, 255, 255, 0.45), transparent); transform: skewX(-18deg); animation: banner-shine 4.5s ease-in-out infinite; pointer-events: none; } @keyframes banner-wave { 0% { background-position: 0 0; } 100% { background-position: 200% 0; } } @keyframes banner-shine { 0% { left: -60%; } 55%, 100% { left: 130%; } } /* Rispetta chi ha disattivato le animazioni nel sistema */ @media (prefers-reduced-motion: reduce) { .sale-banner::before, .sale-banner::after { animation: none; } }

Phil Sudderberg

McPhee Marker
Chicago-based saxophonist and clarinetist Ken Vandermark was invited to arrange a set of seventies music for a concert in 2019, and among the pieces he chose were tracks by funk legends Parliament and post-punk iconoclasts DNA. On this 12-inch 45rpm …
Largest Afternoon
One day in the studio, something ridiculously great happened. It was deep Chicago winter, cold as shit. Four musicians assembled for a round-robin set of improvisations -- duets, trios, a few quartets. Approached casually, the late morning bloomed in…
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