Rob Brown Trio
Members: Rob Brown
Universal Tonality
William Parker’s Universal Tonality documents an epic performance which brings his titular concept to full, vibrant life. An exquisite example of this system in practice, it features a truly once-in-a-lifetime assembly of creative music luminaries and legends. Clocking in at nearly two hours and featuring six extended pieces flowing across two discs, this Universal Tonality happening took place in December 2002. Parker invited 16 musicians of various ages, cultures and musical backgrounds – to j…
Fertile Garden
*In process of stocking* No Business Records presents Fertile Garden by Rob Brown (Selfpropelled Music BMI) and Juan Pablo Carletti (BigMateSongs BMI)Recorded on the 25th August, 2020 at Park West Studios (Brooklyn) by Jim ClousePhotos by by Peter Gannushkin Design by Oskaras Anosovas
Rob Brown - alto saxophoneJuan Pablo Carletti - drums, cymbals
Then Now
Since their 1988 duo album Sonic Explorations and through a number of group collaborations, the duo of alto saxophonist Rob Brown and pianist Matthew Shipp have extended and evolved their uniquely astute and confident dialog, as heard in this magnificent 8-part studio album, a reflection on their compatibility and perceptive artistry.
"What they have lost are the rough edges or, more precisely, they have been able to incorporate them into what they have learned over the past 30 years. The depth …
Magnetism(s)
"The music takes on short, fleeting forms: fading here, held and moody there, as though the improvisation encouraged skepticism of firm certitudes. The tightness of the discourse, however, demands enlightening energy and lucid tautness." (Jean-François Abert, excerpt from the liner notes)"We have already seen that in the history of the universe, such a spiral nucleus of sounds that subsides on itself and grows dense, that softens and dilates, that provides its exceptional energy of cohesion even…
Unknown skies
...Every trio without a piano, or without a drums, or as in this case without a double bass, gains in incline what it loses in “balance”. It only takes a little sometimes. Everyone plays at ease across. Everyone can split themselves. There are no more solos as solos but phases, circles of influence and predominance which do not last. The duos bind and unbind more clearly, the contrasts stand out better. The theme is no longer material to develop but, as in Unknown Skies, a lyrical and volatile s…