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Rodrigo Amado

Beyond The Margins
In this quartet Amado gathers three of his strongest longtime influences: German pianist Alexander von Schlippenbach, Norwegian double bass player Ingebrigt Håker Flaten and American drummer Gerry Hemingway. For Amado this band represents a deep dive into his own formative roots, something he hasm been dealing with more and more in these last few years. With Schlippenbach, Håker Flaten and Hemingway by his side, Amado has the perfect context to explore the classic materials he considers to be th…
The Attic
*2023 stock* "This is a stellar freely improvised session featuring Rodrigo Amado on tenor saxophone, Goncalo Almeida on bass and Marco Franco on drums, recorded live in Portugal in December of 2015. "Shadow" opens the album with scraping bowed bass that is recorded beautifully, giving the sound a physical immediacy and presence. After the epic bowed bass opening, Amado's raw, rending saxophone and Franco's measured percussion enter, imposing their power upon the proceedings, burning a path thro…
Love Ghosts
Following up their 2019 album 'Summer Bummer', the trio of Rodrigo Amado on tenor saxophone, Goncalo Almeida on double bass, and Onno Govaert on drums are heard in this concert, recorded by Joaquim Monte at Namouche Studios, Lisbon, January 12th, 2020  in a solid set of confidently exploratory improvisation and engrossing group dialog balancing pensive reflection and fire.
Refracion Solo
An intimate solo set by Portuguese tenor saxophon player Rodrigo Amado, recorded at the Church of The Holy Ghost (Igreja do Espírito Santo), Caldas da Rainha (Portugal) on 4th July 2021. Amado is a key player of the current European jazz scene and has regular bandprojects with Joe McPhee, Chris Corsano, Hernani Faustino, Alexander Schlippenbach and leads his own groups Lisbon Freedom Unitand Motion Trio. "The lockdown meant focusing on a different kind of dialogue, a conversation with the tenor …
Let The Free Be Men
CD version. Music by four strong individual players with room for eruptive solo-parts, but always held together by intense communication and beautiful interwoven melodies. The quartet's second album A History Of Nothing  got a huge number of excited reviews: "A superb quartet outing. The music is all improvised, but it's firmly rooted in jazz, with superb interaction between all of the players, both on ripping, high-velocity blowouts and more delicate forays." --Peter Margasak (Chicago Reader) "…
Let The Free Be Men (Lp)
LP version. Music by four strong individual players with room for eruptive solo-parts, but always held together by intense communication and beautiful interwoven melodies. The quartet's second album A History Of Nothing (TROST 170CD/LP) got a huge number of excited reviews: "A superb quartet outing. The music is all improvised, but it's firmly rooted in jazz, with superb interaction between all of the players, both on ripping, high-velocity blowouts and more delicate forays." --Peter Margasak (C…
Jazzblazzt
Rodrigo Amado was born in Lisbon, Portugal, in 1964 and took up the saxophone at the age of 17 while convalescing from an accident. Later he studied at the Hot Club Music School and was soon playing with numerous rock, pop and experimental projects. At the shifting boundary between free jazz and improvised music, Amado's position is clear: he plays jazz. He is so clearly a jazz musician that he doesn't require any pre-determined elements of rhythm, harmony, chorus lengths or melody to play jazz.…
No Place To Fall
**First pressing of 175 copies with red cassette shells** The longer one works as an artist, the more secure one’s own identity becomes — whether visual, sonic, textual, or otherwise, the goal is to be clearly oneself. It may seem overly simple to cut the fat and center on creation and individuality, but considering those who have gone before and died for their art, the gambit seems far from easy. Saxophonist and photographer Rodrigo Amado (b. 1964, Lisbon) has worked in two different but relate…
Summer Bummer
Recorded by Nick Symons at Summer Bummer Festival, DE Studio, Antwerp, August 26th, 2018. Rodrigo Amado - tenor saxophone, Gonçalo Almeida - double bass, Onno Govaert - drums. Festival curated by Koen Vandenhoudt & Christel Kumpen with production by Sound in Motion.
A History of Nothing
Great dedicated music by four strong individual players, brought together by Rodrigo Amado -- intense communication with room for outbreaking solo-parts but always held together through a vision of playing together, all the time exiting and interwoven with beautiful melodies. Personnel: Rodrigo Amado - tenor saxophone; Joe McPhee - pocket trumpet, soprano saxophone; Kent Kessler - double bass; Chris Corsano - drums.
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