Sacher-Pelz
Aliases: Maurizio Bianchi
Menses
*Numbered edition of 206 copies pressed on 180 gram Menstrual Blood Red vinyl* Reissue of the private LP edition of 300 copies from 1981; the pyramidal construction of these two 'suites,' with its intentionally brutal and grotesque deformations, elaborates on overflowing and apocalyptical collapse, dragging a completely dissolvent conception of the world and of the para-industrial sound. Bonus tracks: 'Milan Bruits' from the Fix Planet! comp (Ata Tak) and the two tracks first issued in the v…
Tibetan slide art (the Come Organisation Files)
Limited edition of 413 copies in dvd box including a numbered insert with a M.B. essay from 1982 titled After The Entrance, The Final Solution. The material conained here was previously issued under the moniker Leibstandarte SS MB. The moniker Leibstandarte SS MB and the nazi speeches that were added to the music were used without Maurizio Bianchi knowledge and without his consent. Cassette releases on the Come Organistaion Label, hence the Liebstandarte SS prefix, added by William Bennet…
Velours
In the late 70s, the Italian industrialist Maurizio Bianchi under the name Sacher-Pelz self-published a handful of cassettes for super primitive musique concrete recordings culled from turntable / needle abuse upon LPs by Kraftwerk, Neu!, and Conrad Schnitzler. 'Velours', his fourth and last tape, was recorded between February and March 1980. Tracks remastered from analog tape with supervised by Maurizio Bianchi. The record has been pressed on 140 gr black vinyl with black label and black inner …
Cease to Exist
Before starting the complex and compelling production of many records and tapes in the early eighties under the M.B. trademark, Maurizio Bianchi was documenting the new music scene writing essays and reviews for independent magazines. It was August 1979 in Milan, Italy and his sound was strengthening when he felt the time had come to prove his desire for something new. So he started his first solo project, under the name Sacher-Pelz. He assembled a concrete equipment and during the following few…
Venus
Recorded by Maurizio Bianchi as Sacher-Pelz, between October and November 1979, Venus is the second self-produced tape of 'musique concrète'. “The term “ concrète ” comes from the latin “concretum” which means ”condensed, hardened, coagulated”, and applying this concept to the sonorous framework, the final result is to obtain a dense, curdled, clotted sound in which every liquid particle has been transformed into a compact structure which evokes atavic dissonant fossilizations. Tracks remastere…
Cainus
Maurizio Bianchi is an Italian composer of electronic/experimental/industrial music. Taking a cue from its unconventional matrices (we are in the year 1976), has officially started its activities in August 1979: originally influenced by the tendency of 'musique concrète', under the name of Sacher-Pelz, he composed four works on tape over eight months. The first of the four tapes, recorded between August and September of 1979, is entitled Cainus. Tracks remastered from original analog tape…
Das Testament
Backwards proudly presents the reissue of a private Maurizio Bianchi vinyl LP, issued in a small edition of 300 copies in 1983 and titled "Das Testament". M.B. is an Italian pioneer of noise music, born near Milan. Bianchi began to produce music in 1979, and since 1980 has used electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". Now remastered, for this release MB plays electronics, rhythms, neutroni…
Material Modulations
"Second and final collaborative work by MB [Maurizio Bianchi] & MO [Mauthausen Orchestra], recorded before the premature departure of Pierpalo Zoppo the man behind Maurhausen Orchestra (R.I.P.).In the modulatory system, sounds are extracted from a basic materialistic sound and then overlaid with the use of random techniques that conceal the rumoristic load-bearing tones. The result is these "Material Modulations", which represent the primary device to receive physical and emotional response for …
Spiritual Noises
Historical collaboration between two of the fathers of Italian (and not only Italian) Old-School Industrial, Maurizio Bianchi and Mauthausen Orchestra."Creating noise is determined by the presence of an original particle to which randomly apply an alteration to convey a voltage-activated disturbing that determinates the electrophonic perturbation. As a result we obtain the spiritual noisesMO_disturbo"
Sounds by M.B.: ancient loops, modern metals and futuristic waves and M.O. :synthesizer, loops,…
Hibernum
Exclusive work by Italian noise legend Maurizio Bianchi.A marginal division of the whole existence in four palpable seasons, marked by pestilential changes in emotional hemisphere. At the end, the hibernating organisms organize a reproducing molecule of environmental for a silent "hybernum".‘Hibernum’ contains 3 lengthy, slowly shifting atmospheres for private meditation.
Computers S.p.A. / Com.SA
Released 2010 by At War With False Noise: Second in the At War series of early CD issues of tapes by noise legend Maurizio Bianchi. This has been a long time coming and I promise the next installment (Mectypo/Blut since you ask) won't take so long and should surface early next year. Both these albums are lofi, featuring very primitive use of synthesizer, tape loops and tape manipulation. There's a real charm and otherworldly feel to them, There's something very prescient about MB's explorations …
Ludium
A long and almost solemn track built with reverberated piano notes, a slow and rhythmical flow leaned on a background made of clashing hisses and vague, distant, rustling ambient noises. A brief interval based on obscure drones moving in circles, inexorably entangled on themselves. Then another long piano-based track, this time more dilated, confused, ethereal and prim, so much that it takes the distinguishing features of an indecipherable sonic mass, abstract and booming, estranging, deep and …
Loopspool
a CDr with recent MB works, representing the radicalization of the fragmentary approach in Maurizio Bianchi's music. A cosmic journey!
Nervo/Hydra
First issued as a limited private tape in 1981.2010 re-issue of 500 copies on Kubitsuri Tapes (Japan).
NH/HN
The Italian sound experimentalist/ industrialist Maurizio Bianchi/M.B. needing not any introduction comes here reissued. "NH/HN" is one of M.B.'s earliest tapes, recorded and released back in September 1980. Not to be confused with the "Nervo/Hydra" tape (1981) which was ilegally reissued by several labels which wrongly entitled them as this one. Synthesizers, radio transmissions, concrete noises and weird vocals are the elements used on this recording by M.B to create a parallel reality …
A M.B. Iehn Tale
The brand new release of Maurizio Bianchi (M.B.). Similar to his early experimental bionic – industrial masterpiece like The Plain Truth, Armaghedon, Endometrio and Carcinosi, this album presents eight decomposed tracks with slow, obscure and meditative music… Cold atmospheres and reverberating piano… Really one of Maurizio Bianchi best work to date!!! Dedicated to all the meditative people who is living in the environmental paradise.
Kathamenja
Depurative decomposition for electro-metabolic apparatus, originally secreted during the second half of 6030 Annus Mundi, then definitively flowed on 6034 Annus Mundi'In the informal medicalese, "kathamenja" is the synonymous for sanguiferous menstruations, gory menses, bleeding period, but the self-regulation of veritable sparingness infringes the obscurantist prototype for melanotic legalization. The halogen inspiration dispraises every particle of this conveyer opus, until the cankerous anae…
PU 94
Here at last is a deserved and “rightful” CD re-release of this fantastic collaboration created in 2007 by Maurizio Bianchi and Craig Hilton. Until now this recording was only made available in a very limited CD-R edition. Extremely dark atmospheres, restless and dramatic… Sharp masses of metallic noises cleave pulsating substrates of low frequencies, mixed with magmatic agglomerates of more processed sounds of an unrecognizable nature… Moments of stasis and apparent quietness… Handfuls of…
Neurotransmitters
Crashing, cascading sounds, like thunderous storms. A perfect example of industrial droning ambient. Releasing collaborations since 2006 this is the 5th work they've done together. An amazing album consisting of two long tracks dealing with Drone and Dark Ambient/ Noise.
S.F.A.G. / S.F.A.G. De-Composed
After the disintegrative period of my production (from “Symphony for a Genocide” to “Das Testament”), the purchase of a misanthropic echo-machine and the consequent decay of the electric-analogue machinery, my efforts was redirected to a pre-recording sound sublimation, so I started to re-compose the electronic metastasis of early times, filtering through dehumanizing effects of the echo-machine, keeping attention particularly to the explanatory process of my ancestral subjectivism.
- facts:the …