Sacher-Pelz
Aliases: Maurizio Bianchi
Symphony For A Genocide
Near-exact reproduction of the original Sterile Records release, including hand-stamped labels and inserts just like the 1981 issue. M.B., aka Maurizio Bianchi, has enjoyed a deserved renaissance in recent times as a new generation discovers his charred brand of industrial noise, particularly the artist's formative early 80's period before he disappeared in pursuit of religion. In the ensuing years, many of these early records became prized collector objects, garnering hundreds of dollars…
Rekviem MB-JMI
A "classic" minimal ambient album; just one long track, a bit obscure, of a static nature but unarrestable as a matter of fact and slowly developing, built with layers of soft and “round” sounds, heavily processed and effected, whose origin seems to be an organ... "Atypical" for sure, if confrontated with the huge and widely diversified productions of Maurizio Bianchi, this new album is probably one of the last and not to be missed releases signed by “M.B.”, since he has already announced his de…
Hibakusha
Cyclic loops agglomerates resting on static drones intertwined by flashes of electronic frequencies; algorithmic manipulations of undefined sound materials moved by bouncing delays and recurring panoramic space variations; a sequence of metallic waves in continuous tonal variation, heavy dissonances and sonic stratifications in progressive and pseudo-randomic composition/decomposition; desolate silences corrupted by resounding echoes of entangled electric rhythmic impulses... Longly awaited re-e…
Plays the Clockwork Orange
Reissue of a February 1980 decomposition (M.B. skippin' up the film's original soundtrack) from the Italian industrial forereunner. Halting tape cut-ups of the classical score from Kubirick's film. One of the strangest M.B. recordings!
Y
a lovely project by Silentes records, a series of 26 cassette tapes centered around the interpretation on silent sound....Each tape is associated with a letter of the alphabet. Each letter is associated with an artist Each letter gives birth to an unwanted word The music is the artist's personal vision of silence 26 tapes by 26 italian acts. Each tape is hand numbered and limited to 100 copies. And the "M" letter is dedicated to Maurizio Bianchi aka MB, italian pioneer of noise music, orig…
Gene-P
'Gene P' was released as a cassette in 1980, and among the true Bianchi devotees old = best.On the first track (both tracks are untitled) Bianchi uses tape-loops of what could vaguely sound like gamelan music, or wind chimes. Its music with not many changes, music that is not loud and actually quite pleasing.The other side is more experimental. It uses vinyl, scratchy vinyl that is, with the needle jumping all over the place. Its a bit much experiment for the sake of experiment for me here. A mo…
Endometrio
First ever vinyl reissue of the highly coveted classic LP by Italian noise composer Maurizio Bianchi. Originally released in an extremely limited quanity in 1983, Endometrio showcased M.B. at his most crucial turning point, delving into the uncharted waters he aptly titled ‘bionic music’, blending organic electronics with contorted sounds of the human body to compose one of the most interesting ambient records to date.copies of the original lp are practically non-existent and hard to co…
Split LP
Limited edition of 300 copies on black vinyl with pro printed..glued glossy covers and full colour inserts. The LP features new and exclusive tracks from industrial legend Maurizio Bianchi and Cris X. Truly dark and deeply experimental "Isolated in a fully aware immobility, the dramatic intensity of this unhealthy and plain sonorous document, provides peculiar experimental characteristics connected with animated views of a post-modern technology converging into a modulated transportation of coll…
Mectpyo / Blut
A cornerstone of Italian industrial music, Mectpyo / Blut by Maurizio Bianchi is a double album of bleak, medical-grade electronics, echoing the dystopian visions of Whitehouse, SPK, and NWW.
Das Platinzeitalter
Bianchi began to produce music in 1979, at the peak of the industrial scene since 1980 using electronic equipment with the avowed goal 'to produce technological sounds and in such a way to work on complete realizing of the modern decadence,' but his works harked back to the musique concrete of the 1950s. This LP is a return to his early work. Maurizio Bianchi/M.B.: archaic waves, ancient loops, primitive electronics.
Innervation
2008 release ** "Maurizio Bianchi is more than a legend in contemporary electronica, he is beyond good and evil by now in what respects to creative effort, he has surpassed all genres and styles, has reinvented and deconstructed himself, has even recessed from doing music during years and has come back again fresh and rejuvenated. With a vast discography and extensive musical career as sound sculptor and textural colonizer Bianchi is more alive than ever. “Innervation” released by the excellent …
Psalmodiam
2007 release ** Limited edition of 199 hand numbered copies with unique paste-on covers plus 16-page A5 booklet. "Together with Museo Della Tortura (although the cover just says M.B. + M.D.T.) Maurizio Bianchi made seven tracks, 'psalmodian', which on the cover is explained as an 'experimental way how to interpret the psalms'. All pieces are about psalm 63, which is when King David was alone in the desert and God was still with him. This desolation is captured quite well in the music. Sometimes …
Micromal Sonorities
Collaboration works. Embossed gatefold sleeve. w / poster & obi. Originally planned to be released in 2006, but not actually released until April 2007.
Electrostatic Deflection
2007 release ** "Electrostatic Deflection" is a new industrial-music masterwork, created through collaboration with Maurizio Bianchi, and Israeli musician Maor Appelbaum. It's represents Bianchi's more extreme direction... a sample of whats comming in the future from the historic Italian composer. Amazing impact, immense slabs of industrial sound in motion. Sweeping vistas of intense static energy, storm-fronts moving across the stereo field, an acoustic tidal wave approaching landfall, breathta…
Atholgog
A very rare electronic-experimental minidisk by Maurizio Bianchi.
Jubal\'s Experiment
Limited to 69 numbered copies, only available for subscribers of the picture 7" series by SmallVoices. Comes in a clear sleeve. Included is an one-sided 5x9 cm info-sheet, handsigned
Chaotische Fraktale + Letze Technologie
A new double cd from Silentes, containing soundworks by 'Chaotische Fraktale' and 'Letze Technologie'. These works were sourced from collaborations between M.B./Maurizio Bianchi, and Frequency in Cycles for Second/Sandro Kaiser. A fascinating sonic mix of influences here... industrial, electro-experimentation, minimalism, noise, and deep-listening. Large, drone-based segments meld with the distant sounds of reverberating piano and soft whispered melodies. Dramatic and dark. Huge pools of sound, …
Psychoneurose
2005 release ** "Italian Avant-Noise legend M.B. and Land Use collaborate on dramatic, subterranean wall-of-noise constructions and swirling textural storms, dense and complex arrangements, shifting and shimmering tones barely under control, streaming toward some distant and indefineable precipice. Not noisy, but way too tense and corrosive to be called ambient. These vibrant monoliths of sound shift the listeners pysche into a restless sort of zen, a blissful chaos - truly mind and mood-alterin…
TOGHETER\'S SYMPHONY
An extraordinary collaboration between the hystorical italian de-composer Maurizio Bianchi and the eclectic electronic-ambiental experimenter Nimh (Giuseppe Verticchio). An unmissable 4CD box that's a long and kaleidoscopic journey at the edges of sound, from the dark-industrial feelings of Together's Symphony, CD that gives the box the title, to experimental-lyric-introspective atmospheres of Secluded Truths, to sonic multicoloured collages of Niddah Emmhna, by the only M.B., and the electronic…
Persecutionem
LAST COPIES - LP album, numbered and stamped vinyl limited edition of 250 copies. 'I've taken inspiration for this medicative work from the sordid persecution of the early Christians, but in other ways we receive objectivistic persecution every day from this standardized system, from our wretched condition and from the modern persecutors which are hidden behind their threatening countenances. The appropriate soundtrack of such perturbed sufferings is this justifiable work, 'Persecutionem', in wh…