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Vertebra
Former WFMU dj, denizen of New York’s A Mica Bunker scene, former Krackhouse (not head) member, and ARP whiz – now living in The Netherlands, having studied elektronische musik in Utrecht. At last, his long overdue first cd. Matt says: “My music runs…
E (and sometimes why)
If, Bwana is always Al Margolis. Trio Scordatura is Elisabeth Smalt, viola d'amore; Alfrun Schmid, voice; Bob Gilmore, keyboard/laptop. The new 2 cd magnum opus by If, Bwana (Al Margolis) has been almost 3 years in the making. It is the first time…
Sacred Tonalities
Mike Lazarev drops his first album on Past Inside the Present and it's one that reminds us why he has such a great reputation as being one of modern ambient and classical's finest composers. After exploring notions of time on previous records, for th…
Radioactive Desire (2CD)
* Edition of 300. Gorgeous double-CD packaged inside a full-color, eight-panel, heavyweight digipak. Multifold full-color insert with photos and liner notes included. * Quoting Frans de Waard, Vital Weekly "The music is intense on every level, and th…
The Photographs of Charles Duvelle: Disques Ocora
Disques Ocora, a French label dedicated to capturing and publishing the sounds of folkloric culture from around the world, is held in the highest possible regard in the realms of professional and amateur ethnomusicology. Instigated in 1958 by Pierre …
Early Works
A selection of the most radical impressive works composed by Wayne Siegel when he was mid-twenties. Moved to Denmark, between 1979 and 1980, he began to investigate possibilities of a very personal language, contributing to mould the heterogeneous ka…
Catalogue
2005 release ** Released in 1979 in a limited edition on his own d'Avantage label, Catalogue, with its overt theatricality is every bit as wild as the previous Paralleles. Not really jazz, not rock, having nothing to do with contemporary music either…
Accidental
Fred Frith has been heard in all possible contexts, from solo improviser to composer of orchestral music, but he remains at his best when trapped in a studio, alone or with a few musicians, building layered pieces. This process previously yielded stu…
That House We Lived In
It was a long wait, but, 12 years after the fact, Fred Frith put together a live album of his group Keep the Dog, which had previously gone undocumented. Comprised of sax/flute player Jean Derome, guitarist René Lussier, keyboardist/harpist Zeena Par…
Dentro
Somewhere between Musique Concrete and a kind of abstract improvisational work, using extended techniques and electrification that disconnects sound from any recognisable source. A fascinating first record that sits between studio improvisation and e…
Bijou
A subtle, moody, rich and wide-ranging work, in which atmosphere, emotion and dramaturgy lead the ear far beyond music into a world of hints, evocations, anticipation and association and, in passing, reveal a complex metonymic language that, at a dee…
A Face We All Know
'A Face We All Know' breaks new ground altogether. This is a single work with texts by Chris Cutler, Rainald Geotz and Thomas Pynchon and documents the last days of a political nightmare. Start here with Cassiber.
Crashing Icons
Based in Miami, this is a very interesting American band, ploughing its own furrow - whose accent is what they call 'prog' over there, but whose language is more complex by far. Pip Pyle adds a seasoned sophistication - in fact I think this is a g…
S'Û
An amazing record. It’s beautifully recorded and almost impossible to believe that such a layered and polyphonic music, with chords, percussion, lead lines, bass lines, harmonies, string sections and sometimes voice could all be produced by one perso…
Itsunomanika
Paolo Angeli and ex-After Dinner/Volapuk violinist/singer Takumi Fukushima present an integrated, complex and largely composed programme of deft, focused pieces that make the most of their not inconsiderable individual talents and instruments; mostly…
Little Black Train
Thinking Plague, Hail, EC Nudes, 5UU's bassist and mixmaster with his second solo CD. Fast and furious country picking meets weird fragmentation and fast cut compositions. Guitars, Bass, Drums, Violin and odd unidentifiable noises all flawlessly …
The Skull Mailbox (and other Horrors)
The strangest so far. Mostly songs; a lot of acoustic instruments, a lot of unidentifiable sounds, a lot of fragments borne on a wind from somewhere else; bizarre picking interludes, humour (maybe) and snatches of incandescent playing. You can't p…
13 Songs and a Thing
The latest collection of twisting, turning instrumentals and songs, and another instant classic. If you didn't venture down this way yet, now is a good time to start. In a category of one, Bob Drake undermines musical, technical and production norms …
Bob's Drive-In
A set of twisty, forty-ideas-a-minute, niftily arranged, irredeemably eccentric, but strangely brilliant songs that skip blithely across genre borders - from Nashville through the Miskatonic by way of the Beach Boys… even the production values range…
Lawn Ornaments
After Bob Drake's Drive-In, which, in terms of production was quite restrained and minimal, Ornaments sets off in the opposite direction, piling up great car-crashes of overlapping fragments in a production that makes rococo look like shaker minimali…