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Tati au Miel [50]
Thirty-four minutes of original demos by Tati au Miel, textured and distorted, in the SINK [50] series of mixes issued on 50 CDs.
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Flora Yin-Wong [50]
Sixty minutes of new one-take drone recordings by London artist Flora Yin-Wong, for the SINK [50] series of mixes on 50 one of a kind CDs.
Brisk
The idea for this album began taking shape in 2021 and has slowly evolved into a seven-track snapshot of Juli Deák’s musical world and artistic thinking. Coming from the challenging, refined, and often seemingly flawless sound of classical music, the flutist began redirecting her musical voice toward a much more personal space through experimentation and improvisation. What eventually grew into this project originally began as a handful of unfinished ideas—which only revealed their true meaning …
Compressed Happiness
Compressed Happiness pairs Eiko Ishibashi with the Japanese noise project K2 across two pieces, Cold Pastoral and Sweet Paranoia's Heaven Version 3. Limited edition CD on Phage Tapes, 2014.
When You Wish Upon A Scar: Recordings 1983-1991
Thirteen pieces from Eric Lunde's first decade, 1983-1991, from cassettes, 7-inches and live tapes, assembled by Joe Colley for his Povertech Industries in 1997. Original CD in digipak with booklet.
Bryter Layter
Nick Drake's second album, 1970, with members of Fairport Convention, John Cale and arrangements by Robert Kirby. CD edition.
Five Leaves Left
Nick Drake's 1969 debut on Island, the quiet autumnal songs that became a lasting reference for English folk.
Everyone Gets What They Deserve
Six pieces by Crawl Unit, the experimental noise project of Joe Colley, composed and constructed in Sacramento in 1998 and 1999. Crippled Intellect Productions, 1999.
Works 1989-1991
Six pieces by Kiyoshi Mizutani from 1989 to 1991, made with environmental sound, synthesizer, wire, guitars and backward tape. Povertech Industries, 1999.
OG23
Ever unpredictable, Kevin Drumm this time takes the fellow time-traveller through what sounds like an electronic field recording, a journey through an electronic soundscape of luminescent textures that invites immersive listening.
From the Host of Late-Comers
"From the Host of Late-Comers represents the latest challenge manifested by Plastic Palace People, the duo of Jim O'Rourke and Christoph Heemann, who have been collaborating continuously (even though in a largely unnoticed fashion) since 1989. Previous Streamline releases from Mimir contain some of their earlier work; Plastic Palace People first saw release in 2011. After two releases in quick succession, it has been a long wait for more, and finally here is a recent piece of work from the…
Move Ground
This is based on the soundtrack of an audio video installation and basically has been constructed from field recordings of various locations around the city of Cologne. The theme is an exploration of space and acoustics with sounds of background noise mixed with new electronic sounds. It's fairly sparse and minimal and at various points I can hear the sound of my typing drowning out the record. There are certainly some interesting sounds though once things get going, particularly on side …
Over The Edges
*2022 stock* Andrew Chalk's Over the Edges was recorded in one day at Colin Potter's studio, using only two strings of an acoustic guitar played with an E-Bow. The results belie the simple sources, and the album is a rich drone texture which draws the listener into its sound world. All four tracks share a common language, a slightly buzzing, gently undulating drone in a lower register, often layered until the pitches grow together. But each track also has noticeable differences from the others. …
Mimir
2007 release ** "A completely remixed/reworked version of the first Mimir album which was originally recorded between 1989/'90 and released in 1991: Edward Ka-spel, Andreas Martin, Silverman and Christoph Heemann concentrate on a variety of analog synths and Krautrock guitars: '...immediately after he caught sight of the lights marking the town, he pressed the ejection button and felt himself flung upward with a greater violence than he had expected. For a moment he was enveloped in darkness; th…
Rock Sutra
Sun Araw released Rock Sutra, via Sun Ark, his Drag City sub-label. Cameron Stallones' latest LP consists of four long tracks. "The music is offered in a spirit of generosity and adventure," he says, "It doesn't stay put, and it keeps zooming in to reveal more and more. This is so you can zoom in and experience 'feeling-without-articulating' for yourself, which is better than reading about it here."
Rock Sutra is the first album Stallones recorded live-to-MIDI with his band, which consists of Jo…
the saddle of the increate
With only a few trips made on Sean McCann’s Music For Public Ensemble and alongside Laraaji on Professional Sunflower and the S. Araw “Trio” XIII to quench our thirst in the meantime, this loosely strung and sprawling set renders Cameron Stallones and the gang at their most ir/reverent and dare we say, North American; delivering a subtly funny and playful suite that’s more Billy Crystal on magic beans than Alejandro Jodorowsky on mescaline, as far as desert trips go.
Incorporating a phalan…
Belomancie
Sun Araw yields his most cryptic glyph to date with 'Belomancie' for Drag City. Replete with a recommendation "to give 'Belomancie' your full attention, and to listen at the highest volume that is comfortable on high quality speakers with a pronounced stereo field or on an excellent pair of headphones", it's the most cerebral and focussed effort we've yet heard from Cameron Stallones', acutely contrasting with his looser, noisier psychedelic dub excursions. Its predominantly electronic palette a…
The Inner Treaty
**CD edition** With the wake of his blessed collab with The Congos and his 'Ancient Romans' side still shimmering in our memory, Cameron Stallones returns from his mystic regressions to present a sixth solo LP as Sun Araw. With his return comes a startlingly fresh-faced clarity to his sound, as though millenia of metaphysical sonic travel have dislodged the overbuild of dusty amp wax and really let some cosmic sunshine thru. It's perhaps also down to some assistance in the final process from Pet…
Ancient Romans
Delicious album of stoned psyche from Camerone Stallones, his first solo full length since last year's massive 'On Patrol'. In the meantime he's released some well received and diverse collaborations with Matthewdavid and Eternal Tapestry, but really, he's at his very best when left to own devices and free to wander bleary eyed and dopey through the sun baked dub soundscapes of his mind. It's so hard to escape any imagery of bacchanalian dream sequences given the sleeve and track titles, …
On Patrol
On Patrol, originally released in 2010, is a double album in two parts, and the fourth full length album from Sun Araw. An album for heavy-steamin' late nights in the city, inter-dimensional back alleys, ghost cabs; it creeps and tunes in on a much darker, sparser, and more classically minded channel than its predecessors: dark and deep steam-vent ruminations on Phil Cohran, lenticular objects, and fried Hot 92.3 R&B slow-jams. A cold bug makes a real 'live wire.