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RRR 1000 Lock Grooves
RESTOCKED! An amazing project to celebrate the RRRecords label. Each invited artist did 50 loops (50 locked grooves). The LP is printed at 2000 copies. Each cover is different ! With AMK, Aaron Dilloway, Thomas Dimuzio, Kevin Drumm, Carlos Giffoni, Incapacitants, GX Jupitter-Larsen, Jason Lescalleet, Francisco Lopez, Lasse Marhaug, The New Blockaders, Jérome Noetinger, Damion Romero, Prurient, RLW, Runzelstirn & Gurgelstock, Sudden Infant, Keith Whitman, C. Spencer Yeh, Otomo Yoshihide
The Luminous Ground
Limited edition of 320 copies, mastered and cut by LUPO at D&M. Includes free download code for FLAC or MP3 redeemable from the label** John Chantler offers his most substantial solo recordings in over seven years. Housed in lustrous, silk-screened sleeve, 'The Luminous Ground' glows with a deeply instinctive feel for bewildering, alien harmonics and psychoactivated tunings arising from processes of modular synthesis. A pulsing and glimmering collision of oscillated tone, filtered texture…
Dreams
Dreams is a reissue of Chris Forsyth's second solo album. In 2009 Forsyth pressed up 100 LPs for a European tour and created quite an uproar of approval by the heads who managed to score a copy. Now available again, Dreams rightfully shows Forsyth at the creme of American guitarists who blend masterful skill of country/blues with sometimes violent aggression or mind-bending arrangements. Dreams was recorded and mixed between 2007 and 2009 and catches Forsyth in the studio layering acoustic and e…
Rag
Rag captures the best from a series of freely improvised meetings between saxophonist George Cartwright and percussionist Davu Seru, recorded at various Minneapolis venues over the course of 2009. Cartwright – longtime leader of Curlew, and owner of a musical c.v. which includes Ornette Coleman, Half Japanese, Alex Chilton and Loren Mazzacane – can be restlessly melodic or jaggedly guttural on the reeds, although his bedrock lyricism is never far from the surface. Seru’s playing is a tr…
Navigare
Once a member of early nineties daydream shoegazers Slowdive, for whom his manned the drums for four years, Simon Scott has since worked on a variety of projects, including, in recent years, atmospheric pop/electronic outfit Televise, and, more recently, Seavault, a collaboration with ISAN’s Antony Ryan. He is also at the helm of experimental imprint Keshhhhhh Recordings, which he runs from his native Cambridge. For his first release under his own name, Scott couldn’t have found a label more ada…
Infa'a
Last copies...Qbico often has cool color-swirled vinyl, but this time it seems like it’s mood-vinyl, a soothing and fervent green spins around the turntable almost as an entrancing as this release itself. There are minor flashes of red and blue and white…but the green is elemental and rich. This supports the garden of sound cultivated here, Bey’s sax takes deep roots, often shadowed and wrapped with brotherly vines from fellow saxmen Mike Carey and Skeeter Shelton. Nick Ashton’s drums drop dewdr…
Not For Nobody
Not For Nobody is the third solo album from Chicago's Scott Tuma. Originally released on CD in 2008 by the Digitalis label, Immune is happy to present a first time vinyl edition of this essential work featuring new artwork by Chris Koelle. Not For Nobody was greeted with critical acclaim upon it's release in 2008 and was the much needed follow up to Tuma's solo albums Hard Again (2001, Truckstop) and The River 1 2 3 4 (2003, Truckstop). Since the release of Not For Nobody, Tuma has released t…
Beatings With Gimpy Flighted Wings Entrapped By Post-Fence Of Ga
EXCLUSIVE! Member of CAROLINER RAINBOW & DEERHOOF. Some may call these tunes brashly harsh, some might call it electronic composition, others may think it to be the sounds of rusty robots mating. Oh no, this is none of those, this is hardcore done with wires, lo-tech tape manipulation, bits of synth, home rigged effects, and a whole bunch of other crap.
Churinga Canaries
Collaborations can be a hell of a gamble. Fortunately, it seems that in the world of the underground music lover, collaborative ventures always seem to turn out to be synergetic exercises that yield amazing results. Churinga Canaries is such an endeavour: a one-off group effort improvised by four of the brightest lights in the UK underground music dog-and-pony show. A rundown of the participants should be more than enough to cause many of you to drool with excitement. Phil Legard (Xenis Em…
~Treibgut
The inimitable Raster Noton label picks up it's Unun series with five tracks of utterly sick digital spasms and oblique hi-end processing from Grischa Lichtenberger following on from the devastating NHK 12" last year. Via various methods and processes Lichtenberger manipulates field recordings and musique concrete sampled from the world around him such as a sliding tabletop, the noise of a radiator or the humming of a broken device before transforming them into sound-giving instruments. The resu…
Sonne = Blackbox
Germany's answer to Daphne Oram or Raymond Scott - or more likely an elaborate wind-up perpetrated by Jan Jelinek, on whose Faitiche label her "archive" recordings sporadically appear - Ursula Bogner is back. Whether or not it's Jelinek behind the Bogner corpus (and I think by now we know the answer to that), there's no disputing the consistently brittle beauty, dizzying complexity and easy charm of her radiophonic constructions. You certainly get a lot of Bogner for your buck on Sonne = …
Quantum Jelly
Quantum Jelly is the cracking new release in multidisciplinary artist/composer Lorenzo Senni's ever-busy schedule. A record deeply influenced by his love of '90s trance/hard-trance music and a growing interest in the musical structures and sound archetypes of those genres. Taking the most obvious characteristics of this kind of music (spoon-fed with supersaws, build-ups of several minutes and over-the-top-instant-gratification melodies) Senni works with these in relation to his own backgro…
Wonderful Rainbow
lucky warehouse find, few copies available of this long out of print lp "For many, this is the definitive Lightning Bolt album. It's certainly an accessible release given some of the mayhem that came earlier in their back catalogue, yet somehow, despite sounding more tightly organised, and being structured around more conventional song frameworks the album manages to be heavier, focusing on riffs and dare I say it, actual hooks. Illustrative of that point, apparently Muse have been known to…
El Telonero
it took ernesto gonzalez more than three years to record the follow-up for his 'vallée de dith', but it was definitely worth the waiting! 'el telonero' is a tribute to the art of opening up for other bands. this album was created during a period in which gonzalez got more comfortable on stage, often setting the vibe for the night. concentrating on the ultimate tuning-in quality. the loose kraut-inspired jams of his second record are pretty much absent here. the focus is on analog synths a…
Crow Autumn
Richard Skelton’s work as A Broken Consort is, ostensibly, consistently and easily contextualized within a broader composer-centric scene. Nick Cave and Warren Ellis, for example, deal in similar realms of psychogeographics with their soundtrack work on The Assassination of Jesse James by the Coward Robert Ford and the like. There, the compositions render emotions on the physical plane. Landscapes and troubled faces don’t just feel alienated or manic or soul-crushingly vast. They look it.…
Fathom
Douglas Quin's Fathom brings together four extended underwater soundscapes-two each from the Arctic and Antarctic. The recordings have been gathered over a period of 15 years, capturing an extraordinary palette of sonic voices, events, spaces, and textures. To the human ear, these soundscapes are haunting and otherworldly; yet they are very much of this world-out of earreach. The tracks are minimally edited and are his first field recordings to be archived in vinyl. Included with the rele…
Birth of anolder, much more ugly Christ
'This shit is dark and I'm not talking about some fucking 'I sleep during the day' dark... I'm not talking some 'Cannibal Corpse shit - I'm a fucking mutilator' dark... And I'm not talking 'I'm a noise dude into black metal' dark I'm talking total fucking end of the world... shit... like... everyone is going to die and it's gonna be fucking terrible. Recorded in 2009 by sisters Roxann and Rachal Spikula while in a hospital doing some fucked up health study where all they could drink was …
Static
Improvising drone-rockers Bad Statistics hail from Wellington, New Zealand, hurling Nordic doom, kraut rock and feral skronk into an industrial blender, and delivering a noisy, prolonged earful of lethargic experimental nonsense. Vocalist and saxophonist Thebis Mutante sounds like Mark E. Smith with stomach ache on 'If I Were A Pint Of Milk', groaning and whinging his way through a moribund death rattle of a song, seeing out a twenty-one minute duration that feels approximately four times as lon…
Shackles of man measured time
First full length Spine Scavenger LP Two sides of very slow moving yet very active modular synthesizer and heavy tape delays Recommended for fans of Conrad Schnitzler.
Von Zeit Zu Zeit
In few years of work Fabio Orsi has achieved critique and fans, imposing his name as one of the most important and representative of the whole international experimental and electronic independent scene. Backwards proudly presents his new work titled Von Zeit Zu Zeit. This composition was recorded live in Berlin (2010) and after edited and mastered by Fabio Orsi in late 2011. Orsi plays synth, guitar and filters and, for once, he just puts aside the warmth of the melodies and the sampli…