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Early work by Ra and the Arkestra, recorded in 1958 in Chicago, but not issued until the end of 60s, as one of the best rare sides on Saturn Records! The material's fairly straight, but with a cool off-kilter groove, and some very nice arrangements. The lineup's as classic as can be, and include Gilmore, Pat Patrick, James Spaulding, Marshall Allen, and Hobart Dotson. Hattie Randolph sings on 2 tracks, and Ra plays a bit of celeste. Titles are mostly all standards, given the Ra twist -- and titl…
A journey in free improv noise ambient performed by a duo comprised of Stefano Pilia (3/4havebeeneliminated) on guitar, audio collages and effects, and media artist Andrew Hooker on electronics. Higly Recommended
"Previously, a boy dreams the dreams of many other boys. He meets three other boys and they dream together. Sadly, one of his co-dreamer's dreams become nightmare. In an effort to avoid seeing their own dreams relegated back to sleeping, our hero and his fair dreaming compatriots leave their troubled friend to face his nightmares on his own. His nightcap is quickly filled and the boys march forward, eventually seeing all of their dreams made manifest. In this installment our boy has beco…
Originally issued in a limited pressing in 2008, BEACH HEAD is a release of sunburnt affection for a place that has since submerged: a coastal constellation of friends and energies that still slosh and burn through dimensions just above our perceptual apparatus. These are the coordinates, should you want to go: THOUGHTS ARE BELLS opens in séance before easing back into full Florian blossom. HORSE STEPPIN’ is a love song to Neil Young’s six-string gateway: sunblushed and indulgent, persistently b…
Surely this can only be the work of the ultra mysterious Sam Meringue (Matrix Metals, Flashback Repository, Explorers) etc. I believe at one point this guy was actually suspected to be James Ferraro which isn't difficult to believe as their work has very similar qualities. Anyway this is apparently an "esoteric glam-damaged concept record about Berlin nightclubs and foxy ladies" and listening to the tracks it makes sense. At times sounding like Ariel Pink being sucked into some phazer vort…
EXCLUSIVE! Member of CAROLINER RAINBOW & DEERHOOF. Some may call these tunes brashly harsh, some might call it electronic composition, others may think it to be the sounds of rusty robots mating. Oh no, this is none of those, this is hardcore done with wires, lo-tech tape manipulation, bits of synth, home rigged effects, and a whole bunch of other crap.
Absolutely killer album of frayed and unstable electronic mutations from the Rangers-related KWJAZ project (boomkat) San Franciscan Peter Berend's mystery mixtape unit, KWJAZ, flashed forth this debut self-titled slab of 'post-plastic sublime decomposed luxury grooves' on cassette via his own rarified Brunch Groupe imprint early in 2011 and the 120 listeners lucky enough to grip a copy know who they are. It only took half a listen before we green-lit this tape-degraded gem for vinyl treatme…
Awesome record, exactly as good as you’d expect it to be (Keith Fullerton Withman) "While Oren Ambarchi and Jim O’Rourke have collaborated in a number of forms, from remixes to their acclaimed trio with Keiji Haino, Indeed is their first duo album. One long electro-acoustic exploration (presented here as two side-long pieces), what Ambarchi and O’Rourke proffer up here is also melodic and approachable, bringing to mind the warm post-minimalism of composers like Alvin Curran, David Behrman and L…
LP-only release. This is the third full-length release by KTL, the formidable collaboration between Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.). Another soul-destroying follow-up to the highly-acclaimed 2, with more accompaniments created for the theatre piece, Kindertotenlieder by Gisele Vienne and Dennis Cooper, which premiered in Brest, France, March 2007. Perhaps the broadest bulletin from the duo thus far, featuring two contrasting tracks. The layered dementia …
'This shit is dark and I'm not talking about some fucking 'I sleep during the day' dark... I'm not talking some 'Cannibal Corpse shit - I'm a fucking mutilator' dark... And I'm not talking 'I'm a noise dude into black metal' dark I'm talking total fucking end of the world... shit... like... everyone is going to die and it's gonna be fucking terrible. Recorded in 2009 by sisters Roxann and Rachal Spikula while in a hospital doing some fucked up health study where all they could drink was …
first-time ever legit ri for this lost gem from the late '60s euro psychedelic underground. belgium-based portuguese soul brothers tony & waldo lam (better know as jess & james) join forces which american jazz man scott bradford and belgian mad scientist & electronics grand daddy Arsene Souffriau for a crazy trip of groovy free-rock and soul into electronics trip in the best pierre henry's 'jerks electroniques pour la messe du temps present,' cecil leuter's 'pop electronique,' jp massiera's male…
LAST COPIES Now deleted, this is the super-limited transparent vinyl. Revolving around a collaborative new arrangement of Sakamoto's classic 'Merry Christmas Mr. Lawrence', this third outing for Carsten Nicolai and Ryuichi Sakamoto has been once again packaged and delivered with utmost attention to detail from the quite remarkable Raster Noton imprint. Designed to accompany their extensive tour through much of Asia and Europe this Summer, 'Revep' is another indispensible record from two absolute…
Lard Free is French psychedelic minimalism band, formed around drummer and keyboards player Gilbert Artman. He was the only constant member of the band on their few next albums. Music on their debut album is perfectly composed angular rhythm structures-based synth/rhythm compositions with free-jazz sax improvs over them. All this mix sounds heavy, spacey, psychedelic, minimalistic - and excellent. I am not sure if this music could be labelled as "krautrock" , or let say - it's a French krautroc…
Indispensable 180g vinyl pressing of eight super-important compositions by the "Father of Electronic Music" dating back to 1923! Most notably - for us at least - it includes the incredible percussion pieces 'Ionisation' and 'Integrales' played by the Julliard Percussion Ensemble which are worth the admission alone - but then you've also got the three tape pieces 'Interpolations I, II, III' from 'Déserts' circa 1950-54 which seals the deal: ESSENTIAL** "The French-born Edgar Varèse (1853-1…
VERY LAST COPIES AROUND Stasis and stability are nowhere to be found here. Instead, an ever-changing dialogue between structure and chaos shifts from one performer to the next, never resting long before launching again into shuddering flight. Accoustic instruments and vocals form a familiar reference point, but studio treatments take the music into psychedelic and cinematic realms. In their words, “Improvisation is a way to experiment without thinking. When our improvisations ‘work’, the music j…
An absolutely great (silkscreend, tip-on style cover) reissue of Peter Brötzmann's Machine Gun LP. Peter Brötzmann, tenor sax, baritone sax. Willem Breuker, tenor sax, bass clarinet. Evan Parker, tenor sax. Fred Van Hove, piano. Peter Kowald, double bass. Buschi Niebergall, double bass. Han Bennink, drums. Svenke Johansson, drums. Recorded in 1969 the music still sounds armed and dangerous.
Cut at Dubplates & Mastering, Berlin August 2011. 'Elemental Disgrace' is an album that needs to happen now. Finally, the next phase has arrived - a stunning double side-long record of some of the U.S. best underground synthesizer music we have heard here at the Spectrum Spools headquarters. Whatever rise to the synthesizer came later on in the 00's is hardly of any concern to Greh Holger and his Hive Mind project. Having released private press cassettes of solo synth works as far back as 2002, …
Last copies...180 gram orange vinyl with gold mixed in, cover by Mike Rudolph. Recorded on 11/04/04 and 3/13/05 by Mike Johnston & Dennis Gonzales. Dennis Gonzalez (trumpet, percussion); Faruq Z. Bey (tenor, alto sax, gong); Mike Carey (tenor sax, bass clarinet); Skeeter C.R. Shelton (tenor, soprano sax); Mike Gilmore (vibes, marimba, saz, tamboura); Mike Johnston (bass, percussion); Nick Ashton (drums, percussion). 3rd vinyl release on Qbico by this great ensemble. Here, as a septet with specia…
lucky warehouse find, few copies available of this long out of print lp "For many, this is the definitive Lightning Bolt album. It's certainly an accessible release given some of the mayhem that came earlier in their back catalogue, yet somehow, despite sounding more tightly organised, and being structured around more conventional song frameworks the album manages to be heavier, focusing on riffs and dare I say it, actual hooks. Illustrative of that point, apparently Muse have been known to…
Le Piano Demécanisé is a vinyl album with music played on a dismantled piano. The release of the album goes in tandem with the publication of the new issue of RTRSRCH magazine, in which Frederik Croene presents the text accompanying the LP. The LP was pressed in an edition of 500, sleeve design by Joris Verdoodt." Overall the music has a very contemplative and percussive nature. Either with hands, sticks or bows, he gently approaches the piano and works on it, very much like both a comp…