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Those keeping a running count will know that Sufiq brings the Muslimgauze CD catalog into the triple digits. This mini-album is especially significant, as it extends the extraordinary productivity of Muslimgauze auteur Bryn Jones beyond his untimely passing. New Muslimgauze titles have emerged since, but each was scheduled prior to Jones’ death in January of 1999. Active to the end, Jones left behind a store of finished masters. Sufiq sees the first release of material from this impressiv…
Jan Philip Schulze has been playing Henze’s piano works “in his sleep,” as he says. Indeed he has worked with the composer intensively on every piece, yet during the recording sessions he was noticeably surprised, while listening back to recordings, to find himself confronted by the work afresh, discovering new sides to it which he had previously experienced differently.
Includes liner notes by Jacqueline Grandchamp-Thiam, Rikki Stein and Mabinuori Kayode Idowu. Digitally remastered by Pompon (Translab Paris, Paris, France). With the inclusion of Nigerian master musician Fela Anikulapo Kuti's incendiary 1977 single, "Zombie," "Mr. Follow Follow," a typical anti-authoritarian exhortation, and a couple of hitherto-unreleased live cuts from the 1978 Berlin Jazz festival, ZOMBIE finds the iconoclastic singer and bandleader at his electrifying best. The title track, …
Berg's early lieder owe their existence largely to the young composer's great interest in literature; nevertheless it was his friend Hermann Watznauer, who actually inspired him to embark on composing his first lieder around 1900/01. And Berg enjoyed himself so much that he continued along the same lines until 1903, completing another 30 lieder; even Arnold Schönberg was essentially fascinated by them: "Berg's earliest compositions, however clumsy they may have been, already reveal two qualities…
CD album, high-end Super Jewel Box limited edition of 500 copies. “Réalités servomécaniques” is an improved version faithful to the original recordings with visuals specially reworked, answering to a categorical assertion, theoricaly and practicaly on Vivenza's bruitist point of view, who presents sounds, « noises », under their rawest and genuine aspect: sounds are machines / machines are sounds. Thus Vivenza captured the essence of factories with a strong sense of austerity, radicality, vertic…
Composed in 1979 and edited on LP in 1984 by Amaryllis. Reissue on cd by Oral, 2008. Contrary to an electronic music delighting itself in soaring above reality in self abstraction, the concrete music of Bernard Bonnier has a down on earth hearing, and a dancing too, altough now and then out of beat. Bernard Bonnier has defined chameleon-music as: '...a mime* trying to beat its parth through the puzzle (casse-tête: literally 'head-breaker') of soliciting madness, sundowns, violence, science, love…
After the pruitt igoe e.p, kangding ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With or, kangding ray continues to blur the borders between experimental and bass music, and brings his signature sound to another level, somewhere at the darkest fringe of club culture. With the massive metallic beats of « athem », the frightening distorded waves of « mojave », the elevated groove of « odd sympathy », the modulated gui…
'Written and recorded by Gordon Sharp at Belmont Shore (ca), mid-levels (hk) & kobe (japan) 2001-2009. Mastered at Piethopraxis, july 2009. Dedicated to Matt Kinnison (1965-2008). Cindytalk have been active since 1982, which we won't go into here (a quick Google search will satisfy that need). During The 80s and 90s Their sound was defined by broken down rock structures and abstract piano ambience. A third side to Their coin emerged at The dawn Of The 21st Century with a turn towards obscure com…
First ever CD by this legendary and ultra-obscure Japanese psychedelic rock group. Kousokuya are from Tokyo, have donated some spectacular tracks to the first two volumes of the Tokyo Flashback compilation series on the PSF label, and self-released an extremely ltd. LP in 1991. The band has been around for quite some time; I originally was under the impression they formed around 1984, but was recently informed that an edition featuring Nanjo and Narita from High Rise existed going back to the l…
second release in this series documenting the archival recordings of this previously obscure, genius musician. Volume one received broad critical acclaim, including a top ten critics pick for 2001 in THE WIRE and numerous other reviews and articles. Volume 3 in the series, Hillbilly Tape Music, will follow shortly. Before the publication of his music, Flynt was most often known as an (often distorted) footnote in art history, as the man who invented Concept Art, Flynt's name in the early sixties…
VHF is releasing a bunch of solo guitar dudes over the next few weeks. Here's one of 'em! It's an album from New York's Alexander Turnquist called Hallway of Mirrors. It says that above so it's kinda pointless me saying that. Having said that the New York thing was a new bit of info so it's not all filler! I've not heard this chap before but I was rather taken with him on first listen. It's not a million miles away from the likes of James Blackshaw.... ie extreme 12 string fingerpluckery which i…
Young Müller (b. 1964, Switzerland) writes in a consistently romantic style — unexpected col legno fare! Perhaps Sterling should have released this. The warm Hesse settings, Nachtgesänge, could be mistaken for Szymanowski or Zemlinsky; indeed, Ernman sounds as though she’d be ideal in a Strauss opera. Darkly emotional, the single-movement cello concerto taps Shostakovich and Lutoslawski’s pathos; the idée fixe’s colorful unfolding reminds the listener of Dutilleux. Müller maintains his anachroni…
This piece is sung by the Swiss “deep voice”, Marianne Schuppe in trio with herself, a feat made possible by playing back recordings of her own voice. This is not minimal music; melodic lines arise, sensual, beautiful, and undoctored, swaying like a lullaby, yet boosting the overall rhythmic intensity. There cannot be many works which demand of the soloist such careful timing, intense concentration and voice control.
2002 release ** "One of the world's premier noise percussionists and a learned scholar of Kabbalah, Torah and Talmud, Z'ev has been a vital force in the downtown scene since the late 1970s. In addition to his collaborations with Glenn Branca, Rudolph Grey and his fascinating solo work, Z'ev is also a prolific writer and musical thinker. He has written on subjects ranging from music composition, ritual performance and has also translated several esoteric Tibetan and Hebrew texts into English. His…
A record full of magical chants & even more magical grooves (anyone who would wish the part seven minutes into "Zombie" would end has no soul & probably does not have a soul). Fela Kuti's music transcends barriers of taste & culture, due to the inevitable desire of all human beings to throw their hands up & shake their rumps with no remorse.
Their first label release in many years & represents their most polished work to date. One of the most enigmatic, mysterious, & defiantly anti-commercial groups to emerge from the NYC loft scene during the '90s. Incorporating elements of folk, drone, psychedelia, free jazz, noise, & just about everything else, NNCK has nevertheless carved out a distinctive sound despite the seemingly random component elements.
recorded in 1993 following the first Gulf War. 10 years later, following the second Gulf War, Soleilmoon is pleased to finally release this important Muslimgauze album. On April 15, 2003, we issued it in an expensive limited edition of 500 copies, packed in a hand-made metal box. This second edition, in an edition of 1000 copies, is released without the box but has a friendly price. It's commonly known that Bryn Jones, the late musician behind Muslimgauze, was driven by the passion of th…
"Der Abgrund is the last act of an unsolved theorem which must remains the same. It's the arcane enchanter of a denied truth since mimesis of itself, as not manifested manifestation that nevertheless perseveres on its concept of form beyond the form. It's omnivalent hypostasis of a prismatic Maurizio Bianchi who is annulling himself and reinvents between a climate and the other without solution of continuity, today in symbiotic communion with Frequency In Cycles Per Second. "Der Abgrund" is an o…
JanuarY 2004. Two years after the highly acclaimed album “Rose-garden", the portables come up with their second full length. “Girls Beware!" starts where their previous album ended. De Portables developed a cult reputation during the years, mainly because of their many intense and always different performances. Against all recent trends, standards and expectations they do their thing; they play because they like playing. The quartet twists themselves during 11 songs a way between pop, post-rock …