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In 1988 the first issue of these recordings of Gran Torso and Salut für Caudwell was awarded the Preis der Deutschen Schallplattenkritik (German Record Critics' Award); and neither compositions nor recordings have lost any of their value up to today. In Gran Torso, Lachenmann tried to explore the “mechanic and energetic conditions of sound production”. This resulted in singular, unusual sounds which simultaneously exploded the barriers of audibility, playing technique and sound as such. The guit…
The "devil's organist" in action: if you really want to know what the "Queen of Instruments" is all about, make sure to experience Wolfang Mitterer play it live.Mitterer's organ event at Darmstadt in 2004 included not only works for organ solo but also synthetic sounds. In the piece mixture V (1995) he adheres to the principle indicated in the title, the mixture, in various respects – on the one hand in terms of organ technique and sound, on the other hand by his way of combining organ and elect…
Since 1979 Christian Marclay has been experimenting, composing and performing with phonograph records. His interest in records, both as objects and bearers of sound, is expressed through sculpture, performance, video and music. In performance, he mixes a wide variety of records on up to 8 turntables, fragmenting, repeating, altering speeds, playing the records backwards, etc. More Encores was originally released as a 10" vinyl record on No Man's Land (Germany) in 1988, composed entirely of recor…
This release is the third and last in the three-part Aerial series. Tod Dockstader is one of the all-time great figures in the world of musique concréte composition, with his "organized sound" works from the 1960s being amongst the most radical ever conceived -- in league with Schaeffer, Henry, Stockhausen, and Varese. Aerial is a rare new work in the realm of shortwave radio, from one of America's most experimental composers. Volume 1 was released in March 2005 inside a slipcase. Volume …
Steve Reich, one of the foremost composers of our time and an important 'first generation' minimalist composer has performed at The Kitchen Center for the Arts many times during his career. The Kitchen, an interdisciplinary organization known for its commitment to experimental work, has an archive of audio and video recordings that cover its three-decade existence. Orange Mountain Music in collaboration with The Kitchen's curators has found several wonderful recordings and among them are these m…
This 1972 classic captures saxophonist Paul Winter and his ensemble at the height of their improvisational powers. Winter was one of the first artists to incorporate such exotic instruments as the sitar and tabla into his music and the result was memorable chamber jazz-folk played in the wonderfully experimental, post-hippie way only Winter and his merry band could. The title track, one of guitarist Ralph Towner's compositions, became famous for its pensive melody and soaring soprano sax. "Whole…
Exclusive work by Italian noise legend Maurizio Bianchi.A marginal division of the whole existence in four palpable seasons, marked by pestilential changes in emotional hemisphere. At the end, the hibernating organisms organize a reproducing molecule of environmental for a silent "hybernum".‘Hibernum’ contains 3 lengthy, slowly shifting atmospheres for private meditation.
The Sinfonia n° 1 "Canarias" is dedicated to the composer's father, an old Canary Islander aged 94 at the time it was written. He was the reason why Cruz de Castro decided to focus the composition's middle movement wholly on the Canarian Folía. This special, important form of Canarian folk music appears both in its original form and in variations: "That's the way it should be: from the simple to the complex, from the melody line to the concentration: a harmonious whole." (Cruz de Castro) The Toc…
For each of his compositions for prepared piano Cage created a specific piano preparation chart, setting out in meticulous detail the strings to be prepared, and the materials and manipulations to be used for preparing them. For the Concerto for Prepared Piano and Chamber Orchestra (1951), 53 tones of the keyboard must be prepared; and in this case Cage himself was astonished at the complexity of these preparations. The range of sounds is further expanded by an extra bridge installed in the pian…
It was recorded at the legendary Total Music Meeting of Free Music Production in November 2000. Dawn is a composition played off the cuff of nearly 42 minutes. All the highs and lows of a longer composition are on this recording: searching and finding, restrained groping and violent erupting.... The decisive factor, however, is that this music is played by people who have nothing or very little to do with this attitude, by Gert-Jan Prins (see his solo record Prins Live, GROB210), by the saxophon…
“Art can give us a sense of the infinity of existence, the singular unity of all beings and phenomena as the apparent dualism between the inner and the outer is dissolved. Art can allow us to experience what it means to be alive. It can lead us back to our own sensuality, spirituality, and emotionality - to the very core of our selves,” said Caspar René Hirschfeld. This distinctive conception of art also informs Hirschfeld’s compositions, which are probably best described as objects of immediate…
Master of dhrupad traditional indian chant,present an exceptional performance live in Bombay, Morning meditation. With a 20 Page booklet. "This recording illustrates Amelia Cuni's highly original musicianship... A great deal of her music's appeal rests on the resplendent luminosity of her voice, and the emotional intensity with which she charges her renditions." - Deepak S.Raja
CD Compact disc album, cardboard cover, limited edition. '17 french bands from the genesis of industrial, experimental, free jazz musics, for the most part unclassable underground musics, and more recent and emergent artists from the same vein, form COILECTIF. These artists explore and express, openly and without limits, what Coil's heritage suggests to them, an opportunity to make an homage to Geff Rushton aka John Balance or Jhon[n] who left us on November 13th 2004. Coilectif is also an homag…
****THE WIRE 2008 TOP 50 RECORDS OF THE YEAR WINNER****"A couple of years ago the promoters Arika invited John Butcher to tour a number of out-of-the-way spaces in Scotland. The venues, selected for their extreme acoustic properties, included a mausoleum, a wartime fuel-storage tank and a cave. This album grows out of Butcher’s evident interest in escaping the acoustic confines of conventional venues (work with resonant spaces is documented on the earlier Geometry of Sentiment and Cavern with Ni…
Now, which are the points of contact between these two composing gentlemen? "In both composers, a childlike quality shows in their indifference (or impartiality) towards the utilizable musical material: 'sophisticated' and 'lesser' styles, ragtime and music hall, neo-gothic and bitonality, typing machine and doorbell, jocular or praising quotes – everything is linked with everything, without any previous weighing and selection, without preconditions, following a kind of anarchic play instinct. […
An interesting development in recent times has been the transAtlantic and trans-generational connections being made in the improvisation community. The Emanem recording by Steve Beresford with Okkyung Lee and Peter Evans, and George Lewis' collaboration with GIO are just two recent examples that come to mind. At the forefront of this trend is the duo of Nate Wooley (trumpet & amplifier) and Paul Lytton (percussion & live electronics) bringing two of the most questioning minds in improvised music…
Shifts is Frans De Waard. Famous for his ground-breaking releases on his own Korm Plastics/Bake/Microwave labels (all available as CDRs) and his work for Staalplaat (which he didn't found, contrary to popular belief) and from a thousand other projects as Goem, Beequeen and Kapotte Muziek. Shifts produces another angle of De Waard's minimal music. The guitar is the source of Shifts. After a string of 7"s, 10"s and 2 CDs, we are proud to say that Mechanica is one of his best. The album is a contin…
An exhibition companion compilation to SFMOMA's 2003 listening room program 33 RPM: 10 Hours of Sound From France, curated by Laurent Dailleau. 33 RPM's Compact Disc companion features compositions from Kasper Toeplitz, Kristoff K. Roll, Jean-Claude Risset, Lionel Marchetti, Christophe Havel, Laurent Dailleau, Mathieu Chamagne, pizMO, Jean-Philippe Gross, and Mimetic. Comes with a 24 page booklet and original program details.
Researching into the fringe ranges of hearing, and actually going to the limits: electronics – live or prerecorded – was one of the tools employed by Luigi Nono in pursuance of this object. In his work Das atmende Klarsein he moreover endeavored to expand the ability of listening: "Waking up the ear, the eyes, human understanding, intelligence, is what is essential today," the composer, also a politically aware man, observed in the early 1980s. Das atmende Klarsein "is a key work of Nono's final…