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Music of incredible beauty and complexity on Stephen O’Malley’s Ideologic Organ label. Inspired by Pierre Henry, Swedish-Hungarian composer Rózmann (1939-2005) rejected traditional orchestral work to purse his mounting obsession with electronics and acousmatic sound. This new vinyl edition features four passages from Rózmann’s landmark work, 12 Stationer, which was developed over 23 years and dramatises its creator’s spiritual journey from Catholicism to Tibetan Buddhism. Ákos R…
MAP is Mary Halvorson (guitar), Tatsuya Nakatani (percussion) and Reuben Radding (bass). Fever Dream is a vinyl-only release of high-temperature improvisations that elicit abstract thought. Following their first album, Six Improvisations For Guitar, Bass And Drums, a somber black & white affair with former bassist Clayton Thomas released on CD in 2004, Fever Dream blasts forth from the sweaty sheets of a sleepless night in vivid color. Meticulously recorded by new bassist Radding and mast…
Years On Earth’s electronic, experimental and industrial approach to their music reminds one of a mix of early Cabaret Voltaire, Eyeless in Gaza and Throbbing Gristle. It can be considered as an alchemistic creation, forming something very unique and amazing in mood and atmosphere produced and experienced by the listener. As Mutant Sounds website stated: “… wonderful, dark, claustrophobic, scary atmosphere... an absolutely unknown Gem!“Years On Earth (Bob Roke & Mebz) have been act…
Jon organized the qbico u-nite IV in Aarhus, Denmark back in 2006... when i met him, i immeditaly sensed being in presence of a sensational xhol/a very young nature boy with his own voice... so we made the 1st Truelove LP on qbico... this is the new Trulofa Trio with Magnus (Elektronavn/Pink Luminous Invocation) and Nikolai (Shiggajon/Elektronavn) = probably my favourite group around these days (not too many unfortunatly)... that's why i invited them to the 1st Sagittarius A-Star night @ ISSUE i…
RESTOCKED! At the tail end of 2008, the folks at NoBusiness Records got in touch with us to propose the release of the last recorded work by the David S. Ware Quartet in an exclusive vinyl edition. Terms were met, authorization was given, and the gorgeous result is now available. The very last U.S. performance by the DSWQ (June 18, 2006 at the Vision Festival) was documented and released by AUM Fidelity on the CD Renunciation. David then brought the group overseas for one final European tour in …
This latest Alva Noto production is quite excited and rhythmical, especially in the first part (tracks 1 to 10), shaking the audience through multiple communication codes, modulated in sound frequencies that are always well synchronized, touchy and reactive. This seems to be the ultimate recording; an elaborate and synthetic frontier, a computation of the "musical text" fashioned by multiple interfaces and software integrations. When listening to "unitxt", even the unaccustomed listener is immed…
Hold Everything Dear is the third installment in the new Cindytalk sound which started with 2007’s The Crackle Of My Soul, and then last years Up Here in The Clouds. Its the first in the trilogy to feature musicians other than Gordon Sharp namely the late Matt Kinnison, to whom the album is dedicated. Inspired by the John Berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in…
The fourth and final album to be released during Faust's original lifespan, originally released by Virgin Records in 1973. "As an album, IV matches the band's trajectory: Jumbled, fragmented, with random data integrity issues, but seeming more the brainchild of inspired pop anarchists than calculating avant-gardists. Yes, the record sounds more 'professional' than any of their others, but somehow that doesn't actually equate to slick sounds: Opener 'Krautrock' (which Irmler says wa…
Lucky find, long out of print: No Fun Productions present an unearthed pairing of archive recordings from avant-garde polymath Jim O' Rourke, who's at his most ferocious on these recordings. From a title like '6 Oscillators '87' you figure the piece could go one of two ways: warm, disciplined Eliane Radigue-type drone or flailing chaos. Jim goes for the latter option, rattling through a host of pitch modulations and noise assaults, working his way through a sophisticated noise composition that a…
A journey in free improv noise ambient performed by a duo comprised of Stefano Pilia (3/4havebeeneliminated) on guitar, audio collages and effects, and media artist Andrew Hooker on electronics. Higly Recommended
LP version, on 180 gram vinyl. This is the tenth solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1984 on Editions EG. On Geschenk Des Augenblicks - Gift Of The Moment, Roedelius broke away unequivocally from purely electronic music. If Lustwandel (BB 055CD/LP) and Jardin Au Fou (BB 023CD/LP) had seen the process set in motion, this was the album that completed the transition. Following the Selbstportraits, which had at least been created through the use of electr…
restocked: "the hardest thing in the world is to have an original idea. As much as creative musicians hate to admit, free improv/experimental/underground (and all other useless adjectival identifiers) music now has as many stylistic tropes as your standard 19th century symphony: the endless variations on white noise, the orgiastic free ensemble climaxes, reassuring bass drones, "brutality", all of which point to performance, not playing. Musicians cling to the next solution that the med…
VERY LAST COPIES AROUND Stasis and stability are nowhere to be found here. Instead, an ever-changing dialogue between structure and chaos shifts from one performer to the next, never resting long before launching again into shuddering flight. Accoustic instruments and vocals form a familiar reference point, but studio treatments take the music into psychedelic and cinematic realms. In their words, “Improvisation is a way to experiment without thinking. When our improvisations ‘work’, the music j…
We're not complaining. Seems like a week can't go by without some new Not Not Fun opus dribbling out from the west coast label, aimed at bleeding our brains of logical thought processes and launching us into galaxies where laws are read backwards and progress is measured in long, untethering tracks of psychedelia muttered through interstellar Ham radios. This week it comes by way of slow-boiled loops and synth warbling that build towards wordless rantings best quantified as the dark prayers mean…
**Individually Hand Numbered and Stamped** Recorded over the course of a single day, direct to analogue tape, Plug Music Ramoon brings together multi-instrumental free-rockers Neil Campbell, John-Clyde Evans and Stewart Keith for a new limited edition LP. 'Flamingo Moon' kicks us off with a terrific dirge hinged together by rhythmic synth patterns, providing an exoskeleton of modulated filter patterns. It's not long before the 'anything goes' factor of 'Punk Rocker / Mug Cracker' takes over, ham…
The rare original LP released as a hand printed/numbered edition of 1000, designed by Amy Webb."Braxton concentrated heavily on duo performance during this period, and this was one of the happiest of his associations. ...warmly recommended. *** "...these duets are not only stimulating and somewhat challenging, but also surprisingly lyrical and even elegant. The two musicians extract maximum variety from the duo format." --Option Magazine
Excellent split with Ryan Garbes and Shawn Reed’s Wet Hair delivering one of their most perfectly articulated runs of psychedelic pop narcosis with aspects of late Spacemen 3/Spectrum, Silver Apples, Boston garage, classic Kraut radiophonia and an approach to melodic song styles that has aspects of Woods. Naked On The Vague go back to their original duo line-up for their side, by far their most interesting set-up, with a darker/heavier Industrial aspect than on their recent Siltbreeze LP a…
Rag captures the best from a series of freely improvised meetings between saxophonist George Cartwright and percussionist Davu Seru, recorded at various Minneapolis venues over the course of 2009. Cartwright – longtime leader of Curlew, and owner of a musical c.v. which includes Ornette Coleman, Half Japanese, Alex Chilton and Loren Mazzacane – can be restlessly melodic or jaggedly guttural on the reeds, although his bedrock lyricism is never far from the surface. Seru’s playing is a tr…
Following volume I (8mm, 2008) and II (Presto?!. 2009), and previously released in a super small cassette edition on Tulip, Stefano Pilia's Last Days III is finally available in a new remastered one sided LP edition. The intuitions of the first two chapters of this series of 'Last days' shine in 'Atlantic City' in all their beauty. Stefano’s touch is so warm and gentle, always unique in creating that feeling of soft, warm nostalgia, loud, and passionate as he’s strumming his strings with …