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Beautiful new full length LP featuring Jefre Cantu-Ledesma (Root Strata, Tarentel), Evan Caminiti & Jon Porras from Barn Owl, Lisa McGee (Higuma), Gregg Kowalsky (Date Palms), Marielle Jakobsons (Date Palms), Maxwell Croy (Root Strata/EN) Steven Dye & Tony Cross (Tarentel alum) and Michel Elrod, who plays tambura with Date Palms, Barn Owl & The Alps among others. Edition of 500. Screen printed jackets. First 100 on color vinyl.
This large group is somehow able to focus and refine their so…
With the music of Milwaukee-native Jon Mueller, patience is the key. His radical snare workouts are meditative master-classes in drumming, but require a distinct offering of time and attention to truly enjoy the dense clouds of sound his music creates. After crafting 2010's critically-acclaimed The Whole, Mueller decided to put together a live set that, while not reflecting the over-dubbed nature of the album itself, reflected the philosophy held within. The result was "I Almost Expect To…
Limited to 400 hand-numbered copies! Helm is the ambiguous solo moniker of London-based sound architect Luke Younger. Although, perhaps best known as one half of the pioneering avant-drone outfit Birds of Delay, it is in the more esoteric work of Helm that Luke's art takes on its most radical shape. Using processed piano, Casio MT-40, cymbal and guitar strings Cryptography steers the Helm sound through a melange of fringe territories: glacial drone meditations, reconfigured gamelan cluste…
LP version. Avant-hillbilly master fiddler Henry Flynt scuffles through a most peculiar set of electrified and acoustic bumpkin fiddle howls and screeches circa early to mid 1960s. From the enviable opening 'echo rock', in which Flynt does his best to compete with the electro-echo buzz of a Jorgen Ingmann or Link Wray to the beauteous instrumental glow of the extended modal country jam of 'Jamboree', Flynt proves once again that his is not a music simply rooted in the taut belt of New York isms,…
RESTOCKED: Irmler and einheit represent two generations of legendary german musicians. Out of the ruins of 1968 faust emerged in the early 70s and it was with this band that irmler's organ playing was first to be heard. Hardly a decade later fm einheit's performances with einstürzende neubauten were an expression of a heightened self-consciousness and the self-proclaimed "geniale diletanten". Today these masters of evocative noise making are a motivating force for experimental music and are both…
Justin Meyers from Minneapolis offer a beautiful track of musique concrete and analog synth. Exploring the interaction between field recordings and simple sine waves, the result is a perfectly balanced suite, where the single elements lose their origins in favour of composition. Edition of 150
Originally released in 1971, this is one of the artistic high points of his career. And yet, for nearly 30 years it was not heard in its entirety, as what was originally intended as a double album was pared down to a single LP. Now, thanks to 4 Men With Beards, the complete double album is available on vinyl for the first time
Keeping a Record of It is the follow-up to Lonnie Holley's debut album, Just Before Music. It features recordings made in 2006, 2010 and 2011. Guest performers include Cole Alexander from the Black Lips, Bradford Cox from Deerhunter, and visual artist Lillian Blades.
'Last year, at 62, after decades of singing while he worked, Holley released his jarring debut album, Just Before Music, a marriage of improvised keys and the rambling, hollow bellow of his voice, as well as the first original rec…
The latest addition to the fast-growing Digitalis catalogue comes from Zelienople, a band from Chicago who have a certain knack of making that other-worldly folk ambience we've all grown so addicted to sound totally singular and incredibly beautiful. Maybe it's because they aren't afraid of occasionally breaching into the odd pop structure or two that 'Stone Academy' is so inviting, in fact if you hear it at a distance you might even mistake it for a decomposed cassette recording of an old Pavem…
Last copies, sold out at source: this recording is the fourth version of Images of the Dream and Death by ÃÂÂÂÂÂkos Rozmann; revised at EMS/Elektronmusikstudion, Stockholm in 2001 for a performance in Essen. The first version was realized with Buchla synthesizer at the State Academy of Music, EMS/Elektronmusikstudion, Stockholm 1974-1977 (released on Phono Suecia as PS 27, 1986); the third version in April 1990 (released on Phono Suecia as PSCD 27, 1991). Images of the Dream and Death. "…
Apart from the fact that “MV & EE” is slang for zero gravity and that they’ve been doing it consistently “better” with good vibes/jams they still WANT to give you more of the best of them. This is their “space homestead” and for good reason this wall of sound applied thru DIY sensibilities was recorded over the course of a year in 9 different studios, presenting as clearly as circumstances can permit, a living idea right here in the now of what it is all about. These are sonics in motion,…
East New York Ensemble de Music came out of the diverse community of Bed-Stuy, Brooklyn, where African, West Indian & black American cultures converged. First and foremost a deep Spiritual Jazz record, At The Helm also incorporates elements of the West Indies, and both the Near and Far East. Originally issued in a very small pressing by Folkway Records in 1974, at a time when the label was doing some great underground recordings! The sound is loose and free – spiritually building in a man…
As Dan Melchior continues to kick the Medway gutbucket to the curb, he is also willfully absorbing all manner’ve underground cankerous crud along the way. For those endeared to wallet chains and crisp, cuffed jeans, this has been tantamount to heresy. But for thems what’s embraced the sounds of “the new Dan,” said aberrations are as welcome to caustic ears as a cold beer is to a set’ve parched lips. And while last year’s Visionary Pangs LP (released with Das Menace on the S-S label) was a grower…
7' (pressed on a 12' platter) and eco sky lantern packed in a custom-made, silk-screened frog rock tote bag. 'Mai Pen Rai is an edition of two releases in one, or how two random recordings of a travelogue fit together and after a four year journey are finally released the first and the third track of the record capture the experience of Maya Lavda in the summer 2008 during a trip to Bali, where, while shooting with her video camera she noticed frog sounds behind a closed door which she followed …
“Those who expect Tim Presley’s White Fence project to be an extension of Darker My Love are in for a lysergic surprise. Sure, listen to Is Growing Faith, and you’ll hear the same ’60s love that’s in Presley’s day-job band. But replace the boogie bass with The Velvet Underground and Nico guitars, ramp up the weirdness—you’ll start to feel all the brown acid in your brain melting into your pineal gland just in time for the bad trip lyrics to kick in. That and the laughter, and the reverb, and the…
Finally restocked! "Butcher’s sax ranges from soft, whispery purrs to teeth-chatteringly spiteful blasts. Lehn’s analogue synth leaps in a moment from burbling tones to fiercely sizzling abstraction, and Tilbury slips from his familiar melodic interludes and fragmented arpeggios to crashing, seismic attacks on the inside of the piano. What sets this album head and shoulders above similar offerings is the understanding between the trio. It’s not just the way all three move together as one from su…
Latest work by swiss artist Marc Zeier presents 9 musique concrete compositions based on ice, wind, plankton, a whip, a bow, a suitcase, and other recordings made in the last few years, reminiscent of his 90's albums 'Seismogramm' on Schimpfluch and 'Yack Park' and 'Geopod' on Zabriskie Point.
Double LP version: An Imaginary Country continues from the trajectory of his last album, the critically acclaimed Harmony in Ultraviolet, while also showing a few new tricks. Tim has incorporated more pulses into this work and also works with a sound palette including overdriven mellotron strings and synthesizer. At times this album is less overtly aggressive than previous works, but the notion that this is pastoral work would be dead wrong as there are plenty of the agitated crescendos that he …