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A Cavall Entre Dos Cavalls
Ferran Fages, electric guitar. Self-tought musician, started playing guitar in the rock scene, but in 1998 stoped for re-thinking the instrument and the music made with it. In 2002 starts from zero, a process where music allows harmony to circulate without being dependent of itself, where time is the reason for exposed materials, always as compositions, never closed, where space is enough for permanent changes, everytime it is played. 'a cavall entre dos cavalls' is a exemple of that. The record…
Wrong Shape To Be A Storyteller
Recorded live in Jersey City, NJ on 8/8/2004.Mixed and mastered at Amme Studios in NYC 9/1/2004
Brevi Momenti di Presenza
Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music.
Tesa Musica Marginale
Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music. Away from mainstream artistic path, the band keeps on his quest for an honest experimental musical language. Anatrofobia’s music is a mix of improvisation, writing, acoustic and electronics, experimentation of non-idiomatic structures, unique timbral combinations: Anatrofobia plays with constantly variable themes, saturation and rarefac…
Quien Sabe?
Heavly influenced by the seventies, Brown Y Aur is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape.
Millenovecentosettantatre
Heavly influenced by the seventies, Brown Y Aur is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape.
The Unkept Secrets
"This is another perfect Nimh album, a world of magnetic, somnanbulic, fuzzing, moving electronic textures and drones covered by glacially melancholic guitar parts. These recent years there have been many descent projects published under the dark ambient - prog electronic label, but The Unkept Secrets is exceptional, reaching a degree of composition and complexity rarely obtained in this specific genre. Meridians opens the album with an intimate, colourful, extatic droning minimalist guitar comp…
Like the Snow
**200 copies** "Like The Snow delivers his first work after five years of research and experimentation. The project comes to life collecting a series of tracks that travel through electronic and ambient music in a dark sound world... At times almost danceable, absorbing the influences of the beloved synths of the '80s, reinterpreting in his own peculiar way the moods accumulated over time. For lovers of the most classic New Wave, Clan of Xymox and Neon... A project to discover and support."
Vecchie vacche
If the history of The Beach Boys includes the legendary 'lost' (...and rebuilt...) album Smile and The Who's Lifehouse album remained unfinished, even Le Forbici di Manitù can boast their "lost album", an ideal follow-up to their first full-lenght work entitled Saliva calda (Hot Saliva), published on cassette in 1990 by Rosa Luxemburg Corporation and reprinted again on tape in 2016 by The Tapeworm in London. The Vecchie vacche (Old Cows) project was in fact started around 2000 by the two origina…
Whinny Muir
A single, long, deeply moving, slow and expanded drone-track, built on everchanging sonic masses, low frequencies, strong electric/electronic sounds, field recordings, feedbacks, buzzes, hisses, rough distortions, sunken organ chords, subdued inserts of strings orchestral parts. Alternation of progressive crescendos, ambiental stasis, sudden, dramatic and catching dynamic shocks... An involving and extraordinary "trip" across an obscure sonic path, convincingly assembled in collaborative form by…
Final Archives
This is the final chapter for this project run by Gianluca Becuzzi - well known for his old dark wave project Limvo but also for his solo works and collaborations with Fabio Orsi. Final Archives is a sort of collection of rare tracks recorded from 1999 to 2006 totally reworked and remastered in 2009. Absolute Grey is the title that Kinetix gave to his graphic artwork selection exhibited with an ambient score specifically composed for the exposition space. The exhibition is made up of ten grey sc…
Rust Voor De Stilte
1996 release ** "Rust Voor de Stilte" means "Quiet before the silence" and is inspired by fading memories and unattainable desires. "Rust Voor de Stilte" is music from the soul that speaks to the heart. Bittersweet strains reminiscent of music box melodies combined with elegant rhythms are just some of the elements that set this work apart from other contemporary ambient releases. Emmanuel Tuts-Schiemsky’s cool mixture of beauty and melancholic grace is a journey through experimental sounds.."
Whispers From The Ashes
2004 release ** "Ideally inspired by the Inquisition era, like some titles of the tracks may suggest, "Whispers from the Ashes" presents Nimh (Giuseppe Verticchio) and Nefelheim joined together for the production of a dark oriented CD that alternates obscure and haunting atmospheres with more gloomy and sometimes dramatic and highly evocative episodes... In a blend of low frequences, metallic sounds, echoes of distant voices and human screams, whispers, concrete noises, ritual processions, sudde…
The Impossible Days
2004 release ** "This album reveals Giuseppe Verticchio’s incredible capacity to introduce us into an unique world of “concrete” sounds that sublimate the common nature. All compositions are means of communication. Concrete noises and electronic fequences are totally intertwined in an homogeneous spectral process. Lost signals features a minimal, obsessional synthesised micro-signal, endlessely repeated. It is progressively covered by moving, spherical electronic sequences, a cascade of natural …
Every live is problem solving
A suggestive gallery of abstract images, confused fragments of life and real living experiences, sights of urban landscapes... Noisy and electronic interferences, mechanical machines movements, concrete noises, low frequences fluxes, hissing sounds, interferences, but also melodic acoustic guitar pieces, human voices and other field recordings... A brave, uncompromising and heterogeneous "decomposed" mosaic of avantgarde sound art beyond time, beyond any point of view and any geometric coordina…
Michael Lee Yonkers
2025 stock "Limited restock, last copies... An original sealed pressing of Michael Yonkers's Michael Lee Yonkers from 1974. Self-recorded in 1971 and '72, Michael Lee Yonkers has often been referred to as Michael's "country" album. It is many folks' favorite of his early works, and is likely the weirdest. The roughhewn quality of these recordings has caused listeners to make comparisons with other "real people" outsiders like Grudzien and the Holy Modal Rounders, but there are more obvious, well…
Delta
Extended sonic fluxes of synthetic nature mixed with delicate acoustic and electric guitars chords and riffs, crowd noises, indefinite and fading melodic "spots" of unknown origin, feedbacks, echoes, pulsations, vibrations, cracklings, rustling waves in continuous movement... But also sudden pauses, unpredictable and improbable inserts of folk blues radio transmissions, crystal clear water sounds, static, wrapping and dramatic electronic weaves, metallic tickings... An extraordinary range of sou…
../Requiem
2004 release ** "Andrea Resch was one of the two members of the legendary Mynox Layh. "Requiem" is a genuinely unusual, sinister work of morbid atmospheres... disorienting as though waking from a nightmare. Immense, striding, sumptuous string arrangements create a majestic and inspiring atmosphere. A highly recommended "opera" in vein of In The Nursery and old Laibach. There are no other words which could possibly describe the endless feeling of the album. This remastered edition features four b…
Tree
Field recordings, synthesizers and an organ - prepared samples, found objects and a zither - recorded on a rainy winter's day in Berlin. By Chris Abrahams / Burkhard Beins / Andrea Ermke
Distant Dosage
*Repress of 250 copies on clear vinyl with insert* Robert Turman first came onto the industrial scene in the late 70’s as the ominous ‘other half’ of legendary noise outfit NON. Shortly after recording the classic 1977 single Mode of Infection, Turman went on to pursue his own unique vision as a solo artist. Fusing every possible influence at his disposal while laying his ideas down on self-released cassettes like Flux (1981), Spirals of Everlasting Change (1987), Way Down (1987) and the massive…