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Douglas Quin's Fathom brings together four extended underwater soundscapes-two each from the Arctic and Antarctic. The recordings have been gathered over a period of 15 years, capturing an extraordinary palette of sonic voices, events, spaces, and textures. To the human ear, these soundscapes are haunting and otherworldly; yet they are very much of this world-out of earreach. The tracks are minimally edited and are his first field recordings to be archived in vinyl. Included with the rele…

Gorgeous one-off private-press released in 1981 by one-time Tangerine Dream / Kluster associate Conrad Schnitzler, which was given only to friends and family. Tracks 6-11 are pretty odd, even for Schnitzler, with its pitched up vocals & arbitrary lo-fi synth drippings; but the real prize are tracks 1-5 featuring his teenage son Gregor on electric bass and completely fried vocals (in English no less) as run through Conrad's massive modular synth rig.Limited to 500 pieces. Unplayed archival copy

TWINKLE³ are: Richard Scott : buchla lightning, analogue synthesizer, sampler, processing - Richard Scott is a British composer and improvisor working mostly with infra-red instruments and modular synthesizers. Closely associated with London Musician's Collective in the early eighties, Richard Scott now lives between Manchester and Berlin, also with an artistic residency at STEIM in Amsterdam. He is a member of Grutronic and the ir trio. David Ross : hawaiian tremoloa,panart hang,kantele,droscil…

Unless Sun Ra's most out there moments, one of many behavioral components from Chaos 1978-86, were beamed alongside televised presidential messages for years, or the ravenous fire from Jimi Hendrix's burning guitar had a heated soundtrack of its own on the Billboard charts, it's hard to imagine anyone being ready for this crazy shit in the early 80s. The appropriately named Wicked Witch, a richly decadent and spooky avant-garde affair of off-kilter rhythm and blues-based x-spunk, was the masterm…

Lard Free is French psychedelic minimalism band, formed around drummer and keyboards player Gilbert Artman. He was the only constant member of the band on their few next albums. Music on their debut album is perfectly composed angular rhythm structures-based synth/rhythm compositions with free-jazz sax improvs over them. All this mix sounds heavy, spacey, psychedelic, minimalistic - and excellent. I am not sure if this music could be labelled as "krautrock" , or let say - it's a French krautroc…

I met Richard in 2004 on a crazy tour in Australia (Oren Ambarchi's last What is Music?). He was a founding member of The Sun City Girls but he came out to play solo. Instantly we were entranced by his playing, so many beautiful elements of why I love guitar come through in his music and presence, without floating around in genre space at all. Here on the road with Kevin Drumm, Dead C, Residents, Gang Gang Dance, Black Dice, etc amongst this insane lineup Richard ended up supporting Pan S…

Debut LP. Nicole Schneit's soft, clear voice careens across walking bass lines, big cymbals & brassy guitars. Warm, inviting & bittersweet. Features Sharon Van Etten.

it took ernesto gonzalez more than three years to record the follow-up for his 'vallée de dith', but it was definitely worth the waiting! 'el telonero' is a tribute to the art of opening up for other bands. this album was created during a period in which gonzalez got more comfortable on stage, often setting the vibe for the night. concentrating on the ultimate tuning-in quality. the loose kraut-inspired jams of his second record are pretty much absent here. the focus is on analog synths a…

Excellent split with Ryan Garbes and Shawn Reed’s Wet Hair delivering one of their most perfectly articulated runs of psychedelic pop narcosis with aspects of late Spacemen 3/Spectrum, Silver Apples, Boston garage, classic Kraut radiophonia and an approach to melodic song styles that has aspects of Woods. Naked On The Vague go back to their original duo line-up for their side, by far their most interesting set-up, with a darker/heavier Industrial aspect than on their recent Siltbreeze LP a…

Smegma has been around, in one form or another, since 1973, issuing an average of a record a year out of odd tape-loops and jarring-yet-ambient original instrumentation long before electronic sampling was even a glimmer in Mr. and Mrs. Casio's eyes. They achieved a small degree of noteriety in the '80s as one of that proud elite of North American new-music acts hiply obscure enough to have European-only record deals. They're also known among the anti-pop sound exchangers of the international cas…

New European folk/trance orkustra from Denmark with their debut release on Qbico. Various acoustic instruments cohere in hymns to the roar of the cosmos that are as dippily fried as the first Siloah LP and as aggressively invasive as Pelt at their most planet-levitating. Their name comes from Shirley Collins's tracing of the idea of the true love knot to the Danish word Trulofa.

In few years of work Fabio Orsi has achieved critique and fans, imposing his name as one of the most important and representative of the whole international experimental and electronic independent scene. Backwards proudly presents his new work titled Von Zeit Zu Zeit. This composition was recorded live in Berlin (2010) and after edited and mastered by Fabio Orsi in late 2011. Orsi plays synth, guitar and filters and, for once, he just puts aside the warmth of the melodies and the sampli…

Heath Moerland & Chris Pottinger: horns & electronics. Side A: 'Venom Injection,' 'Invertebrate.' Ghost-horns howling at twisted electronics, sub-humans or invertebrate.

Sympathy Nervous is the project of Japanese artist Yosihumi Niinuma. Influenced by both classical and Krautrock, he began recording in 1979, and released several records on the highly coveted Vanity label. He continued to record and self-release much of his work throughout the 80s and 90s. His sound is intelligent and probably the most unique minimal synth to come out of Japan. Exploring dystopian themes, his music is well balanced and beautifully recorded.Automaticism features songs Yosihumi Ni…

Burn those guitars kids >>>> Synthesizers are all the rage! Heheh it seems there is a new wave of synthesizer music happening at the moment. I must admit I've not heard of this guy before but looking at his discography he's been busy with a ton of underground releases. Here he is totally in New Age mode, another style that seems to have been rejuvenated. I'm digging the computer graphics retro New Age cosmic cyber imagery on the sleeve and it really suits the music. In many ways it harks …

First full length Spine Scavenger LP Two sides of very slow moving yet very active modular synthesizer and heavy tape delays Recommended for fans of Conrad Schnitzler.

Arizona's Graves at Sea churn out two crushing tracks of thick and murky doom bubbling through a thin layer of blackened crust. Think Grief, 13, or Burning Witch and you're halfway there. 20 minutes of nauseating downtuned sludge brought to you by four sun baked freaks from the desert. Asunder return with a new 20 minute track of gargantuan sludge. Funeral doom from the ghetto.

Split/collaborative release between Denmark's Family Underground with Finland's Rauhan Orkesteri. Rec. April 19, 2005 @ Cinema Nova.

Sax player Steve Mackay blow with The Stooges on the legendary Fun House session in 1970 (and rejoined them in 2003 when they played their first show in 29 years at the Coachella Festival, and he has performed with them ever since + rec. two more albums)... nearly 25 years later he got involved w/Radon Ensemble, which includes members from such disparate groups such as Temple of Bon Matin & the Arthur Doyle EAE (Paternostro/Wilcox), Nimrod (Lohman), Koonda Holaa (Kamilsky), ect... the 10 tracks …

Back in stock! 1966's Strange Strings is the zenith of Sun Ra's analysis of string instruments and, as its title suggests, the album documents Ra's exploration of their outer limits, charting a kind of vivisection of the timbral make up of the traditional string section. The introductory piece 'Worlds Approaching' sets jolting cellos alongside plodding timpanis and some wild brass and woodwinds which out-weird anything on the string front, but by the time we get to the more overtly exploratory t…