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Edition of 500. ‘A Late Lunch’ is the soundtrack to Akiko Iimura’s eponymous movie realized in 1978. It is based on acoustic instruments and field recordings, brilliantly reconfigured and mixed by Jaques Bekaert to create a surreal, immersive soundscape. The technique used includes superposition and speed change of recordings, radical sound effects and juxtaposition of sounds. The players were prominent musicians of the 1970’s, including Maggi Payne, George Lewis, David Rosenboom and Blue Gene T…
*300 copies limited edition* Timo Van Luijk with percussionist Kris Vanderstraeten, together for an enchanting exploration of liminal psychoacoustic space. "Playing with Kris always reminds me of doing expeditions in a lake. Some kind of under water sound fiction observing sonic creatures. This album is a live recording (28-01-2012, Kunstencentrum Belgie, Hasselt,Belgium) which to me always felt like one of the best concerts we did. As with our previous album Arrêt au Lac Chimère Vincent de Rogu…
Nicolae Brînduş's Match / Soliloque 1&4 / Antifonia reissues the composer’s most eccentric works from the PHTORA cycle (1968-1972), blending collective improvisation, spectral tradition, Romanian folklore, and free jazz into a mesmerizing tapestry. Tape manipulations and reverberation add depth, while Ana Golici’s sleeve art captures the album’s vivid sensibility.
2nd edition 200 copies + insert. Very pleased and grateful to announce this ‘Home Comfort’ reissue by Mark Glynne and Bart Zwier, originally self-released in 1980. Maybe a bit of an unexpected title to appear in the LSD catalog but my love for this album goes back to my late teenage years and has had an addictive effect since, like a spleen infused magnet.With this album Glynne and Zwier, based in the Netherlands and connected to the Ultra scene, drew an insular blend of intimate post-punk and c…
Thrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A sl…
Edition of 500. With fold-out poster and original sleeve design by Alain Geronnez. Arthur Petronio (1897-1983) was a French-Italian musician, poet and painter. Lived in Belgium and The Netherlands between 1910 and 1924 and since then in France. Young violin virtuoso studying with Belgian master violinist Eugène Ysaÿe. Played solo violin for Belgian King Leopold II, at the age of 9. Attracted to the avant-garde and visionary ideas of Gesamtkunstwerk. Develops and presents his “Verbophonie” in 191…
La Scie Doree returns with an absolute stunner, the LP “Atlantic Crossing”, a reissue of a rare privately released cassette recorded by the Bayerischer Rundfunk, from 1988
In Timo van Luijk's own words: This album is a bit of an accumulation of coincidences. It is the first recording session I did with Kris Vanderstraeten, back in 1994, together with Daniel Duchamp and Luis Ferin. The session recording had since disappeared from attention and 30 years later, while going through old DAT tape archives, I came across it by chance, initially even not knowing who/what it was...The tape started with a recording of cars, captured from my balcony in Brussels, where I live…
Big Tip! Not to be confused with the In Camera who had a couple of post-PiL releases on 4AD in the 80s, this In Camera is the work of Christoph Heemann and Timo Van Luijk. Four years after they got Lost in Spice they reached the point of Arrival. An altar on the surface of the water is burning with flames. Behind it you can see a half of the Earth's globe, and on it there’s a bright throne. A pale, translucent ruler wearing a crown sits in the throne. The globe is surrounded by a ball of shadow…
Big tip! *2025 repress. 250 copies limited edition* An anthology of the intensely arresting work of Robert Fesler (1936-2023), revealing many of his compositions (1975 -1987) created with his self-built synthesizers, with as pinnacle the μP RPF78. All music composed and recorded by Robert Fesler at his home on rue Cour Boisacq in Bierges, Belgium.With profound simplicity and devotion, Fesler paints a hermetic inner world with strong emotions of confronting solitude, sensual alienation and trauma…
Octavian Nemescu's music doesn't perform - it initiates. This Metaphon collection reveals Romania's spectral mystic at his most profoundly timeless, where bees' wings and synthesizer drones become pathways to the inaudible."
Before spectral music had a name, Romanian polymath Corneliu Cezar was crafting electro-acoustic revelations. Ziua fără sfârșit collects his 1967-75 recordings - radical explorations of natural resonance that predate Western spectralism by a decade.
For two decades, Bart De Paepe has navigated the psychedelic underground, creating a singular artistic path through labels like Astres d’Or, Ultra Eczema, and No Basement Is Deep Enough, and through collaborations with Sylvester Anfang’s funeral folks, Louise Landes Levi, Timo van Luijk, and Raymond Dijkstra. Zürahümnah distills his expansive vision into four immersive tracks that blur the line between light and darkness, time and reverie.
Orange Vinyl. A hidden gem that earns its name. The original Cinevox pressing of this 1968 soundtrack existed in such a limited edition that few collectors ever held a copy - until now. Ruggero Deodato - then still years away from the notoriety of Cannibal Holocaust - directed Gungala La Pantera Nuda, the second entry in the Italian jungle-girl series starring Kirsten Svanholm, better known as Kitty Swan, a Danish model and acrobat briefly claimed by the Italian B-movie circuit of the late Sixti…
**150 copies in handmade textiled artwork** 'Nothing left but silence' is Erik K Skodvin’s third solo album for Sonic Pieces and his most quiet to date. Subtitled as "Musical improvisations and quiet collages from the subconscious”, Skodvin reduces his instruments to guitar, reverb and amp - and creates a skeleton of eight hypnotic ragas that meanders in an eternal loop between ephemeral and singular.
Only on the horizon it’s possible to sense that Skodvin has also touched the neoclassical terr…
The Japanese post-rock trio Sim (Oshima Teruyuki (guitar), Ootani Yoshio (electronics) and Uemura Masahiro (drums)) play a compelling stripped-down and motorik complex music, Ootani's electronic sound and noise hopping up and down, Uemura's groovy drums and Oshima's keen and threading sound by his unique sim-version guitar
* Art Edition issued with different art work and sleeve design. * On a Sunday in the early 70s in South LA, you could easily find yourself standing in a high school auditorium, watching Horace Tapscott conduct the Pan Afrikan Peoples Arkestra as they poured out music like a benediction. No tickets, no VIP list—just the community, gathered. This was music as civic duty, as spiritual practice, as revolution by other means. Live at Widney High December 26th, 1971 captures one such afternoon, previo…
Six Organs mainstay Ben Chasny has become one of the high shamen of the US psychedelic underground, disseminating his hairy vision between at least three bands and a couple of genres over the past decade. His umpteenth album begins with a sonic white-out called Waswasa – a thrilling myocardial infarction of guitar more in keeping with another of his bands, Comets on Fire, who are, in fact, on board here. How Chasny tells his sprawling, incandescent guitar solos apart, we may never know; this is …
“Volume 2 of this much-anticipated continuation of Sorabji’s mammoth set of studies takes us almost half way in terms of number, if not in playing time (perhaps a third or thereabouts). The reason for this is encapsulated in the first entry on this new disc; with No.26 the composer appears for the first time to take a decisive step back from writing pieces with some ostensibly pedagogical intent — “studies” per se — and interjects a larger, more musically intricate piece; in this case a ravishin…
Reissue of a cassette from the UK’s most eccentric and vile noise act. Originally released in 1993 via Old Europa Café, “Nativity Colostomy” is an hour’s trek through filthy industrial and colorful shifts of sound. Excellently remastered by Milovan Srdenovic, this crucial part of the Smell & Quim catalog is available for the first time in over two decades as a professionally-manufactured CD digipak.