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"Zero-G" by Boora & Prince Igor is a 16-track instrumental hip-hop album released on Funk Night Records in 2024. The project fuses jazzy samples, soulful loops, and tight beats, creating a vibrant, atmospheric listening experience. With its concise runtime and fluid transitions, "Zero-G" captures the essence of modern beat-making.
180 gram Vinyl Edition. Gatefold Cover. The fourth album as a leader by spiritual jazz saxophone titan Pharoah Sanders, Jewels of Thought was released in 1969. It Consist of two extended tracks, one of which had to be divided into two parts in order to fit onto the LP. Sanders was incrediblt active in 1969, recording lo less than four albums and releasing three. The band on Jewels of Thought includes several major stars, among them Idris Muhammad, Roy Haynes, Richards Davis, Cecil McBee, Leon Th…
Black vinyl – limited edition of 500 copies only! A new album from the modern masters of exotica! Mix up a mighty rum typhoon and emerge yourself in this excitingly dazzling audio fantasy! Experience the fearsome Jungle Chase. Behold the secret world of the majestic Moonflower or lose yourself for a while inside the Hookah Parlor. What’s your pleasure?Ìxtahuele continues to develop their sound and song writing while exploring the heart, nuances, and boundaries of classic exotica.
"After producing their frozen trilogy of intoxicated dronemuzik for the Agency, these Scandinavian gentlemen have ventured into more absurdist territories through fictionalized soundtracks for imagined Mondo films and science fiction serials. It is in this context that BJ Nilsen & Stilluppsteypa present the apparitional Big Shadow Montana, an album of slow-motion delirium manifested in occluded smears, nocturnal gasps, and arcane tones from a variety of analogue synthesizers. Amidst the n…
Makoto Kawashima was born in Saitama, a prefecture of the Greater Tokyo Area, in 1981. He picked up the alto sax in 2008, and started playing solo in 2010. He is the founder of the Homosacer (Sacredhuman) label. Homo Sacer was originally released in 2015. It was Kawashima's second solo release and his first full-length album. It was also the final release by P.S.F. Records. The album was recorded live during a heavy rainstorm at the gallery and café Yamanekoken in Iruma, Saitama. Facing up towar…
Black Editions present a reissue of Kazuo Imai's far and wee, originally released in 2004. Kazuo Imai is one of the few artists to traverse both Japan's early avant-garde and free jazz movements. Though he began performing in the 1970s, his 2004 P.S.F. album far and wee was only the second under his name. In a series of thrilling acoustic guitar improvisations -- Imai's playing crackles with dynamic tension and physicality as well as a subtlety and nuance that reveals him as one of the instrumen…
Had the titular contest in guy maddin's "the saddest music in the world" not been rigged from the onset, turkey could have delivered an impeccable contestant in ekin fil. for many years now, her spectral dream-pop deconstructions hold a thousand-yard stare of an unconsolable melancholy; and she's drawn the highly favorable comparisons to grouper and lovesliecrushing thanks to her understated yet beloved catalogue of releases on root strata, students of decay, no kings, and sacred phrases. helen …
Keith Rowe's concluding set, with longtime partner Toshimaru Nakamura, at the AMPLIFY 2008: Light festival, recorded on September 21, 2008 by Taku Unami. AMPLIFY 2008: Light was an intense and deeply immersive experience for all who were lucky enough to be present, and quite a bit of that was attributable to Rowe's four sets, which are now available for all to hear.
ErstLive 007 is a solo set from Keith Rowe, and took place on the second night of the Amplify 2008: light festival in Tokyo in September 2008. This was Rowe's first ever solo set in Tokyo in his 40+ year career. Keith Rowe: guitar, electronics.
A groundbreaking release from two youngish Japanese improvisers. Sachiko M plays sample-less sampler, and Nakamura uses the no-input mixing board--both instruments which conceptually produce no sound, yet these two conjure it out, somehow."Do" was recorded live in Europe and Tokyo last summer, and features three improvisations varying in length from just over two minutes to slightly under 40. While the shorter tracks are worthwhile and hold moments of greatness, it is the first, very long track …
First meeting of experimental musicians Keith Rowe & Radu Malfatti in a 3 disc set: one disc of compositions by Jurg Frey and Cornelius Cardew; one disc of their own compositions; and one disc of improvisation. Keith Rowe and Radu Malfatti are two of the most influential experimental musicians in recent decades, each with extensive bodies of highly distinctive work and a combined 80+ years at the forefront of their respective areas of exploration. On Φ, their first meeting ever is documented via…
Erstwhile's debut of percussionist, microphone and electronic artist Will Guthrie in a duo with tape machine Revox and electronic artist Jerome Noetinger ("Hands of Caravaggio") in an interactive "face off" between the two. "november 2011 release ; ... whenever i get bummed out about music in general (usually :: fearing the seemingly consistent march towards rural / “beguiling” simplifications of electronic music, various “returns” to “form”, etc ...) there almost always seems to be an erstwhile…
2013 release ** "Contrary to the effects of the titular condition, which I'm given to understand afflicts both musicians, and as also implied in the images of distorted and pained hands adorning the cover, there's some seriously steady and decisive music contained herein. It's understandable, for a moment, that the innocent listener might have an idea that this is more Panzner's affair than Stuart's if, like yours truly, one's knowledge of the latter's work is pretty much covered by his adventur…
Keith Rowe (guitar, electronics) and Sachiko M (sine wave, contact microphone). Recorded by Taku Unami at Kid Ailack Art Hall, Tokyo on september 21 and september 23, 2008. Mixed by Taku Unami. Mastered by Toshimaru Nakamura.
Piano is an album of three pieces, 'A Luca Marenzio ll', 'Ma fin est mon commencement', and 'Gebrechlichkeit', written by Slovak composer Adrián Demoč between 2018 and 2023. 'Ma fin est mon commencement' and 'Gebrechlichkeit' were written with three performance options in mind: specific instrumentation, open instrumentation with a similar quality of timbre and register, and a "monochromatic polyphonic" instrument, preferably the piano. 'A Luca Marenzio ll' was originally written as 'A Luca Maren…
Shira Legmann is an Israeli concert pianist, with a wide repertoire from Baroque to contemporary and experimental music. This album contains three piano works by Italian composer Giacinto Scelsi: Suite No.9 "Ttai" (1953), Quattro Illustrazioni (1953), and Un Adieu (1978/1988). This is Legmann's second CD on Elsewhere Music, following the 2019 album "Barricades" in which she was the pianist for Michael Pisaro's composition for piano/electronics.Legmann's clean, supple yet solid piano sounds, whic…
Jürg Frey’s unique compositional approach places him at the cutting edge of contemporary classical music while simultaneously maintaining a touch of impressionistic/romantic aesthetics in its roots. Since the late 90's, Frey started to work with 'lists' as a basis of his compositions, sometimes words, sometimes chords, from which he developed and organized the musical materials. In recent years, Frey's focus on 'lists' has extended more toward the connections of items with each other, forming me…
This is French composer/pianist Melaine Dalibert’s fifth solo album since 2015, all featuring his own compositions. This time, the album consists of melodically structured song pieces, an area that Dalibert has been exploring in the last couple of years as a new compositional approach outside his signature algorithmic method of composition. This series of eight short pieces appeal in a new way from his previous music, and shows his maturity as a composer. Dalibert wrote all eight pieces in 2019 …
"The initial idea was that this collaboration should reflect a dialogue between two artists who have not yet met and that it should express something about the gulf between them, both literally and metaphorically. In the exchange of materials and ideas something is inevitably lost along the way – whether it be misunderstandings due to interpretation, language, slippage of meaning or simply things going astray. From the outset we decided to make a feature out of what might be lost in this interch…