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CD Edition. Grey-area reissue of this legendary 1968 avantgarde jazz classic. Fiercely beautiful Danish jazz from 1968, sworn body-and-soul to the legacy of John Coltrane, and the raw sense of music as a healing force, tearing through the cosmos — but with its own intensely compelling voice, on the line from Copenhagen, to you. So a searching, hurting version of Naima gives way to Meinert’s terrific, succinct, Lateef-flavoured tribute to Alice Coltrane and a thrilling set of modal origina…
A never-heard live session from the great Eje Thelin – a mid 70s set that has the trombonist working with a cool quartet that includes some Fender Rhodes from Harald Svensson – who makes a wonderful partner for Thelin's long-blown lines! Eje had already grown tremendously as a musician in the 60s – from bop to modern to avant in the space of a few short years – and here, he moves back into more soulful territory which opens up perfectly next to the Rhodes – with these very fluid, open solos that…
*CD Version* Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Sla…
Unreleased live recordings - featuring the pioneers from the Euro-pean New Jazz scene! This is the third in our series of exciting jazz albums with beautiful unreleased live recordings from the German Jazz Festival 1966! Please check the whos's who of the European jazz scene in the tracklisting.This 2-CD set comes in a SABA-style packaging.
We had the impression that those recordings could easily have been part of the SABA/MPS catalogue back in 1966 - that's why we decided to design the co…
**2020 stock** A fantastic electric session from the 70s Polish scene – a record that not only features freewheeling trumpet from Tomasz Stanko, and sweet Fender Rhodes from Adam Mackowicz, but also includes some very inventive work on drums and percussion from the great Czelaw Bartkowski! All three players are at the top of their game here – artists who have a strong knowledge of the outside territory of jazz, but also often work a bit more inside – so that their music here can be open and expl…
CD version. “Divine music is a curative virtue; it is a gift from God that brings healing and comfort to the soul. This music can uplift one’s spirit up to a higher dimension of being that is filled with peace and joy. Divine music is the sound of true life, wisdom, and bliss. This music transcends geographical boundaries, language barriers, age factors; and whether educated or uneducated, it reaches deep into the heart and soul, sacred and holy, like an Infinite sound of glory entering the Lord…
Marion Brown (1931 – 2010) was an American jazz alto saxophonist and ethnomusicologist. He is most well known as a member of the 1960s avantgarde jazz scene in New York City, playing alongside musicians such as John Coltrane, Archie Shepp, and John Tchicai. He performed on Coltrane’s landmark 1965 album “Ascension”, and around 1970, he provided the soundtrack for Marcel Camus’ film “Le temps fou”, featuring Steve McCall, Barre Phillips, Ambrose Jackson and Gunter Hampel. In 1976 he played alto s…
2018 repress. Landmark work from the Finnish scene of the 60s – one of those ultra-rare European jazz records that collectors have dug for decades! The set's got a stark, modern sort of feel – but also a nice soulful swing, too – a balance that few of the other Scandinavians hit so well at the time – as they were either hanging between farther-out progressions, or more inside, tightly arranged jazz! Drummer Christian Schwindt's vision here is exceptional – full of rich feeling, deep tone, and ca…
Tip**Remastered reissue, released in conjunction with the artist** James Tatum's stunning, spiritualised Contemporary Jazz Mass is one of the only true jazz masses ever released. Inspired by Duke Ellington's Sacred Concerts, Tatum's masterwork was recorded on its first ever performance at St Cecilia Church in Detroit, and released on his own private label in 1974. At the time Ellington’s Concerts were quite controversial. Whilst they contained scriptural references they did not follow liturgica…
A stunning new 8 CD box set, comprised of recording from New Jazz Festival Balver Höhle between 1976 & 1977, and issued by the German imprint B.Free, offers a mind altering vision of just that. Toward the middle of 2016, B.Free released a sprawling 11 CD box of recordings from the 1974 and 75 incarnations of the New Jazz Festival Balver Höhle. As remarkable as it was, the following years seriously upped the game. Found within this new box are complete performance recordings of ensembles led by s…
Box Set with 8 CDs of exciting and adventurous New Jazz recorded live at the Altena New Jazz Meetings from 1972 and 1973. More than 8 hours of music recorded live at the Altena Castle, West Germany. Two 28-page booklets with concert pictures, flyers and newspaper clippings (in German and English). Includes complete performances and improvisations by Chris McGregor’s Brotherhood Of Breath, Michal Urbaniak Group, Phil Woods, Wolfgang Dauner’s Et Cetera and many more! Read more at: https://www.bear…
It was the summer of love in 1967, and more than 12 000 people found their way into the Rheinpark in Cologne – situated opposite the majestic cathedral and right at the bank of the Rhine river – for the first German open air jazz festival. Featured on those two sunny days in September were three big bands – including ace musicians like Jiggs Whigham, Dusko Gojkovic, Manfred Schoof and Volker Kriegel – and the Kenny Clarke - Francy Boland Sextet. When the festival was revived the following year, …
BeJazz is happy to come up with a limited edition (500 copies) of a true “holy” modern/free jazz gems of the late 1960s. The original double LP was issued by Meno Liechtenstein’s CB Records – he was also the organizer of the “International Holy Hill Jazz Meeting” in Heidelberg/Germany. The sound quality on the original album was not really bad – but it certainly was not really good as well. We spent a lot of work on a proper restoration of the live tapes. The result is truly amazing – after almo…
Strerath is a pianist of European calibre and he has won numerous prizes since 1967. The Walter Strerath Trio played at many Jazz Festivals in Europe and they were invited to play at Newport in the early 1970s. On this 1975 session they explore the music of Brazil.The Bossa Nova is sort of a feed-back of North-American jazz with its drive, blues and beat compared to Brazilian samba with its “joie de vivre” and optimism. The Walter Strerath Trio commands this synthesis between North and South in …
*2025 stock* Beautiful work from Joe Haider – a lesser-known pianist on these shores, but an important force in the German scene – best remembered for some wonderful music on the Ego Records label! This set captures Joe in a very similar setting – working on both acoustic piano and Fender Rhodes – in a trio with Allen Blairman on drums, and the mighty Isla Eckinger on bass. If you don't know Eckinger, you're really in for a treat – as he's a tremendous talent who has this way of shaping notes an…
Chefa Alonso performed with numerous musicians during her 2004-8 stay in London. Perhaps the most profound and rewarding musical relationship was the duo with Tony Marsh. This is at least the fifth soprano saxophone and percussion duo on Emanem. While perhaps influenced by the other duos, the strengths of the two participants mean that it is a unique addition to the instrumentation. Besides their contribution to the last night at the Red Rose, there are also appearances at another London venue, …
Tip! *200 copies limited edition* "Second Trick : name-dropping. Always useful and often expected, name-dropping provides referential anchors to the reader. It's like a hug. She/he no longer feels alone in the world. Others, like them, are imbued with influences that they sometines have to keep quiet about to their skeptical surroundigs. In our case, given the wicked monster generated, there is no need to seek external references for support, they're included in the package ! Ex : Smegma's hist…
2007 release **
calme, silence, solitude for piccolo solo, quelques riens for mauritius flute and moments musicaux for bass flute constitute a trilogy, composed by eva-maria houben for flutist anne horstmann.they may also be performed individually.the mauritius flute is a traverse flute made of speckled bamboo.its seven holes are burned into the wood.the scores of this trilogy contain the note: "hector berlioz abgehört" ("upon listening to hector berlioz").the titles allude to french composer h…
2007 release **
voiceswhat is music made of?of voices.and what is a voice?a sequence of sounds and silences, with its own consistency.perfectly self-contained: each voice voicing a world.and what is a world?a proportion: a specific distribution of movement and repose.perfect repose, incessant movement.in between: the infinite plurality of possible worlds.writing voices means:to traverse this universe of possibilities, one voice at a time, that is: from world to world.to dwell in worlds, in spac…
2006 release **
I like that which is the extremely refined sound of a note made by an instrument. I find the sound of a note to be a very extraordinary, elusive and indefinable experience. I like the sound of one note next to another, or at the same time as another. The decisions to be made, from all the myriad array of sounds of notes, from all the potential possibilites of how to present and experience these sounds, is what draws me into the process which results in the making of a piece. I wr…