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Taking Off
1995 release ** "Taking Off was first released as an LP in 1982 and re-issued as a CD by Bleu Regard in France in 1995. Wallenstein increases the size of his jazz accompaniment/collaboration, featuring Bill Chelf on piano, Charles Tyler on saxophones, Jeremy Steig on flute, and Jeff Meyer on percussion. The opening poem "Careful Bump," begins with a jolting kick and cymbal crash leading into a bop-jazz drum beat. "The Short Life of the Five Minute Dancer," which describes action in the face of f…
Azimuth
Recorded in 1977 and now reissued in ECM’s audiophile Luminessence vinyl series, the debut album of the Azimuth trio was truly ahead of its time. Formed by adding Canadian-born trumpeter Kenny Wheeler to the British duo of pianist John Taylor and vocalist Norma Winstone, the group’s futuristic musical palette embraced hypnotic, minimalistic pulse patterns, otherworldly synthesizer sounds, songs, collective improvisation and solo flights. In recent seasons, the number of listeners under Azimuth’s…
fLuXkit Vancouver (i​̶​t​̶​s suite but sacred)
Tip! A radiant manifesto of artistic freedom, fLuXkit Vancouver (i̶t̶s suite but sacred) brings together a composition in four movements written and performed by Jones on alto saxophone, long-time collaborator Gerald Cleaver on drums, and four Vancouver-based string musicians: violinists Jesse Zubot and Josh Zubot, cellist Peggy Lee and bassist James Meger; with original artwork by Stan Douglas and liner notes by poet Harmony Holiday. Commissioned by Western Front, an artist-run center for multi…
Requies
A monstrous blast of jazz noise energy by the combustible trio with Sunn 0)))’s Stephen O’Malley and David Sandström of hardcore punks, Refused, on the mighty Rune Grammofon.
Friday Night
Livy Ekemezie’s Friday Night is widely recognised by DJs and afro-funk aficionados as a UFO (Unidentified Flying Object) grail record. It is one of those rare dance music albums that sounds like a record of its’ time but also has a timeless quality that makes each listen an immensely rewarding experience. Fueled by teen spirit, every track slaps leaving little or no opportunity to skip. The song concepts circle around sweaty, afropolitan nightly excursions into the nightclubs of Aba, Port Harcou…
Ghost Notes
1998 release ** "This CD represents the pinnacle of IST's achievements so far. Phil Durrant's Sowari For Ist, concentrates upon texture and timbre as opposed to pitch and rhythm. The resulting music is detailed, fragile, abstract and beautiful, pushing acoustic instruments further into a sound-world more often associated with acousmatic forms. In Mark Wastell's Ritmico the emphasis is upon rhythm and the particular sonorities produced by the percussive possibilities of the wooden parts of each i…
crows of the world vol 1
2007 release ** "First entry in an on-going 'annual report' style compilation, programmed with the same sensibilities as 2005's Invisible Pyramid compilation by label guru Chris Moon. This entries' line-up includes: Keijo's Free Players, Brad Rose's North Sea, Western Automatic, the Ilya Monosov / Preston Swrinoff duo, Andrea Belfi (previously heard on the Invisible Pyramid comp), Paper Wings (Antony Milton + Anthony Guerra), Northern Cross (new Geoff Mullen + Kris Lapke duo), Brasil & the Gallo…
Entupadas
1988 release ** "Sometimes with a touch of disdain, but it’s merely poetic, political reflection on an incomplete world—the only one we know. Beauty and cruelty, joy and sorrow. The piano, mastering every language, responds to the glowing voice of the singer: Romansh, German, English, French. Sweet, strict, harsh, thrilling, playful."
Winter Canabinol Essence
2009 release ** ""Winter Canabinol Essence" is the debut album to be released by the Moscow based label Nihil Art. The Russian project Obozdur, unknown for us'till this release, offers here six tracks at the cross between "old-school" harsh noise, cut-up noise and experimental music. Using radio-waves transmissions, tapes, rythm'n box, processed vocals or tape-voices, processed guitar or bass, various analog effects, all used in a "non-musical" way, Obozdur creates long tracks of cut-up dada noi…
Morituri Te Salutant
2004 release ** "Mariae Nascenti is the solo-project of Angelo Visone, a native of Milan, Italy. Morituri Te Salutant is his first proper CD release, following a number of self-released CD-Rs. On Morituri Te Salutant he enlists the assistance of Black Sun Productions, Larsen and members of Sadomarta and Gullinkambi. There role here is to provide vocals to his surreal atmo-soundscapes that range from post-industrial greyness to dark ambient. Mariae Nascenti's palette involve electronic drones, an…
The Journey Like Never Before
2008 release ** "The atmosphere ranges from ambient, meditation and transcendence to sound experiments and rhythmic madness. A clash of acoustic explorations by the Hati group with modern, rhythmic electronics by Lal (2nd Hand Beatnix, Wiedźmin). This is one of the most electronic projects ever realized by Hati, which – as a band that performs a lot – uses mainly acoustic instruments."
Orang-Utan
Following his success with “Blow Up,” the once-weekly favorite bassist Isao Suzuki returns with his fourth release under the Three Blind Mice label. The heavy, groovy sound he crafts alongside the eccentric talent Kenji Mori remains timeless and undiminished by the years.
Music of Georges I. Gurdjieff
*2024 stock. Deluxe packaging* Fascinating and highly attractive project which returns the music of Gurdjieff (c. 1866 – 1949) to its ethnic inspirational sources. To date Gurdjieff’s compositions have largely been studied, in the West, via the piano transcriptions of Thomas de Hartmann. Armenian composer Levon Eskenian now goes beyond the printed notes to look at the musical traditions that Gurdjieff encountered during his travels, and rearranges the compositions from this perspective. Eskenian…
Tabula Rasa
The 1984 ECM album Tabula Rasa was the vehicle that introduced the revolutionary music of Arvo Pärt to audiences outside Eastern Europe and initiated what was to become one of the most extraordinary musical careers of the late 20th century. Like many of the first generation American minimalists, he limited himself to diatonic harmonies and generated pieces by setting processes in motion, but the radical simplicity he achieved was the result of religious contemplation that was at least as, if not…
Mar
1999 release **
Endspace
Duo improvisations recorded at Goldsmiths College, London, July 2007. Angharad Davies (violin) and Tisha Mukarji (inside piano) - two of the most distinctive young improvisers on the UK scene - unite for their first recording as a duo. An entirely acoustic affair impossible to ignore the heritage that goes before such a recording of piano and violin: the slow pace of Feldman and the New York School, the grey austerity of the Wandelweiser collective echo through these five improvisations. Davies …
McDonald And Giles
Following the meltdown of the original King Crimson lineup, Ian McDonald and Michael Giles brought brother Peter Giles back, which helps to account, in some ways, for the resemblance of this album to the 1968 Giles, Giles & Fripp recordings -- though the songs here tend to go on at some length, combining prog rock's traits of length and multiple sections with some of the lighter feel of the GG&F days. The 20-minute "Birdman" tends toward self-indulgence, while "Tomorrow's People - The Children o…
A History of Musical Pitch
This album contains three works by Seamus Cater, including his creative response to the work of Alexander John Ellis (1814-1890), who presented a paper 'The History of Musical Pitch' to the Royal Society in 1880. Ellis was a mathematician, collector, philologist and musical enthusiast, who spent a lot of time measuring the exact frequencies of contemporary and ancient musical instruments, and so is remembered as one of the founders of comparative musicology. Two of the pieces on the disc are 're…
Unbalanced In (Unbalanced Out)
Unbalanced Out (Unbalanced In)'. A powerful, challenging 50-minute collaborative piece constructed over a year through file-sharing by a sextet of leading musicians across the world, with Barry Chabala (USA, guitar), Bonnie Jones (USA/Korea, electronics), Louisa Martin (UK, laptop), Tisha Mukarji (Germany, piano), Toshi Nakamura (Japan, no-input mixing board) and Gabriel Paiuk (Argentina, piano)