We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Liverpool producer Paul Rafferty aka Ancient Plastix is back with 'II' an album that glides effortlessly, combining incredibly rich textures with soft swan-like strokes, oscillating gently, an unhurried pace that combines the depth of Japanese ambient maestros and the choppy British mist. Recorded to tape on a Japanese Sansui machine, there is a widescreen grandeur that permeates Ancient Plastix’ production, a cinematic instinct that steers clear of crescendos by creating paths that revel in war…
Mental Experience present first ever reissue of AK Musick, originally released in 1972. Radical, freaked-out sound with hints of free-jazz, improv and avant-garde, AK Musick was an improv collective assembled by clarinetist Hans Kumpf to "make music in a very democratic way". The five players had a classical education but they were also influenced by avant-garde composers like Helmut Lachenmann and Johannes Fritsch. Their only album, AK Musick, was recorded at the famous Bauer Studios in just …
Selection of Korean classical music, performed by the Orchestra National Center for Korean Traditional Performing Arts. Cast your mind back to the 15th century. That is, of course, difficult if not impossible to do, but the major piece recorded on these CDs, Yomillak, 'Giving the People Joy', provides something of a sonic reference point: it was first performed in 1447. Y'millak is the most extended piece of orchestral court music surviving in Korea, and it has for many centuries been used for r…
Douvle CD set with recordings by the legendary 20th century avantgarde pianist performing compositions by (and with) John Cage, Sylvano Bussotti, Morton Feldman, Christian Wolff.
*2023 stock* The eight cuts are credited jointly to the brass man and drummer. Their compositions are rhythmically complex but harmonically simple, making the most of Berger's ambiguous role midway between melody and percussion. They eschew overt virtuosity in favor of a distinctive group conception, achieving an orchestral feel from just three voices. Their arrangements are tight, but loose enough to accommodate Berger's ringing solos, extracting maximum dividend from what might seem limited re…
""Sci Fi Party" was another chapter in the cosmic music voyage from the collaborative forces of Germany's Schulze, Gottsching, Grofkopf, Dollase and Dierks. This is progressive space like you have never heard before and for those who are familiar with the "Galactic Supermarket" will know just what I mean. Juxtpose Gottsching's guitar expressions with the space keyboard talents of Klaus Schulze and fellow cosmonauts and you have a recipe for space travel. Ever since I found "Galactic Supermarket"…
**Edition of 199** Exterminate, the most impressive and sinister album by Morgue first way - it is just the thirteenth work in his name, during his first three years of artistic production, returns to torture the eardrums and brains of who comes across with his industrial, claustrophobic and distressing nightmares at least as much as the "annual reports" signed by the loving Throbbing Gristle. It was recorded straight off on a hot July night in 1995. The cassette released the same year by Slaugh…
American indie label File 13 Records released what was already Martin Rev's sixth solo album in the autumn of 2003. The previous year, Rev and his musical partner Alan Vega had struck out in a new direction on their "American Supreme" album and Rev's solo works continued in a similar vein. If "Strangeworld" from the year 2000 actually felt more like a timeless abstract of Martin Rev's entire spectrum of musical influences, "To Live", three years later, introduces more contemporary elements, incl…
*2023 stock* Bureau B present a reissue of Heldon's second album Allez-Teia, originally released on Disjuncta in 1975. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. The British group has buzzed in Pinhas's mind for decades, but their greatest impact came early. When he first saw them play, Pinhas was struck by music played during intermission. "When I saw (King Crimson guitarist) Robert Fripp and Brian Eno perform in Paris later, I realized that the interm…
I think it's important and proper to play Steve Lacy's music today and that we have to take the risk. Keeping his example alive means to me every time to question the results achieved. My relationship with his music is not occasional. Steve is present in three tracks of my first album "trochus". Later I played his music alone and in various groups. I would like to remember at least the Fish Horn Quartet, with Fabio Martini, Jean Jaques Avenel and John Betsch, the sextet 5or6 Bones with Sebi Tram…
*In process of stocking* The issue presents the ideas musicians and composers whose work is vital and whose voices should be more widely known outside of their native countries. The issue begins with a conversation between curator Smith and SA's Editor-in-chief, Nate Wooley. It then turns to vocalist Eva Salina Primack, who discusses motherhood, rural living, and the influence of Serbian singer Vida Pavlović. The London-based jazz phenom Shabaka Hutchings describes his journey with the shakuhach…
This 8 track acoustic guitar album is a big change for the experimental musician Maurizio Abate. After many years of psychedelic albums in which improvisation was combined with a creative recording process, he composed an entire album based on a more traditional method: acoustic guitar solo.During winter 2014 he organized a series of italian screenings preview of the documentary “ In Search of Blind Joe Death: The Saga of John Fahey” and that occasion encouraged Maurizio to experience the guitar…
* 2022 stock * Recorded in Paris during a prime period, tenor saxophonist Dexter Gordon jams on four basic group originals, including his own "Fried Bananas" and "Dexter Leaps Out." The medium- to uptempo numbers clock in between 9½ and 12 minutes apiece, giving Dexter, trumpeter Sonny Grey and the French rhythm section (pianist Georges Arvanitas, bassist Jacki Samson and drummer Charles Saudrais) plenty of opportunities to stretch out. A fine jam session that was decently recorded.
**500 copies** It is always a treat to see some major musical innovators in action. Especially in a mind-blowing line-up, at the top of their game and unrecorded until now on this impressive new Dropa Disc release.Evan Parker might be a member of some legendary trios – one with von Schlippenbach and Paul Lovens and one with Barry Guy and Paul Lytton – still this brilliant master of the saxophone and pioneer of free music managed to surprise us big time when he introduced his trio with John Edwar…
Over more than a decade Peter Kolovos has created an incredibly physical and dynamic musical language using the electric guitar. He plays music that unpredictably flows from electrified fragments of sound which fold and expand in dense layers and massive tones that surge and collapse in rapid succession. His approach has been called 'massively a-formal' and his control of timing and texture 'masterful.' Rather than set harmonic or rhythmic structures, he draws form from open sequences of …
**150 copies limited edition** "Although he had accepted my request for an interview about his practice as a rhythmist, Fernand Schirren observed me with a more interrogative look than my questions could ever warrant. From the outset, he warned me that he preferred to be called ‘Schirren’ without the addition of his first name, which he despised. It is of course a contraction of Ferdinand, the name of his father, a painter, but we did not discuss the reasons for his aversion any further. On the …
** Glass mastered CD. 6-panel digisleeve (coated 350gms cardboard). Matte finish. Text by Xavier Veilhan. Designed by Mote Studio ** “When Xavier Veilhan kindly invited me to consider which artists to involve in his amazing Studio Venezia project, one of the first names I had penciled in was Nicola Di Croce. Between the many sound artists that I know and admire, Nicola has the unique quality of always provoking an original dialogue between his theoretical reflections and his practice as a…
* 6-panel digisleeve (coated 350gms cardboard). Edition of 200 * 'Prisma' is the first solo album from Italian composer Luigi Turra on 901 Editions, despite his long-term relationship with the label and appearances on various collaborations and compilations: 'Ma 間' with Fabio Perletta (2020), 'Kailash' with Shinkei (2016) and the piece 'Ki IV' (2016) for the series 'Quark: How Does The Invisible Sound?'.
Three years after 'Fukinsei', his latest solo album released by the Japanese label mAtter,…
** Glass mastered CD. 6-panel digisleeve (coated 350gms cardboard). Matte finish. Designed by Mote Studio. Photography by Fabio Perletta ** Dust Bunnies is Giovanni Di Domenico's first solo release for 901 Editions. Recorded in Oude Kerk Charlois with the majestic 1784's Hess pipe organ and in Klangendum / Worm studio in Rotterdam, the album beautifully merges acoustic and synthetic sounds. As pressurized air flows through the pipes, the music reminds us of desertic wind, evoking introspective p…
** 2021 Stock ** 2001 CD reissue of this psychedelic underground masterpiece from 1970, with a 12-page booklet, including English liner notes and photos. Includes one bonus track not found on the original LP. Recorded 1968-69, digitally remastered in 2001. The lone album by this post-International Harvester group, originally issued in 1970, once again led by the academic tape-composer turned radical folkie psychedelicist Bo Anders Persson. Accompanied by an able body of co-conspirators including…