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Peter Brötzmann - tenor saxophone, tarogatoToshinori Kondo - trumpet, electronicsSabu Toyozumi - drums
Recorded live on October 2nd, 2016 at Roppongi Super Deluxe, Tokyo, Japan by Kunimitsu TsuburaiAll music by Peter Brötzmann, Toshinori Kondo and Sabu ToyozumiMastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras AnosovasPhotos by Moto UeharaCover art by Sabu Toyozumi
Melodic Art-Tet
**CD edition** 1974 recordings at WKCR in NYC from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation. "The dominant influences at this time were John Coltrane and Albert Ayler (both of whom had passed away relatively recently); and Ornette Coleman (who had not yet gone Harmolodic). Although some musicians had sought to push the Fire Music of late C…
Live at Cafe Amores
Featuring Alexander von Schlippenbach and Aki Takase both on piano, recorded at Cafe Amores in Yamaguchi. Japan in August of 1995. Although Ms. Takase and Mr. Schlippenbach have been married for many years (she moved to Berlin in 1987), it seems as if their music collaborations began in the early 1990’s. There are some half dozen or so discs of duos (1993, ’94 & 2014), a trio/quartet (from 2005), the Berlin Contemporary Jazz Orchestra (BCJO) (1993 & 1996), collaborations with Sven Ake Johannson …
No Coming, No Going. The Music of Peter Kuhn 1978-1979
Live broadcast recording on December 19, 1978, at Columbia University Radio WKCR-FM, NYC. Originally issued on LP, edited and in slightly different order, as Livin’ Right on Kuhn’s Big City Records (LPK 225).
Free-jazz woodwind specialist Peter Kuhn’s road to San Diego has been long and harrowing. Born in the San Fernando Valley and raised in L.A., Kuhn’s career flourished in the Bay Area and eventually led him to New York at the invitation of Anthony Braxton in the mid-’70s, where he played wit…
Oh My, Those Boys!
Brilliant work from these two very inventive bassists – the legendary Barre Phillips, working on acoustic bass – and Motoharu Yoshizawa, playing an unusual homemade electric vertical 5-string bass! The combination of instruments is beautiful – and with one electric, and one acoustic, you can really separate the voice of each player – even though both Phillips and Yoshizawa resonate strongly together, and really have a complimentary sense of improvisation – a beautiful combination of both their t…
Journal Four
*In process of stocking* No Business Records presents Journal Four by Keith Tippett and Howard Riley.
Recorded on the 9th March 2016 at ‘The Steinway Spirio Two-Piano Festival’ at the PizzaExpress Jazz Club, Soho, London Audio recording supervision by Cath Longbottom Liner notes by Richard Williams Photos by Cath Longbottom Design by Oskaras Anosovas Howard Riley - piano Keith Tippett - piano
The Quietly Clouds And A Wild Crane
This latest instalment from NoBusiness Records collaboration with the Japanese Chap Chap label under the name of Yuji Takahashi with Sabu Toyozumi constitutes a real find. A wonderfully mystic vernal episode of free improv music recorded in Tokyo, 1998. Piano and percussion album of the highest beauty, interactive on a telepathic level and execution. Yuji Takahashi is a Japanese avant-garde composer and pianist. In Japan he was by then already well established as leading practitioner of experime…
Ton-Klami Prophesy of Nue
Lovely archival recording by this incredible trio comprised of Midori Takada - marimba, percussion Kang Tae Hwan - alto saxophone Masahiko Satoh - piano. Recorded live on the 27th May, 1995 at Design Plaza Hofu, Yamaguchi, Japan
Frictions / Frictions Now
Awesome archival CD covering the entire production by The Free Jazz Group Wiesbaden, a quartet with the odd instrumentation of reeds (Dieter Scherf), trumpet (Michael Sell), guitar (Gerhard König, who also played flute) and percussion (Wolfgang Schlick). They released two appropriately schizoid LPs on Scherf’s LST label in 1969 and 1971 (Frictions and Frictions Now, here collected) before disbanding. This is a stunning copy of their first very rare private press side, 1969 Frictions, a spectacul…
Echoes from Rudolph's
restocked, Mindblowing reissue!! "The impact of Carter's music stems from his ability to straddle freely the old and the new - combining a genuine melodic/rhythmic impulse with explorations of a more purely rhythmic/harmonic nature. His tone on his instruments, especially the clarinet, is round and wooden like a song, yet there's a certain revelry in sound - textural and timbral - for its own sake. He likes to work with contrast, moving in and out of tempo, altering the flow through dynam…
Live At Maya Recordings Festival
Superb improvisation from three masters - Evan Parker on sax, Barry Guy on bass and Paul Lytton on drums - performing at the Maya Recordings Festival, September 23 - 25, 2011 at Theater am Gleis, Winterthur, Switzerland." After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of th…
Constant Change 1976-2016
This solo piano music has never been released before on disc. It covers a 40-year period stretching from 1976 to 2016 and contains both live concerts and studio sessions. "Paris / Debrecen are both Festival performances recorded at a period when I was concentrating on developing my own material / compositions, and before I had evolved my ‘with or without repertoire’ approach to solo playing, which explained in the ‘sleeve-note’ to Live With Repertoire on NoBusiness Records CD 58 (briefly: some p…
Hokusai
NoBusiness presents Hokusai, a new set of recordings by Sabu Toyozumi and Mats Gustafsson, recorded live on 11th and 12th June, 2018 at Jazz Spot Candy, Chiba, Japan by Kunimitsu Tsuburai / 粒来国充. Concert produced by Miyoko Hayashi / 林美葉子Jazz Spot Candy. Mastered by Arūnas Zujus at MAMAstudios.
Sabu Toyozumi 豊住芳三郎 - drumsMats Gustafsson - baritone saxophone, fluteophone, flute
Live at Vilnius Jazz Festival
A demanding live duo performance from New York drummer William Hooker and Lithunian saxophonist Liudas Mockunas, performing at the 2013 Vilnius Jazz Festival. The playing is hard-edged, rugged and free playing, keeping a strong momentum from Hooker's unabating drive, maintaining a solid pulse without seeming to repeat himself. Mockunas has a thick confident approach to his playing, varying melodic riffs with trance-like playing. An album of edge-of the-seat and persuasive playing."Liudas Mockuna…
Light The Early Years 1975 - 1989
NoBusiness Records is pleased to announce a new archive release from it’s series of important musicians and group recordings from the 70s and 80s, which either were never released before or released on small private labels but long out of print and now newly remastered.This release is dedicated to William Hooker’s early music and covers his most important works during the period from 1975 to 1989. Newly remastered material is now presented in a 4 CD boxed set.
William Hooker is an artistic whol…
Micro Poems
Micro Poems is the latest release by Andreas Bülhoff and Marc Matter. It is also the first release on the new imprint Spoken Matter that focuses on language-based sound works and sonic poetry. Four years after their first exploration of condensed meaning making with their release Of/Off, this record radicalises the concept of stupendous repetitions of isolated and ambiguous words by embracing the capability of the vinyl medium and the particularity of closed locked grooves, impossible on any oth…
Tales Of The Algonquin
Reissue, Remastered, Stereo, 180g. on British Jazz Explosion series. As in most European countries, jazz in Britain prior to the '60s was largely a copycat of its American counterparts. But with the emergence of artists like trumpeters Harry Beckett and Kenny Wheeler, bassists Graham Collier and Harry Miller, and saxophonists Stan Sulzmann and Alan Skidmore, a very specific yet remarkably diverse complexion began to emerge. From his emergence in the mid-'60s to 1971, baritone/soprano saxophonist…
Recital
Originally released in 1961. Peruvian singer Yma Sumac glided effortlessly from contralto to coloratura, her voice covering a range of no less than four octaves -- skeptics even suspected studio trickery! Her early repertoire included popular music and jazz pieces, but by this 1961 concert, she was devoting herself to the goal of making known the music of her homeland and neighboring countries. This is the first time ESP-Disk has released this concert on vinyl. To fit it on a single LP, the orch…
Kwanza
Temporary Offer. These 1969 recordings (released 5 years later) combine Archie Shepp’s free jazz bonafides and a blend of blues and funk through an African lens, all in a big band setting. The all-star brass section, featuring James Spaulding and Charles Davis on sax along with trombonist Graham Moncur III lead the way on stand outs including “New Africa” and “Spoo Pee Doo.” This Verve By Request LP features transfers from analog tapes and remastered on 180-gram vinyl, pressed at Third Man in De…
The Heliocentric Worlds of Sun Ra Vol.2
2023 repress. 180-gram black vinyl. Volume two of Sun Ra's classic Heliocentric recordings from the 1960s. The astonishing sessions that went light years beyond "free jazz" improvisation to create a music of deeply-felt, explosive and gentle gesture made from sound itself without reference to previous notions of melody or harmony are now reissued on 180 gram vinyl with Sun Ra's original, self-created cover art. Recorded by Richard Alderson on April 20, 1965, this set of tunes finds Sun Ra breaki…