We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Digitalis trance-master Ricardo Donoso scales heady heights with the first of two EPs (plus a 3rd remix 12") further exploring the potential of electronic hypnotism. The mission first conceived with 'Progress Chance' has now evolved in line with like-minded projects such as Loreno Senni's 'Quantum Jelly', plotting new vectors for a trance music free of fromage and yet still true to the sound's original intentions. On these four tracks his vision is focussed with laser-guided precision, em…
**In process of restock** "Pentiments continues its collaboration with the legendarily enigmatic American sound art pioneer Leif Brush, this time with an extensive double LP release representing the most comprehensive collection of his recorded work to date. In plumbing the depths of his archives, weve unearthed and gathered a great breadth of his decades-long sonic research, spanning from his early work as a grad student to various lecture documents from his eventual tenure at UMD, with many cu…
* First-ever officially licensed compilation of this kind Artwork by noted illustrator/designer Koichi Sato New liner notes by Mark “Frosty” McNeill Double LP housed in wide–spine jacket * Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & B…
Recorded with a who's who of fusion titans including trumpeter Eddie Henderson, bassist Stanley Clarke, and keyboardist Herbie Hancock, Dance of Magic channels the lessons drummer Norman Connors learned in the employ of Pharoah Sanders, Sam Rivers, and Sun Ra, marshaling Latin rhythms, electronic textures, and cosmic mysticism to create nondenominational yet deeply spiritual funk-jazz. The sprawling 21-minute title cut spans the entirety of the record's first half, capturing a monumental jam ses…
On Synthetic: Season 2, Halifax pop artist and composer Rich Aucoin continues his journey through the history of synthesizers. The second entry in his quadruple LP series once again features an armada of the world’s most rare, historic, and highly sought after electronic instruments. Gaining access to the collections of Calgary’s National Music Centre and LA’s Vintage Synthesizer Museum, Aucoin ran amok on machines to create four albums of thrilling, transporting instrumental music. Each song on…
140g black vinyl pressed at RTI. Insert & jacket printed at Stoughton Printing Co. Mastered by Stephan Mathieu * In 1992, under the guise of the Cat & Bells Club, eighteen-year-old Cheriton residents Graham Lambkin and Darren Harris self-released three tapes—two yellow cassettes and one pink—documenting their earliest musical efforts at S.H.P. studios (Lambkin’s bedroom in his parents’ house). The lowest of all lo-fi recordings, these tracks were laid down live, directly into a boombox with no o…
Rich Aucoin is announcing his next album entitled Synthetic. The record is a rare Quadruple Album with its 4 seasons/LPs being staggered in 6 month intervals over the next 2 years. The album, which began at The National Music Centre in Calgary, Alberta in March 2020, houses one of the world’s most extensive collection of rare and historic synthesizers. There, Aucoin was doing the Artist In Residence program and recorded 51 synthesizers to begin the project. The project was paused with the start …
Axis / Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April Is the Cruellest Month, a 1975 studio record by his New Direction Unit.
** 2021 Stock ** In the land of Presidents Giscard and Mitterand, thermal clothing and elbow pads, Sautet films and Sunday roasts, the carpeting of a nursery is strewn with a handful of 7-inches. There, exotic birds and courteous elephants guarding a castle built with cakes form a Front for the Liberation of the Imaginary: colourful, systematically framed illustrations standing out against the cream background of gatefold sleeves… doorways to a maze of sounds at the crossroads between the neates…
Vom Klang Des Lebens/ Of The Sound Of Life features pianist Roger Woodward on a Steinway model D, playing Peter Michael Hamel's cycle of works composed for and dedicated to his wife and new son. The producer/engineer for the recording sessions in January 2006 was Ulrich Kraus.
Long before he discerns the light of the world, still in the womb, nascent man begins to sense the sounds of life. Long before his spirit attempts to differentiate experiences, develop ideas or make his mark on the path of…
*2022 stock.* 'Deuter has so much material available that it's best to start with one of several compilations of his work. Although Call of the Unknown is also a fine introduction to his music, the double-disc Sands of Time is really the best choice for several reasons; first because it features some of his most recent compositions (including a selection taken from his video soundtrack to The Petrified Forest) that you won't find on any other recording. The first disc also offers a balanced pres…
*2022 stock.* This fine introduction to Hamel's varied style presents him in various moods from 1979 to 1983. Samples are taken from Transition, Colours of Time, Bardo, and a few previously unreleased selections.
*2022 stock.* By the mid 1970's Deuter was fully formed as a composer, having jettisoned the rougher edges and rather derivative prog and Krautrock elements of his first few albums. The albums listed above date mostly from his heyday spanning 1976 to the late 1980's and appear on Celestial Harmonies sub-label Kuckuck. During this period he spent much of his time in Poona, India as a student of controversial guru Bhagwan Shree Rajneesh. The inspiration flowed and some truly great music was born.
…
Drop a needle on Psyché's debut double-sider and you'll see visions, or rather Mediterranean visions, be they of waves of heat shimmering above dunes of sand, or of women dancing around a bonfire on a rocky plain, or of bushy cliffs overlooking emerald-green and turquoise sea. The name Psyché is of course ancient Greek for 'soul' or 'mind', signifying the band's love of psychedelic funk, but also the wide range of Mediterranean influences – from Southern Europe to the Balkan Peninsula, and from …
**300 copies. 180 gram RTI pressing, comes with two inserts** this LP is one of two vinyl releases from recording sessions at the Chummery late in 2006. The Chummery was the Seattle home to Sun City Girls, Sublime Frequencies, Abduction, and The Sea Donkeys. In fact it was the last residence of Charles Gocher who passed away in there only a few months after this session. Along side this there is the highlight from NNCK's concert in Vancouver, British Columbia on that same trip. This record foll…
*2022 stock.* For the first time, Deep Peace and New Atlantis, two classics from Celestial Harmonies, are available on CD. Originally recorded in 1980 and 1983, these meditative masterpieces have long been recognized as remarkable and meaningful works.
Frank Perry employs a fascinating array of acoustic instruments, including 400 year old Zen Buddhist Densho bells and a Ming Dynasty Chinese temple bell. He adds various kyeezees (Burmese meditation gongs), Burmese chime bowls, other glass bowls, …
Battle Pieces uses trumpeter Nate Wooley's "social music" system, where each piece is constructed for a soloist who improvises with no score while the remaining player choose at will from over 75 compositions over which the soloist must find their path; here at Roulette in NYC with Nate Wooley, Sylvie Courvoisier (piano), Ingrid Laubrock (saxophone), and Matt Moran (vibraphone).
"A project called ‘BeingFive’ might be motivated by a search to know the nature of being and, by extension, what it means to be together. In this way Montreal clarinettist Lori Freedman set up at once an atelier and a laboratory where both a group music could be made of practically nothing and a social organism could uncover both its organising principles and, perhaps, their limits. Here are exceptionally gifted improvising musicians –– hand-picked by Freedman for a Berlin residency project, a "…
2xLP pressed at RTI inside a tip-on jacket printed at Stoughton. Lacquer cut directly from reel-to-reel by Paul Gold. Recorded in Lary 7’s legendary apartment studio Plastikville over nearly a decade, Larynx is the first full-length retrospective of the East Village icon’s hybrid music and engineering practice. The record mobilizes 7’s array of homemade instruments, which he ‘frankensteins’ together from offcast and outmoded bits of technology. An ode to the long-lost Canal Street junk shops h…
the trio of prolific free drummer Alex Neilson, former Charalambides/Scorces member Heather Leigh and The Wire contributor David Keenan, create unity only to then destroy it, represents the absolute apex of their twin guitar/drums incarnation, with two side-long improvised psychedelic blues that combine the kind of epic string-muscle of Fushitsusha, Ohkami No Jikan, Kousokuya and Rallizes Denudes with a sublime avant-garage sensibility and massive pockets of time-killing freedom. Further ampl…