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L’amica Di Mia Madre / Ecco Lingua D’Argento
*In process of stocking. Limited Edition of 300 copies.* Quartet Records, in collaboration with Sonor Music Editions, announces a CD release pairing scores by Alberto Baldan Bembo for two Roberto Ivaldi erotic comedies starring Roberto Cenci and Carmen Villani.
L’Amica di Mia Madre is about Billy, a teenager who gets frustrated by his girlfriend Andrea’s interest in cock fighting and generally asexual nature. The arrival of his mother’s recently divorced friend (Barbara Bouchet) may be exactly…
Love's Secret Domain
*2022 gold vinyl repress with insert. 100 copies limited edition* In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedeli…
c'est pourquoi il importe, aux époques d'adversité, de demeure (LP)
No one knows or will ever know who ASTREINTE are and what their story is. If ever told, they’ll be immediately elevated to cult status considering their personal backgrounds and live shows (besides the fact that anything remotely French, sounds wonderful in North America nowadays). ASTREINTE is a five to nine members collective delivering a totally deafening sonic wall assault directly inspired by Japanese legends such as Hijokaidan or CCCC. The group mainly consists of hippies, crust punk…
Exposition of Cloves
*Edition of 300* Exposition of Clove is the new fast electro-acoustic album by the duo of Matteo Castro and Riccardo Mazza. Hailing from the farthest North-East glacial tip of Italy, Lettera 22 utilize elements of musique concrete sound sources, delicately sampled, looped and edited; resulting in 5 very subtle and rich compositions of textured noise and field recordings via analogue tapes and feedback.
Amour et Sepulcre
Debut LP by the new creepy and romantic basement organ project of Romain Perrot (Vomir). The other night I dreamt about a parallel universe in which Klaus Schulze had some sort of government-paid job installing contact mics and analog synths (which I suspect was mainly to annoy Tangerine Dream) in all the big European cathedrals to "modernize" the pipe organs. I told him how they used to make cobwebs in the early Dracula movies; you punch a small hole in a yogurt pot full of liquid latex attache…
Bastet
Collaboration piece between two major players in the contemporary Italian electro-acoustic music scene. Alberto Boccardi has studied composition and music theory at Milan's Music Civic Academy and has frequently collaborated with Lawrence English, Nicola Ratti, or Maurizio Abate among others while Stefano Pilia is a prolific guitarist and electro-acoustic theorist with a massive body of work and compositions. He has collaborated with Mike Watt, Nico Vascellari, David Tibet or Valerio Tricoli to …
Shirk
*Edition of 300* Shirk is the new AOR flavored free improvisation solo album by Sam Shalabi featuring Eric Chenaux and Nadah El-Shazly where Synth Pop and Sound Poetry fester. Sam Shalabi is an Egyptian-Canadian composer, improviser and guitarist living between Montreal and Cairo. Starting out during the late 70s punk era, his work has evolved into an experimental synthesis of modern Arabic Music that incorporates free improvisation, traditional Arabic music, noise, classical, text, and jazz. Ot…
The First
Gentle garage-psych with a dreamy west coast flair and tons of awesome fuzzed-out guitars... with Korean-language lyrics. Originally released in 1977, South Korean trio San Ul Lim's debut album sounds like the best psychedelic power pop and garage stuff you could get in the UK and USA ten years before its release. One of the most popular acts on the Korean scene, San Ul Lim had exactly this typical 1966 garage sound, with fuzzy axes and some thin but sympathetic Farfisa organs. These composition…
The Uplifting Abyss
CD edition, 6-sided digipak with booklet. What would you do if a never before released jazz funk album from 70s Yugoslavia had dropped suddenly into your arms? An album which sounds like a crate diggers holy grail!? Album full of heavy drum breaks, repetitive bass grooves, superb sax solos and world class jazz arrangements finely intertwined with Yugoslavian folk music elements?! – “Press it!” ~ That’s what we said always striving to present the future of unheard sound of Yugoslavia! With the he…
Nihonjin 日本人
Some albums are certainly a kind of holy grail for music lovers and collectors of a certain genre, style and era. Far Out with their eponymous debut and unfortunately also farewell album from 1973 have created such a sacred gem. Original copies in good condition change hands for up to 2000 USD and there are certainly a few not so official reprints on vinyl and CD out on the market which do not even come close to do justice to the greatness of the old original black gold. But here we go with the …
Pyramids
Bala Miller was famous for pushing boundaries. His first job was selling beer in the Muslim north. And as a musician he'd always try to sneak in 'local' flourishes while playing trumpet with Bobby Benson and Victor Olaiya. It was with his band, the Pirameeds, however, that he was able to realise his dream of incorporating northern tunes into mainstream highlife. Honed razor sharp from a residency at the Costain Club in Kuduna, the band recorded Pyramids, a breathtaking fusion of Hausa rhythms, j…
Country Boy 'Mr. Funkees'
Don't let the floppy hat and rolling English countryside on the cover fool you. Harry Mosco's Country Boy is a certified floor-filler, bursting with Studio 54 era disco-funk as well as a token reggae monster, complete with its own dub version. Harry Mosco always had swagger. A founding member of The Funkees, he'd stride out on stage in tight pants and dark sunglasses, commanding the attention of a population distracted by war. When The Funkees split in London, it was clear that his star would ri…
Cold Fire
The self-proclaimed funkiest band on the west coast of Africa, the Heads Funk Band, could arguably make that claim for the whole continent. Featuring the slick guitar of Felix ‘Feladey’ Odey, the slinky drumming of Eddie Offeyi and the swirling keyboard chops of Kevin ‘Fortune’ Coburn, nobody was funkier. And that’s not even taking into account the dance floor monsters they were releasing at the same time as Akwassa. Cold Fire was their second album as the Heads Funk Band. Where their first albu…
Reflection
AKA's 1970 debut album Do What You Like (GM 201CD) combines earthy, heavily buzzing, and fuzzed-out rock monuments in the vein of classic UK and US bands with a few tunes in the Continental European heavy rock style, with big chorus lines and a bit of a pop thrown in for good measure, plus great melodic ballads and pop tunes in their native Indonesian language. The Indonesian band carried their trademark sound through whole recording career, including Reflection, their fifth album, originally re…
Osamu
This is the third album by Osamu Kitajima, one of Japan’s most prolific artists from the ethno rock, world music and progressive department. You can certainly not divide all the mentioned stylistic aspects from each other for they were all incorporated in a homogenious sound and complex arrangements. It is the same with his other albums like "Benzaiten“ and or his fourth "Masterless Samurai“; traditional Japanese music meets Western jazzrock and progressive sounds to form a new style unheard by …
Anthony 'Reebop' Kwaku Bah
Killer 1973 Solo album from the percussionist of kraut band Can. A boiling cauldron of polyrhythmic grooves and jazz improvisations with a strong early 70ies prog touch, haunting Exotica jazz passages with “jungle” feel. For fans of Osibisa, Fela, Ginger Baker Airforce, Miles Davis… all around 1969 to 1973 This is the 1973 solo album by Ghanaian percussionist Anthony Kwaku Bah, who was given the nickname „Reebop“ by American jazz legend Dizzie Gillespie. He passed away early at the age of 39 in…
A Safe Return
Everland Jazz have picked a real gem for a reissue here! Originally released in 1980, “A Safe Return” is the second album by the Surinam jazz flutist Ronald Snijders. It is a strong alloy of soul, funk, jazz and smooth disco sounds! Mersmerizing musical craftsmanship! “Lenox” the opening track, has a playful haze escaping from every groove,with a solid hypnotical rhythmical base and haunting flute melodies that have the character of the lead vocals. Despite the slower pace, the jazzy approach of…
Natural Sources
"Some albums show you right away what kind of spirit backs them. Ronald Snijders solo debut from 1977, Natural Sources, is one of these. It begins with a free improvised, sometimes scatting flute and while the flute goes more and more crazy some scat vocals join in to make this first track a kinda strange affair. Jazz, free and spirited, seems the way but Ronald Snijders, son of Surinamese composer Eddy Snijders, outwits us in all our tiny minded expectations with the next song already. An everg…
I Want You Girl
In mid-seventies, Nigerian bands came and went with alarming regularity, rising meteorically from the slums to stardom and falling back again just as quickly. Masisi Mass Funk from Anamara State was one such band. But during their brief moment in the stratosphere, they produced a funk gem in I Want You Girl. The band was championed by Ebere Ikoro from the Hygrades. He took them under his wing after an ill-advised collaboration with Soly Dibong. They were originators not imitators, he said. He pr…
First Collection
*In process of stocking* After almost two years of work, we're glad to invite you to a new journey through the fog of time and enjoy the upcoming reissue of the great Ambient/Folk record from 1984. A well-known to collectors but extremely rare record by Jon Iverson a multi-instrumentalist from Palo Alto and his college friend, mandolinist Tom Walters. They shared a love for singer/songwriter fare and gigged around campus playing covers of Neil Young, CSN, and Loggins/Messina in the late '70s. "F…